Lady Ballers

"Lady Ballers" was a film I approached with some anticipation, given its intriguing premise. However, I found it to be disappointingly shallow and pedantic. The acting across the board was underwhelming, contributing to the film's overall lack of depth and engagement.

A critical drawback of the movie was its humor, or the lack thereof. The jokes felt forced and failed to elicit the intended laughter, detracting from the viewing experience. This issue could partly be attributed to the script, which seemed to need more refinement. The potential for a successful comedy was there, but it required a sharper and more experienced comedic writer to bring it to life.

The film appeared to serve more as a vehicle for promoting Jeremy Boreing's businesses than as a piece of entertainment. This focus undermined the story's authenticity and the characters' relatability.

Tyler Fischer's presence in the film was a lone bright spot. His natural comedic talent shone through, despite the limitations of his role. Fischer's performance gives me hope for his future projects, as he clearly has the potential to excel with better material.

In conclusion, "Lady Ballers" misses the mark in several key areas, making it a less than satisfying watch. The concept was promising but was let down by lackluster execution and a script in need of a few more rewrites. It's a 4 out of 10 for me, primarily saved from a lower score by Fischer's brief moments of comedic relief.

Watched Lady Ballers this morning. It's available only on Daily Wire+. The movie reminds me of comedies from the 80's or 90's; silly and irreverent. No nudity, but there are some racy jokes about body parts and bedroom acts.

Jeremy Boreing plays the head coach of a men's basketball team who all decide to identify as female to win a women's tournament. The jokes practically write themselves. To be honest, some land and some don't. Enough land, however, to rank LB at 7/10.

Matt Walsh playing against type as "Kris" the hippie was delightful. Couldn't stop laughing whenever he was on screen. And, the actress who plays coach's daughter is very sweet. She steals the opening scene.

What I didn't expect to be so wow-ed by was the musical score and beautiful drone shots of Nashville. The opening theme song is earnest and oh-so cheesy; a la American Flyers. Love it! There were lots of musical changes of pace, too, like the switch to an old-worldy accordion tune for the scene where coach is getting roughly handled by the dominatrix reporter. "Furnace burn!"

I've also got some quibbles. For example, the final, fade-to-black image was totally unrelated to the rest the movie. Just oddly edited. Also, the players were too often either fighting or high fiving. That got old quick; as if dudes can't just sit and chill without punching each other.

Overall, it was fun.

I'm a DW supporter, and I want them to produce great content. This is only OK.

Run hide fight was good, not great.

Terror on the prairie was ok, Shut in was rough What is a woman was great doc Convicting a murderer was great doc

First of all. 1h52m is way too long for a comedy, unless it is absolutely amazing. Should have been 80 minutes. We found ourselves struggling to get to the end. It's a comedy, get in there, make the jokes, get out on a high point, fill it with a story with a remotely plausible plot.

I like them using DW folks for some of the actors, but Boreing as a lead fell pretty short. Some parts of his acting was fine, most was not. Didn't seem natural. Probably keep him to cameos only going forward.

The plot was weak on the whole. The idea was great, but execution is tough I guess. Comedies are not supposed to be the most cerebral of genres, but if all you're standing on is the jokes, they better bring the heat.

The writing/dialogue was fine for the most part.

Jokes were okay without being excessively mean spirited.

They are a new studio, so I am hopeful they will improve.

DW promised a goofy, early 2000s comedy with a message and I believe, overall, in landed. I enjoyed it and laughed at the slapstick goofiness and appreciated the meaningful bits. I can see and understand where it fails a little too.

As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."

If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.

The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.

That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.

Watched this and was entertained, but it's not great movie by any means. I do not think that the Daily Wire has hit the mark with this film. They're always talking about Politics being downstream of Culture and that their hoping to get involved with the culture and change it. This film has too much over politicization to be smartly funny and effect the Culture.

I enjoyed it once and will probably never watch it again. I would not say it was especially funny and I think this movie is really just for conservatives.

Like Matt Walsh's "kids" book I think it overall is a missed opportunity of doing something that could have wider cultural weight.