Frida

The creator of the film used Frida's art , her writings and media then remixed it. Basically, when Frida was painting one thing, taking still shots photos or writing her items are blended into different time frames that are not accurate.

This is more of a creator showcasing their software blending skills with Frida's life and not your typical historical documentary or Hollywood True Story re-invented. This is not a spoiler rather a review of what to expect. The story plot still exist without me giving away the plot for the person who flagged my review as a spoiler. It's common sense. I wasn't a fan of the remixing of Frida's data with different time waves as it can take away facts from a documentary however I did watch the entire thing. Films are meant to evoke emotion or interest and the film did that.

The film is an introduction to software use heavily in documentary combined with Frida's sole heir niece selling the copy rights off to Frida's art to Frida Kahlo Corporation (FKC) who in my opinion did not do a professional and historical justice of Frida. Love her or hate her; she is still a legend, depicted poorly from the creators own juice...

FYI I am a fan of Hybrid or Ai created art showcases however given Frida's status she shouldn't of been depicted with the latter until we see how generations after us proceed otherwise she may get lost with the times.

This documentary is gorgeous. The documentary itself makes you feel as if you are in a beautiful but dark and painful dream - which is wild because that is her artwork, itself. I watched this completely sober and felt like I was in a trance - taken back into history while floating around in Frida's paintings and pictures. I've been a Frida fan for a while, and probably like so many people, I find the darkness of her life intriguing. Especially the pain of her and Diego's relationship. This documentary gives a lot of insight into that relationship, but it also makes it very clear that Frida is more than that relationship which is what I think she would have wanted. Thank you to the creators of this - it's innovative and beautiful. To the woman reading her diary, notes, etc. - seriously amazing job.

I knew the artist Frida Kahlo and the pain she endured but I didn't know her as a human! This film/documentary completed my knowledge about this human artist person. I found so many thoughts that she had that agreed with mine and I started to feel a strong bond with her and her suffering. She was a true woman, no ifs or buts! She saw the world through a curtain of pain and suffering and few shiny openings available to her. I never had the wish and urge to own one of her paintings but now I feel it would be the greatest honour to own one which of course will never happen because her paintings demand top prices so I have to succumb to having only copies of her works in my home. Frida saw through the superficiality and frivolosity of vain humans and thoroughly hated them. I wonder if those sentiments only existed because of her suffering . In any way her pain gave us wondrous artworks as mirrors into her soul and show through colour and animation that not all of her sentiments were born of hate and despair and that there was always a glimmer of hope to her desolate existence which in her last years seemed to have completely resolved into nothingness and the wish to finally leave this hurting world and to die! I am an atheist ever since I was a child as she was and believe there is nothing after death not even blackness and we return back to the smallest particles of the universe to create something new in an infinite cycle of life and death! Frida Kahlo managed to make herself immortal through her paintings and that is something few of us will achieve ! RIP Frida Kahlo!

Creating this kind of documentary must have been difficult. The years we are talking about are 1907 - 1954 so although there are some original film from those years it is not enough to make a full-length movie, however the directors here choose to almost verbatim read off Frida's diary which is surprisingly reach and spans over many years. Also photos and archives of the actual art and people that are involved. The outcome is mesmerizing and although I'm not a big fan of these kind of documentaries it was interesting enough for a 90 minutes watch.

This is not a kind of a movie that would be a block-buster hit. It is not a person that everyone knows, her life, although very bohemian and flamboyant is still confined to art lovers. And it is a documentary, not showing any actors at all, only real people voices or voice-over. Having said that, I did watch Frida Kahlo movie from 2002 in which she is portrayed by Salma Hayek, and I think this documentary is actually better, in a sense that you are getting what really happened and not a mere Holywoodic mirror of it.

One criticism I do have for this movie is the animation of Kahlo's paintings, which from art perspective is unique and refreshing, but for me sometimes I couldn't tell what was a real painting and what was an artist or CGI alteration of it. I wish they would show the actual art as is, unaltered.

People who decide to watch this movie should be aware of the nudity imagery that this documentary contain, but if you are in learning mode, history and art, you'll find a beautifully made movie and a truly deep life lesson. This movie is absolutely a must for art students and people that have a thirst for knowledge.

Exact score: 77 / 100.

Carla Gutierrez, in her directorial debut, takes on the ambitious task of delving into the multifaceted life of Frida Kahlo in "Frida," a documentary that aims to capture the essence of the artist through her own writings, letters, and interviews. The concept of telling Frida's story in her own voice is, on paper, a powerful idea. After all, who better to narrate the highs and lows of her life-her pain, love, and political views-than the woman behind the iconic eyebrows and self-portraits? But, much like the attempts to animate her paintings in the film, the execution doesn't always live up to the depth of the original work.

The film starts strong, immersing us in Frida's world with rare footage and glimpses of her studio life. These black-and-white scenes, sometimes subtly colorized, beautifully capture the duality of her existence: a modest space for such a grand creative mind. However, as the documentary tries to balance her personal story, political struggles, and physical challenges with an analysis of her work, the weight of stylistic choices begins to drag it down.

A central misstep lies in the decision to animate Frida's paintings. Her works, already brimming with symbolism, texture, and intrinsic movement, don't need dripping tears or fluttering 3D leaves to come alive. These additions feel artificial, like an attempt to translate something already visceral for a digital audience. It's akin to adding unnecessary filters to a perfect photograph-rather than enhancing, it diminishes authenticity. This approach recalls the animated Van Gogh exhibits that have flooded museums and social media, where the visual spectacle often overshadows the original emotional impact.

That said, Gutierrez's love for Frida shines through, and the film has its standout moments. The extensive use of archival materials and the decision to preserve Frida's writings in their original Spanish add an essential layer of authenticity often missing in biographical documentaries. The nuances of her language-her wordplay, irony, and expressions-bring the woman behind the myth to life, offering a glimpse into her complex personality. These choices strike a necessary balance between reverence and humanization, presenting Frida not just as an icon but as a flawed, passionate, and deeply human figure.

However, there's a sense that the film tries too hard to appeal to both younger audiences and longtime fans of the artist. The inclusion of sound effects, like the flick of a cigarette being lit or recreated radio headlines, feels like filler in moments where silence might have been more powerful. These instances underestimate the audience's ability to connect with the story without constant sensory prompts.

On the narrative front, the structure is serviceable but lacks a wow factor. The chronological approach-from Frida's revolutionary youth to the physical suffering caused by the accident that shaped her life, and her tumultuous relationships with Diego Rivera and others-is effective yet predictable. Even so, Gutierrez succeeds in emphasizing Frida's independence in a male-dominated era and her bold political visions. There's something profoundly inspiring about her refusal to accept the surrealist label and her insistence on painting the raw reality she lived rather than disconnected dreams.

Overall, "Frida" is an admirable but uneven effort. It captures fragments of Frida Kahlo's soul but often wraps them in packaging that doesn't do justice to her authenticity. For those who know and love her work, the film serves as a reminder of her enduring impact but might frustrate with its attempts to modernize something that never needed translation. Frida, after all, has always spoken for herself-with brushes, colors, and words that resonate just as powerfully today.