Vermiglio

As a fan of historical films, Vermiglio really stood out to me with its immersive take on the past. The movie does a remarkable job of transporting you to a different time, blending historical accuracy with an intriguing mystery. The setting and costumes feel authentic, adding a layer of depth that makes the world come alive in a way that's both captivating and thought-provoking.

The plot unfolds at a steady pace, revealing its secrets bit by bit, and while it may be a bit slow at times, the performances keep you invested. The lead actor does an excellent job portraying a character caught between the weight of history and personal turmoil, and I found myself connecting with them on a deeper level.

The film offers a unique lens on history, not just as a backdrop but as a force that shapes the characters' actions and decisions. It's this combination of historical context and personal drama that makes Vermiglio an engaging watch for anyone who enjoys films that offer both a captivating story and a rich historical setting. Although it's not flawless, it's definitely a worthwhile experience that lingers long after the credits roll.

VERMIGLIO (2024) Mauro Delpero's beautifully crafted drama about an Italian family during the waning days of WWII. They are a large (and still growing) family headed by a proud and vain schoolteacher Cesare (Tommaso Ragno) in their small village in the Alps. Pietro (Giuseppe De Domenico) a soft-spoken Sicilian soldier who has escaped the Germans at the front is hiding out in the Vermiglio township. He falls for the eldest daughter Lucia (Martina Scrinzi) . The romance momentarily is a ray of hope for the family even if they have their doubts about the wayward young man.

Delpero's script captures the trials and tribulations of the entire clan, including the children. The story is never rushed, yet never feels slow. Each individual is given respect by her writing and tender direction. Mikhail Krichman's burnished cinematography handsomely depicts their existence. The mountains give the exteriors a grandeur, but it's never merely picturesque. It's all part of the landscape for the villagers hardscrabble life during wartime.

VERMIGLIO shows that no matter how far away from the battlefield one may be, there are always repercussions both immediate and long-term. There is pain, secrets, loss and memory. As the movie eloquently states: Tears can be both a sign of sadness and sorrow - as well as hope and happiness.

The film is a visual feast. Cinematographically, it's very good. The art director did a great job. This made the director's job much easier. Both interior and exterior shots are very successful. But I can't say the same for the script and acting. The script contains very disjointed stories and this makes it difficult to concentrate. The acting was too heavy for a cinema film. In many places I felt like I was watching a theatre rather than a cinema film. Overall, I can say it was a good film. But you won't lose much if you don't watch it. But if you have plenty of time, it is a watchable film Good luck.

I found "Vermiglio" a very beautiful, unusual and yet highly relevant movie. This is cinema at its best. The acting is excellent and the narrative is very well constructed, highly touching and superbly conducted. This is one of the best movies I saw in recent years. I found the language extremely beautiful and the photography just amazing. The story of the family is highly plausible and the references to the social reality of the Trentino during and after the Great War appear truthful and deserves to be looked at as an experiment in social analysis. The respect with which the religious dimension is treated deserves my highest praise. In other words, besides being poetic and truly beautiful, «Vermiglio» brings us back to a world that is about to disappear in Europe. As non-Italian, I am now ready to visit the real Vermiglio and once being there reflect on the effects of this wonderful movie. It deserves to be seen by anyone that loves real cinema, that searches for the understanding of the human condition and, most importantly, does not abdicate of the aesthetic dimension of life in the world of today. The music is excellent and the sound of the «Miserere» sounded in a moment of deep sorrow in the family was deeply touching for me. I congratulate all those who participated and contributed to this beautiful work of art.

To say this was a beautiful film is an understatement. Maura Delpero does such an incredible job of taking us back to the 1940s when WW II was ending to a quiet, village nestled in the Italian Alps as we become a part of the Graziadei family. We watch as their joy, sadness, and secrets unfold. The Cinematography work by Mikhail Krichman was spectacular! The cast was quite strong especially that of Tommaso Ragno, Martina Scrinzi, and Carlotta Gamba. I do not speak Italian but following the story with subtitles was a breeze and didn't detract from this film. All you have to do is watch the actors eyes and mannerisms and you feel what they are going through. The sign of a great film.