The Painter

Aside from this being nothing new or original, it's a poorly written and directed effort with corny dialogue and laughable action scenes.

In the early stages, we are meant to believe that a criminal of some importance has a security team made entirely of imbeciles that can't fight. They're so bad in fact, that a single man who moves slowly can defeat them all. Perhaps part of the reason for this is that, when one of the bodyguards is fighting with the hero, all the others become paralysed and only regain the ability to move when it's their turn to throw a punch 3 yards from his head. Throw in the odd embarrassingly bad commando roll that wouldn't look out of place in a 4 year olds gymnastics class and there you have it.

But that isn't all this cinematic masterpiece has to offer. No, it also has highly trained operators armed with assault rifles that couldn't hit a barn from 5 yards away. If those are the people that are meant to keep us safe, then we are doomed as a child with a catapult would make a more effective fighting force.

Finally, we come to the twist and the last bit of dialogue, which is delivered with all the emotional intensity of someone reading their gas bill out loud.

Consider this my favour to you - I have watched it so that you don't have to.

Former CIA assassin Peter Barrett (Charlie Weber) is living off the grid rural Oregon as a painter after a tragedy 17 years prior caused a rift between his estranged wife and fellow agent Elena Maran (Rryla McIntosh) brought about by the death of their unborn child. Peter's life is interrupted when a young woman, Sophia (Madison Bailey), shows up claiming to be his and Elena's daughter and is seemingly hunted by CIA assassins. Seeking help from his mentor and adoptive father Henry Byrne (Jon Voight), Peter with Sophia in tow seeks to find out the reason behind Elena's apparent disappearance as they elude the corrupt section chief Naomi Piasecki (Marie Avgeropoulos) and her top assassin Ghost (Max Montesi).

The Painter is a 2024 action film that comes from Paramount's recent relaunch of the Republic Pictures label which is an extension of the company's Paramount Global Content Distribution which specializes in low to mid budget genre fare such as last year's Assassin Club. Produced with a primarily Canadian cast who are primarily affiliated with TV shows, the biggest names attached are producer Steven Paul and actor Jon Voight who are no strangers to working together with the two having jointly brought to life such films as the Baby Geniuses series, Karate Dog, and the Bratz movie through their regular collaborations. From the plot and production it's clear that The Painter is cookie cutter action junk tailor made for international deals at film markets and easy consumption through VOD, and while that alone shouldn't necessarily put you off something like this, the complete lack of passion and enthusiasm on display certainly is.

From the opening sequence which sees Jon Voight sporting a ridiculous fake moustache that's barely above the level of something from a joke shop to exposition laid on so thick you can practically cut through it, The Painter has all the hallmarks of a Canadian tax shelter production complete with threadbare production values that look barely above the level of a scrapped TV pilot. Charlie Weber is a charisma vacuum in a role that calls for him to be about as boring as you can make a leading man and Madison Bailey has no chemistry with Weber with the father/daughter dynamic never taking hold and leaving the actors feeling aloof from the material. Jon Voight sleepwalks through his role with the only unintended amusement coming from him being (according to the movie anyway) a "master of disguise". Despite being helmed by a stunt coordinator Kimani Ray Smith, The Painter is decidedly lacking in memorable action beats with most them not all that well staged, no real memorable choreography, and in some cases just outright leaps in logic such as a scene requiring Peter "teleport" in order to avoid certain death. That's to say nothing of the CIA that's so stupid that their strike team apparently goes out into the field with "CIA" written on their tactical gear (and hidden by just a velcro strap by the looks of things). The one (mostly) consistently enjoyable thing was Max Montesi as Ghost who doesn't give a good performance, but it's so energized in its scenery chewing tonal collision with the rest of the film that I did get some unintended laughs from it.

At a time when the assassin subgenre of action films leaves average viewers spoiled for choice with better alternatives (The Beekeeper is a much better movie of this type that leans into the silliness) The Painter has even less reason to exist beyond being bad at its job. As we await the inevitable day this film disappears into the back ends of Tubi and Amazon Freevee, when that day comes remember: there are much better options.

Right before seeing this I watched another 2024 action movie: 60 Minutes. There was practically no plotting on that one, but for a realistic feel and some decent action I gave it a 5 on another website. I was a bit surprised by the negative reviews of this movie here on Imdb, so I'm gonna write one that's not so upfront and insulting, you know, one that's more informative.

OK, so I'll point out that I thought the protagonist's essential super hearing was a bit creative. Other than that, I'm not really seeing anything here that hasn't been done before. Even though the writer certainly tried to bring some depth to all the characters (and thankfully the plot relies on this), the actual plot progression has been done many times before. Lather, rinse, repeat. Even the relationships between characters could be seen in the next Spy Kids movie.

We've gotten quite a few action movies that follow a basic formula this year, but this movie is more of a knockoff of many other knockoffs than others. Having said that, the filmmaking itself is never really terrible or even "bad" for that matter, but the acting quality varies and the plot can often be guessed.

Within the first 20 minutes of the start, I was thinking ,this would be a much better movie with better actors. Cases in point, Charlie Weber, Marie Avgeropoulos, and Leah Gibson (maybe not quite as bad as the others). No real emotion or even inflection when they're speaking. There were bright spots...Madison Bailey with the emotion and timing, very believable. And Max Montesi with the crazy, VERY BELIEVABLE. As highly predictable as the movie is, it is fast moving with decent action throughout, thank goodness. I don't know that I would actually recommend The Painter, but I did watch it to the end.

I was hoping this was one of those movies where the trailer was the only good part of the movie - but alas, that was not the case with this one.

This theme has been done a million times and it's overdone; they couldn't even hold our interest for the whole movie.

Sooooo many things don't make sense in this film - you don't even have to be that familiar with law enforcement to know what they're trying to do is ridic and would never actually take place.

Casting of the 'Bureau Chief' in particular was so horrifically bad in all ways, we couldn't stop laughing (so there WAS a bright spot, I guess). And even Voight, who has made some amazing movies was robotic and boring; takes a special kind of BAD to ruin a movie that should be fairly simple to make these days.