Füge eine Handlung in deiner Sprache hinzuWhile performing an unauthorized exorcism on his father, an elite exorcist suspects the entity he's doing battle with might be a holy being - perhaps even God.While performing an unauthorized exorcism on his father, an elite exorcist suspects the entity he's doing battle with might be a holy being - perhaps even God.While performing an unauthorized exorcism on his father, an elite exorcist suspects the entity he's doing battle with might be a holy being - perhaps even God.
Cara Azevedo
- Police Constable
- (Nicht genannt)
Taylor Nodrick
- Mortician
- (Nicht genannt)
Empfohlene Bewertungen
This is just not a great movie to begin with, let alone a good exorcism movie. None of the characters really have any depth and the entire film just exists to posit the very unoriginal plot of "what if God were evil?" and it doesn't really even deliver on that too well. It's not overly long, so that's good, and some of the acting isn't bad at all, but the editing, terrible special effects, and predictably of the film definitely make this less than it could have been. I would only recommend this to veteran horror lovers who have seen their fair share of bad movies, because there might be a chance that they could appreciate some parts of this movie.
I recently watched the Canadian film 🇨🇦 Shadow of God (2025) on Shudder. The story follows a priest with extensive experience in exorcisms, whose next case hits close to home - he must perform an exorcism on his own father. As he confronts the entity inside his dad, he begins to wonder if he's facing God himself...
The film is directed by Michael Peterson (Knuckleball) and stars Mark O'Brien (Ready or Not), Jacqueline Byers (Prey for the Devil), Josh Cruddas (Polar), and Adrian Hough (There's Someone Inside Your House).
Shadow of God feels familiar - like a story you've seen before - but it still manages to hold your attention. The acting is excellent, and the dynamic between the priest and his father feels authentic. The setup is solid, and there's a shooting/execution scene that really grabbed my attention. Unfortunately, the exorcism scenes rely heavily on CGI, which felt awkward and ultimately broke the immersion for me.
In conclusion, Shadow of God had the ingredients for a strong film but falls apart when it strays from practical effects. I would score it a 4/10 and recommend skipping it.
The film is directed by Michael Peterson (Knuckleball) and stars Mark O'Brien (Ready or Not), Jacqueline Byers (Prey for the Devil), Josh Cruddas (Polar), and Adrian Hough (There's Someone Inside Your House).
Shadow of God feels familiar - like a story you've seen before - but it still manages to hold your attention. The acting is excellent, and the dynamic between the priest and his father feels authentic. The setup is solid, and there's a shooting/execution scene that really grabbed my attention. Unfortunately, the exorcism scenes rely heavily on CGI, which felt awkward and ultimately broke the immersion for me.
In conclusion, Shadow of God had the ingredients for a strong film but falls apart when it strays from practical effects. I would score it a 4/10 and recommend skipping it.
After a failed exorcism, a priest returns to his hometown to reflect on his position only to find his thought-dead father returned to him, setting off a chain of events that point to a special entity running through the town and must rely on his spirituality and faith to save everyone he holds dear.
This was an overall decent if decidedly generic feature. Among the more enjoyable factors present here is the wholly intriguing setup that admittedly tries to do something clever and unique with the possession genre. Rather than go for the traditional route of a conflicted priest brought back to the side of righteousness due to a prolonged battle with a demonic entity that tries testing him in the body of a young girl, this one goes for more a small town corrupted by an evil entity and forcing him to deal with it. The backstory involving the cult's activities taking over the area only to be stopped by the authorities starting his quest with the church and using that as a basis for spreading the malicious activity in the present by allowing it to come off with the mindset of the figures coming back for revenge. That sets up some of the more intriguing, if ultimately problematic, work here, where the attempts to save the town manage to bring about some underwhelming work involving the attempts at exorcizing the demonic spirits within the victims. In concept, this work should be quite intriguing as it soon becomes obvious that there might not be demonic forces holding the spirit hostage but holy figures that are involved for different reasons than would initially be suspected. However, the film never goes through with this idea, as the idea is brought up early as the reasoning behind the father's return, yet it never does anything interesting with the idea other than doing something different for an exorcism scene beyond throwing dollops of holy water at a contorting woman yelling in demon-accented Latin. The visuals in the scenes look intriguing enough with the spectral lights and stuff going on, but it's more about how different these are than anything else. By the time it gets to the finale and the actual purpose of the exorcism is brought into play, this one ends up falling apart rather badly. The rushed nature and generally unprepared story make a big impression on this part of the film as the few bits given to the background of the main characters are generally uninteresting and not even pertinent to what's going on as there's a bizarre abduction and holding hostage aspect that doesn't make much sense why the figure in particular would be involved. That renders a lot of the race to save feel redundant and lacking in tension as there's no real stakes here with no information on what's going on, from the background of the characters to the purpose of the cult and what they're working towards with everything just given a surface-level gloss that never goes deeper into these aspects. The supernatural action and explosions are fun enough, but they're not nearly enough to save this one.
