周處除三害

This extremely entertaining Taiwanese neo-noir works both as a pitch-black comedy and as a slick action thriller.

Lone hitman Chen Kui-lin, the film's protagonist, enters the scene with swaggering charisma, murders a gangster, then proceeds to daringly escape from policemen through buildings and rooftops. All of this shot with plenty of energy and bravado. And that's just the first 15-20 minutes of the film.

Soon he learns he's got stage four lung cancer, news that, understandably, put him in a depressive mood. But then he finds out he's only the third most wanted criminal in Taiwan, so he sets out to eliminate his competition before time runs out.

The premise is promising and lets you know you're in for some premium east Asian fatalism. You know that mix of melancholy and unpredictable, extreme violence that permeated the works of, say, Kim Jee-woon or Park Hoon-jung? Couple that with some twisted humor and you've got a winner.

In fact, I've mentioned those directors because this film has distinct two halves, and the first one resembles A Bittersweet Life or Night in Paradise somewhat. Until the second hour, it's a crime thriller with bursts of solid action, polished to a fault. Then it turns into a contemplative drama that reveals the film's more spiritual, reflective side. But surprises are still in store for the viewer.

I love tonally uneven genre films and this one sure fits the bill. Some might not like how it swerves into so many directions before settling down, but I felt like it only added to its charm. Director Wong Ching-Po isn't new to this type of film (if you've seen Revenge: A Love Story, you'll have some indication about how this one turned out), and his script extracts some great performances from the actors. Ethan Juan, as a homicidal protagonist, and Yi-wen Chen, very memorable as a spiritual leader, are standouts.

In all, this is a technically polished, fantastically shot and scored crime thriller which offers more than just surface-level genre pleasures. It's also got a deeply cynical worldview and an aura of eccentricism that work in its favor. Big recommendation.

Often enough, I stumble upon movies where I only witness the movie poster and add them solely based on that without going through the movie profile. This was one of that category, I loved the poster, the poster gave me black comedy, thriller, violence vibes and to be fair I was not that far off.

I enjoyed this movie, had a nice interesting and styled on start, moved on with a fine pacing and the ending was good too, something I didn't expected. Two things out of the most that hits me the most when judging a movie is the start and the end, and this film definitely had that, which worked for me. Main character worked wonders for me, the actor portraying it and the character itself. Been a long time since I saw a loner character like this. I loved the actor, will be looking into his profile, hoping he has more thriller/crime genres under him.

Character development subject was poked in other reviews but I feel the story telling for all characters in the movie were apt, it was considerable amount for the main story to progress so I certainly don't agree with others poking on other characters development. The protagonist might not be a saint nor might be the other characters, but I can see the reasoning for everyone's actions. The movie showcases connections between the cop, rescue girl and the doctor, which I feel is sufficient for each of them to get to know the protagonist's doing and reacting to it as they all do in their own ways, from the start to the end.

I feel if someone doesn't buy the protagonist's character then their won't be any interest from the get going failing the movie from start itself. I watched this with subtitles as I am not native but I know how acting depends on the dialogue delivery as well, so from a non-native's point of view, I felt everyone did good in acting. The locations were great, didn't feel cliched or fake.

With that all, I feel the movie deserves to have rating atleast in the 7s, movies like these deserve applaud and I will most certainly do that as it deserves.

I have ZERO expectation when I got into the theater, FULL of surprise when I left. Taiwan's movies are getting better and better.

The chase scenes are tense and the fight scenes are fiery, full of Taiwan's unique characteristics. There was one scene that I really want to scream at the theater, so good so good. (You know which scene I'm talking about if you watch the film, I give you 10 second to think or LEAVE)

The characters are well developed. Every actor did a great job, especially Ethan Juan, Ben Yuen and Yi-Wen Chen.

The story contains Buddhist principles, is meaningful and full of fun. The Chinese name 'Zhou chu chu san hai' has a inspiring story behind. If interested, you can go check it out.

Really worth seeing.

To those suggesting the film is from mainland China, it's important to clarify that, although I am from mainland China myself, this movie was entirely produced in Taiwan. The title may draw inspiration from a Chinese fable, but the creation is Taiwanese. It's crucial not to misattribute achievements or claim recognition undeservedly. Acknowledging our current position without misleading ourselves is vital. I've observed a significant increase in the quality of Taiwanese TV series and films recently, which meet international standards and indicate a thriving industry. In comparison, the market in mainland China faces different challenges. I greatly respect and admire the Taiwanese film industry for its distinct path and the quality it has achieved.

This had to be the best Chinese film I watch this year. The chasing fight was intense and brutal , powerful script writing that bring u in character changes. All cast superb in their acting. Bring a lot of memories when it's show the style of classic Hong Kong filming..Too bad this movie not well publize to some Country due to its sensitive content. Taiwan movie really improve year by year , willing to challenge all type of content. Its show to some movie maker u don't have to bring in traffic star or big production to make a good movie. This the only Chinese film I proud to show my foreigner friends in 2023.