Ein berühmter Dirigent erfährt, dass er adoptiert wurde und einen jüngeren Bruder hat, der in einer Blaskapelle Posaune spielt, woraufhin er ihm hilft, sein Talent zu entfalten.Ein berühmter Dirigent erfährt, dass er adoptiert wurde und einen jüngeren Bruder hat, der in einer Blaskapelle Posaune spielt, woraufhin er ihm hilft, sein Talent zu entfalten.Ein berühmter Dirigent erfährt, dass er adoptiert wurde und einen jüngeren Bruder hat, der in einer Blaskapelle Posaune spielt, woraufhin er ihm hilft, sein Talent zu entfalten.
- Auszeichnungen
- 1 Gewinn & 8 Nominierungen insgesamt
Benjamin Lavernhe
- Thibaut Desormeaux
- (as Benjamin Lavernhe de la Comédie-Française)
Clémence Massart-Weit
- Claudine
- (as Clémence Massart)
Marie-José Billet
- Brigitte
- (as Marie-Jo Billet)
Empfohlene Bewertungen
I don't have an easy tear, but my eyes were shining as I left the hall.
Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.
Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).
The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.
I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.
Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.
Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).
The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.
I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.
Director Emmanuel Courcol masterfully crafts a bittersweet comedy that flows effortlessly, much like the music at its core. The plot is simple: two brothers, separated at birth, reunite as adults. One is a celebrated orchestra conductor, while the other is a chef. For one, music represents a thriving career; for the other, it is a hard-earned passion, kept alive within a scrappy village band in northern France. Despite their contrasting lives, their shared love for music forges an unbreakable bond.
The music, with its universal language, unites and breaks down barriers between individuals. In the same vein, the film conveys a poignant message of empathy, solidarity, and brotherhood-a message that feels more vital than ever today.
The music, with its universal language, unites and breaks down barriers between individuals. In the same vein, the film conveys a poignant message of empathy, solidarity, and brotherhood-a message that feels more vital than ever today.
"The Marching Band" (2024) is one of those rare films that stays with you long after the credits roll. Directed with incredible sensitivity and vision, it captures the raw emotions of its characters and presents a story that feels both deeply personal and universally relatable.
The performances are outstanding - every actor brings authenticity and depth to their role. The music, naturally central to the story, is woven in so seamlessly that it feels like a character of its own, carrying the audience through moments of joy, sorrow, and quiet reflection.
What moved me most was how the film portrayed resilience and human connection without ever feeling forced or overly sentimental. It's honest, heartfelt storytelling at its best.
Visually, the movie is stunning too - each frame feels carefully composed, almost poetic. The director's touch is gentle yet firm, allowing the story to unfold naturally while maintaining a clear artistic vision.
I wholeheartedly recommend "The Marching Band" to anyone who loves films that speak to the soul. It's a beautiful reminder of the power of art, music, and human perseverance.
The performances are outstanding - every actor brings authenticity and depth to their role. The music, naturally central to the story, is woven in so seamlessly that it feels like a character of its own, carrying the audience through moments of joy, sorrow, and quiet reflection.
What moved me most was how the film portrayed resilience and human connection without ever feeling forced or overly sentimental. It's honest, heartfelt storytelling at its best.
Visually, the movie is stunning too - each frame feels carefully composed, almost poetic. The director's touch is gentle yet firm, allowing the story to unfold naturally while maintaining a clear artistic vision.
I wholeheartedly recommend "The Marching Band" to anyone who loves films that speak to the soul. It's a beautiful reminder of the power of art, music, and human perseverance.
It's only the beginning of 2025 and already I feel like I've seen the best movie of the year.
It's one of the best movies I have ever seen.
'En Fanfare' reminds me a bit of 'Brassed Off', also about a brass band but then in a coal mine in The United Kingdom.
The beautiful classic music ties in nicely with the beautiful song 'Emmenez moi' of Charles Aznavour, my favourite French singer. The two leading actors - Benjamin Lavernhe and Pierre Lotin - are excellent in their roles of two brothers who only verly late in live know that they are brothers. It's a drama but with a lot of warmth and some laughs.
One can completely empathize with this realistic and deeply human story.
I highly recommend everyone to watch this beautiful film, but on the big screen in the cinema.
And when the film ended, there was applause from part of the almost full hall. I had never experienced this before in cinema, and I have been going for many years.
It's one of the best movies I have ever seen.
'En Fanfare' reminds me a bit of 'Brassed Off', also about a brass band but then in a coal mine in The United Kingdom.
The beautiful classic music ties in nicely with the beautiful song 'Emmenez moi' of Charles Aznavour, my favourite French singer. The two leading actors - Benjamin Lavernhe and Pierre Lotin - are excellent in their roles of two brothers who only verly late in live know that they are brothers. It's a drama but with a lot of warmth and some laughs.
One can completely empathize with this realistic and deeply human story.
I highly recommend everyone to watch this beautiful film, but on the big screen in the cinema.
And when the film ended, there was applause from part of the almost full hall. I had never experienced this before in cinema, and I have been going for many years.
Just watched it on Varilux French Movie Festival in Brazil.
Nice story about bonding with family members, about the "what could have beens" in life.
It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.
Believable story without being too dramatic. I really recommend it.
---
Just watched it on Varilux French Movie Festival in Brazil.
Nice story about bonding with family members, about the "what could have beens" in life.
It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.
Believable story without being too dramatic. I really recommend it.
Nice story about bonding with family members, about the "what could have beens" in life.
It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.
Believable story without being too dramatic. I really recommend it.
---
Just watched it on Varilux French Movie Festival in Brazil.
Nice story about bonding with family members, about the "what could have beens" in life.
It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.
Believable story without being too dramatic. I really recommend it.
Wusstest du schon
- WissenswertesThe movie was shot in Lallaing, near Douai, in the North of France. Emmanuel Courcol asked a fellow director which had already made a documentary about this exact topic in this region which marching band to select. So Courcol and his crew went to see the Walincourt marching band after a rehearsal, and like Thibault in the movie, drank a few beers with them. They were very friendly, and their rehearsal room looked exactly like what Courcol wanted, so he had found the movie's marching band! Apparently they were a bit intimidated during the first day of shooting, but they quickly overcame their shyness.
- SoundtracksEmmenez-moi
Music by Charles Aznavour
Lyrics by Charles Aznavour
Performed by Charles Aznavour
(P) 1967 Universal Music B.V.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Por todo lo alto
- Drehorte
- Lallaing, Nord, Frankreich(music school at Espace Scalfort)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 26.252.618 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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