IMDb-BEWERTUNG
5,7/10
24.250
IHRE BEWERTUNG
Gary, der gerade Samantha, die Frau seiner Träume, geheiratet hat, entdeckt, dass ihr sechsjähriger Sohn der Antichrist sein könnte.Gary, der gerade Samantha, die Frau seiner Träume, geheiratet hat, entdeckt, dass ihr sechsjähriger Sohn der Antichrist sein könnte.Gary, der gerade Samantha, die Frau seiner Träume, geheiratet hat, entdeckt, dass ihr sechsjähriger Sohn der Antichrist sein könnte.
- Auszeichnungen
- 1 Nominierung insgesamt
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This film is hilariously entertaining if you recognize the intended allusions, particularly the nods to THE OMEN. Adam Scott and Owen Atlas are charming as step-father and son, especially in the water park scenes. Evangeline Lilly is surprisingly perfect as the ditsy mom; she delivers her lines with impeccable comic timing. I've never seen her outside of LOST and her performance here is spot-on. Yes, some bits are campy and silly, but the overall message is touching and relevant.
The first thing to say is that the first two acts of this movie really struggle to truly find the line between horror and comedy. It tries to find comedy in a normal person reacting to a devil child, but that is pretty much every possession horror ever so there isn't much new ground there, and the attempted comedy often falls flat while also taking away from the potential actual creepiness of the scene. It's easy to rule this out as a failed attempt at recapturing the Tucker and Dale vs. Evil vibe.
But then the third act happens and the movie really comes into its own. The humour and tension are amped up and instead of being a shadow of dozens of horrors and a shadow of dozens of comedy it becomes its own movie and is much better for it. There is even a great message about the difference between nature and nurture and there are some good original ideas that make it much more enjoyable.
Overall it is a shame you have to wait for the third act to get going, especially since they show the catalyst for this momentum shift at the very beginning. You could argue they need the first two acts to set up for the third, but if so then they should have focused more on the comedy since there are way too many evil/possessed child films to care about getting that part right. Still though it's hard not to recommend this movie since the third act is really enjoyable, I just wish they could have gotten there sooner. Maybe just skip to that point.
But then the third act happens and the movie really comes into its own. The humour and tension are amped up and instead of being a shadow of dozens of horrors and a shadow of dozens of comedy it becomes its own movie and is much better for it. There is even a great message about the difference between nature and nurture and there are some good original ideas that make it much more enjoyable.
Overall it is a shame you have to wait for the third act to get going, especially since they show the catalyst for this momentum shift at the very beginning. You could argue they need the first two acts to set up for the third, but if so then they should have focused more on the comedy since there are way too many evil/possessed child films to care about getting that part right. Still though it's hard not to recommend this movie since the third act is really enjoyable, I just wish they could have gotten there sooner. Maybe just skip to that point.
The trailer for "Little Evil" was hilarious. Unfortunately, there isn't enough material here to sustain a feature length film. Forty minutes in I found myself looking at my watch ... and I don't even wear a watch. I was hoping for "Zombieland" but alas, I got "Krampus".
If you like the supernatural horror genre and horror/comedy mashups in particular, "Little Evil" is still worth a viewing, not least to catch the abundant allusions to "The Omen," "The Shining," et al. All others should pass this one by.
If you like the supernatural horror genre and horror/comedy mashups in particular, "Little Evil" is still worth a viewing, not least to catch the abundant allusions to "The Omen," "The Shining," et al. All others should pass this one by.
Everything is technically fine here. Good acting, surprisingly solid special effects and it looks pretty good. But the actual content of this is quite tiresome. It doesn't want to go fully goofy like Hell Baby but also doesn't want to be a full-on horror. It wants them both and that's when it started to grate on me.
This part they want to be funny, this part is supposed to be scary and then we're supposed to care about the characters. Perhaps someone could or has pulled off these tonal shifts successfully but this movie does not. It's boring, predictable and neither funny nor scary.
I'm starting to feel like Netflix wants more original scripted movies but isn't doing a very good job of deciding what is actually good. Don't watch this. It's not terrible, it's just not worth anyone's time.
This part they want to be funny, this part is supposed to be scary and then we're supposed to care about the characters. Perhaps someone could or has pulled off these tonal shifts successfully but this movie does not. It's boring, predictable and neither funny nor scary.
I'm starting to feel like Netflix wants more original scripted movies but isn't doing a very good job of deciding what is actually good. Don't watch this. It's not terrible, it's just not worth anyone's time.
It was an okay movie, i really like Adam Scott's previous works but this time he didn't get to me. The humour is alright, most of it isn't funny but weird and childish. (the dark humour in this movie is terrible) Bridget Everett is playing as lesbian stepdad ''AL'' and are ''Gary's'' (main person)helping hand in stopping the Antichrist. In most of the scenes ''Al'' is just cringe-worthy. It was kind of a brain-dead movie,no real reason to pay attention to details. But again, the movie was watchable and got a few scenes that will give you a grin.
Wusstest du schon
- WissenswertesWhen Al mentions that his stepson always wants to watch the Pitch Perfect movies, everyone reacts negatively. That includes Larry, who's played by Donald Faison, who appeared in Pitch Perfect - Die Bühne gehört uns! (2012).
- PatzerWhen the stepdad group is getting ready to take on the cops in the monster truck, there is a jean jacket wearing arm that comes down, left side of screen, behind cops as if waving to monster truck to hit the gas. Next shot just shows cops running.
- VerbindungenFeatured in WatchMojo: Top 10 Hilarious Horror Parody Movies (2019)
- SoundtracksYour Good Lovin
Performed by The Pentagons
Written by Joe C. Jones and Willie Otis Munson
Courtesy of Tru-Gems Records c/o Gravelpit Music
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Details
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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