Rated Unrated/R: Graphic Violence and Graphic Language.
This was an overall decent if decidedly generic feature. Among the more enjoyable factors present here is the wholly intriguing setup that admittedly tries to do something clever and unique with the possession genre. Rather than go for the traditional route of a conflicted priest brought back to the side of righteousness due to a prolonged battle with a demonic entity that tries testing him in the body of a young girl, this one goes for more a small town corrupted by an evil entity and forcing him to deal with it. The backstory involving the cult's activities taking over the area only to be stopped by the authorities starting his quest with the church and using that as a basis for spreading the malicious activity in the present by allowing it to come off with the mindset of the figures coming back for revenge. That sets up some of the more intriguing, if ultimately problematic, work here, where the attempts to save the town manage to bring about some underwhelming work involving the attempts at exorcizing the demonic spirits within the victims. In concept, this work should be quite intriguing as it soon becomes obvious that there might not be demonic forces holding the spirit hostage but holy figures that are involved for different reasons than would initially be suspected. However, the film never goes through with this idea, as the idea is brought up early as the reasoning behind the father's return, yet it never does anything interesting with the idea other than doing something different for an exorcism scene beyond throwing dollops of holy water at a contorting woman yelling in demon-accented Latin. The visuals in the scenes look intriguing enough with the spectral lights and stuff going on, but it's more about how different these are than anything else. By the time it gets to the finale and the actual purpose of the exorcism is brought into play, this one ends up falling apart rather badly. The rushed nature and generally unprepared story make a big impression on this part of the film as the few bits given to the background of the main characters are generally uninteresting and not even pertinent to what's going on as there's a bizarre abduction and holding hostage aspect that doesn't make much sense why the figure in particular would be involved. That renders a lot of the race to save feel redundant and lacking in tension as there's no real stakes here with no information on what's going on, from the background of the characters to the purpose of the cult and what they're working towards with everything just given a surface-level gloss that never goes deeper into these aspects. The supernatural action and explosions are fun enough, but they're not nearly enough to save this one.
Rated Unrated/R: Graphic Violence and Graphic Language.
I felt like this was an average possession movie but it had some good moments. The opening scene is great and grabs your attention but quickly gets boring for about 45 minutes. The small town plot should have got fleshed out more, specifically the cult part. The exorcist returning to that area is the most interesting part of the story but you have to get through a large chunk of nothing before hand. Special effects are decent and it's something different in a saturated subgenre. If you like possession movies you should check it out and give it a chance. Just for me personally by the ending I stopped caring and was ready for it to be over.
What in the world did I just watch? Such a unique spin on the tired "demonic possession" subgenre, but executed so, SO poorly. Bad acting, poor dialogue, and special effects that make Sharknado look like Avatar. I have three professional critics that I respect and one recommended this highly. How highly? 85/100. I want a little of what he smoked before screening this low budget, aim for the stars and hit the sidewalk mess. Once again, Shudder had picked up a garbage indie on the cheap, slapped "Shudder Original" on it, and got by another week without having to invest in decent programming. Well played Shudder, for now.
Wusstest du schon
- PatzerWhen Tanis is hit in the face with a shotgun grip, it never reaches her face despite the thudding sound.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Последний экзорцист
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 176.623 $
- Laufzeit1 Stunde 27 Minuten
- Farbe
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen