IMDb-BEWERTUNG
5,7/10
12.687
IHRE BEWERTUNG
Ein vom Pech verfolgter Highschool-Basketballtrainer tut alles, um zu gewinnen, was in diesem Fall bedeutet, dass er sein Männerteam dazu bringt, Perücken zu tragen und mehrere Frauensportar... Alles lesenEin vom Pech verfolgter Highschool-Basketballtrainer tut alles, um zu gewinnen, was in diesem Fall bedeutet, dass er sein Männerteam dazu bringt, Perücken zu tragen und mehrere Frauensportarten brutal zu dominieren.Ein vom Pech verfolgter Highschool-Basketballtrainer tut alles, um zu gewinnen, was in diesem Fall bedeutet, dass er sein Männerteam dazu bringt, Perücken zu tragen und mehrere Frauensportarten brutal zu dominieren.
- Regie
- Drehbuch
- Hauptbesetzung
Michael J. Knowles
- Drake Diamond
- (as Michael Knowles)
Empfohlene Bewertungen
Watched Lady Ballers this morning. It's available only on Daily Wire+. The movie reminds me of comedies from the 80's or 90's; silly and irreverent. No nudity, but there are some racy jokes about body parts and bedroom acts.
Jeremy Boreing plays the head coach of a men's basketball team who all decide to identify as female to win a women's tournament. The jokes practically write themselves. To be honest, some land and some don't. Enough land, however, to rank LB at 7/10.
Matt Walsh playing against type as "Kris" the hippie was delightful. Couldn't stop laughing whenever he was on screen. And, the actress who plays coach's daughter is very sweet. She steals the opening scene.
What I didn't expect to be so wow-ed by was the musical score and beautiful drone shots of Nashville. The opening theme song is earnest and oh-so cheesy; a la American Flyers. Love it! There were lots of musical changes of pace, too, like the switch to an old-worldy accordion tune for the scene where coach is getting roughly handled by the dominatrix reporter. "Furnace burn!"
I've also got some quibbles. For example, the final, fade-to-black image was totally unrelated to the rest the movie. Just oddly edited. Also, the players were too often either fighting or high fiving. That got old quick; as if dudes can't just sit and chill without punching each other.
Overall, it was fun.
Jeremy Boreing plays the head coach of a men's basketball team who all decide to identify as female to win a women's tournament. The jokes practically write themselves. To be honest, some land and some don't. Enough land, however, to rank LB at 7/10.
Matt Walsh playing against type as "Kris" the hippie was delightful. Couldn't stop laughing whenever he was on screen. And, the actress who plays coach's daughter is very sweet. She steals the opening scene.
What I didn't expect to be so wow-ed by was the musical score and beautiful drone shots of Nashville. The opening theme song is earnest and oh-so cheesy; a la American Flyers. Love it! There were lots of musical changes of pace, too, like the switch to an old-worldy accordion tune for the scene where coach is getting roughly handled by the dominatrix reporter. "Furnace burn!"
I've also got some quibbles. For example, the final, fade-to-black image was totally unrelated to the rest the movie. Just oddly edited. Also, the players were too often either fighting or high fiving. That got old quick; as if dudes can't just sit and chill without punching each other.
Overall, it was fun.
I lean conservative, I'd like to think too that I'm a realist. This movie, realistically does not deserve the high ratings.
The acting, on the whole, is just a titch above high school play level. The story was low IQ level. The jokes not fresh or funny. The pace veeeery slow.
Camera and cinematography was perhaps the best part of the movie.
I just did not find this entertaining.
The whole thing kinda reminds me of when a bunch of guys get together and laugh at farts or when one of their buddies accidently hurts themselves.
Moronic. Boring. Idiotic. Slow.
But then again I'm not a guy, or stuck in high school brain zone.
The acting, on the whole, is just a titch above high school play level. The story was low IQ level. The jokes not fresh or funny. The pace veeeery slow.
Camera and cinematography was perhaps the best part of the movie.
I just did not find this entertaining.
The whole thing kinda reminds me of when a bunch of guys get together and laugh at farts or when one of their buddies accidently hurts themselves.
Moronic. Boring. Idiotic. Slow.
But then again I'm not a guy, or stuck in high school brain zone.
You pretty much know exactly what you are going to get when you turn on this movie. It delivers exactly what it promises - crass humor pointing out and mocking the absurdity of biological men participating in women's sports. If you agree with the message of the movie, you will likely get some laughs out it. If you don't agree with the message, you will definitely hate it. It is glaringly obvious in its message, but no moreso than what you get from Hollywood on the other side of the fence. While this is certainly not gonna win any writing, acting, or directing awards, it is nice to see an attempt to provide an alternative to the left-leaning material that is currently being served up by Hollywood. Hopefully, enough people watch this movie that The Daily Wire and other conservative outlets will continue to provide an alternative to Hollywood's content and will slowly increase both the quality and quantity of content.
DW promised a goofy, early 2000s comedy with a message and I believe, overall, in landed. I enjoyed it and laughed at the slapstick goofiness and appreciated the meaningful bits. I can see and understand where it fails a little too.
As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."
If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.
The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.
That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.
As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."
If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.
The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.
That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.
Pretty decent movie. Good production value from the Daily Wire crew. Blazing Saddles or Friday it's not but a solid effort. Reminds me of Not Another Teen Movie or the Benchwarmers. Slapstick no name cast with a bunch of special appearances. Good to be able to laugh at the reality of the situation. This is exactly where competitive sports are heading with out oversight. And this movie addresses it in a funny manner. Humor is always going to offend someone but in the vein of Family Guy, Chappelle or South Park its distributed equally and not intended for harm. Maybe this can spark more healthy open dialogue.
Wusstest du schon
- WissenswertesThis is the first "comedy" made and produced by the Daily Wire.
- PatzerCoach Bob Gibson enters his home at night only to be surprised by the journalist, Billie Rae Brandt, who broke into Bob's home. She is sitting in a chair waiting for him. As they talk, a small sign hangs on the wall next to the front door, behind the coach's head. When the scene transitions away from the front door to the room's interior, the sign disappears.
- Zitate
Gwen Wilde: I'm a journalist. I literally can't be shamed.
- SoundtracksIt Ain't Over
Written by Will Boreing & Lindsay Boreing
Performed by Will Boreing
By arrangement with William Boreing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Coach Miracle
- Drehorte
- Nashville, Tennessee, USA(Nashville Municipal Auditorium)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Seitenverhältnis
- 2:1
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