Eine letzte Reise

Entering "Den sista resan" as an Australian, recently grieving the loss of my father, I found the film to be an incredible journey. Its universal appeal made it accessible, provoking both tears and laughter. As a documentary, it held me captive, and long after the credits rolled, I grappled with emotions, wishing I could call my dad. The film's straightforward approach illuminated harsh truths about life and aging, leaving an indelible impact. It's more than a documentary; it's a personal reflection on profound aspects of existence. Undoubtedly, it's a cinematic gem I'll revisit, finding solace in its poignant narrative and reliving the emotional rollercoaster.

With warmth, love, laughter and sorrow this documentary shows the complexity when generations age and how they react on the changes.

A true love story between a father and his son and between friends. A story that gives both hope and despair.

The interaction between father and son and between the two friends (Filip Hammar and Fredrik Wikingsson) is genuine and empathetic.

Authentic story with no acting, just real life. The beauty of France is included and it's a pleasure to see the views.

Strong, colourful and emphatic creation that shows how turning back time can be both painful and hopeful at the same time.

This movie is gutwrenching, beautiful, tragic, hopeful, pessimistic, optimistic and funny at times.

This is in my eyes one of the best swedish films i've seen in a good while and by far the most beautiful i can think of.

This movie made me speechless for almost an hour after seeing it, it singlehandedly made me rethink how i see documentaries. It made me fear getting older and the concept of aging in an important matter.

The overall beauty of this film is not just because of the lovely characters and heartwarming nostalgia but also the incredible camerawork, colorgrading and music the film uses.

I think most people should watch this film just to experience the struggle of aging and losing spark.

My expectations were quite high after reading some reviews, but also from the duos own constant promotions for it in their podcast which became "a bit" much. As a podcast listener for many years, I am quite well informed about Filips family - including his fathers situation.

In many ways it was a nice idea for a film and it's hard not to feel with Lars's situation. I think he's a wonderful man. I do however agree with one of the reviewers it feels a little forced. Many scenes did not need Filip showing the audience how we should feel. I don't doubt that Filip loves his father and that he wants the best for him, but some of his rather forced emotions just ruins the moment for me. I fully get that it is movie and not a documentary - but this mix didn't really work for me personally. I don't understand how it can review so highly - perhaps it's just me that's odd.

The good thing is that Filip/Fredrik can donate a large part of their proceeds from this film. It is a large financial success with relatively low production costs, An idea would be to causes related to aging or elderly in Sweden getting better care and opportunities. THAT would squash any views about this feeling a little opportunistic. It would also be more in line with their political ideology and views, something that they share freely in their podcast. I'm not holding my breath.

As real life reality documentaries go, this is a real gem.

Filips father Lars, who is elderly and depressed, is treated to a 'last trip' to his beloved France by his son.

Using recordings from the past, super-8 films mixed with reality-style captures we are taken on an emotional father-son journey on multiple levels.

You have the actual trip but also the emotional journey taken by Filip and his father. We can se the love between a father and a son, and we can see how the son becomes the father, as the father becomes the son.

Lars slowly awakens and for the first time in many years, starts to live again.

This is a heart warming and beautiful story that is rare and it reminds us what family is, or can be.