Chime

Kiyoshi Kurosawa, once again, is able to craft a suspenseful, slow-paced, and psychological story using his explorative direction choices on the exercise of horror, dread, and terror.

For 45 minutes, it's atmosphere and it's subtle uses of horror and tension is mundane, yet, purposeful in the good ways to crawl right into your skin. What Kurosawa is great with his horror works is that he doesn't use much gore and rather uses the terrifying atmosphere and concept to craft the dreariness and creepiness within his narratives, and this short succeeds with it. Provided with solid performances and a good pacing.

If you like Kurosawa, I recommend it.

Kiyoshi Kurosawa's latest psychological horror is a masterful exercise in suspense and terror.

Provided you can get onboard with its enigmatic (and nearly incomprehensible) plot, there's much to enjoy here for fans of the director. The running time is short (only 45 minutes), making this something of a compact version of Kurosawa's usual, subtle horror filmmaking. There's a lot of atmosphere and intrigue present throughout, but little to no answers to some of the film's central questions.

While this is certainly a violent little film, it's not focused on gore, but rather its capability to disturb by mere suggestion. It's pretty great to see Kurosawa back at directing unsettling films that turn the mundane into terrifying, and Chime shows he's still got some interesting ideas to share with the rest of us.

Recommended.

Renowned Japanese horror filmmaker Kiyoshi Kurosawa returns with a distinctive and chilling addition to the genre. The story centers on Matsuoka, a former chef who conducts cooking classes while he seeks new employment. One day, a student voices his distress over an inexplicable sound that he cannot escape, which appears to be altering him internally, leading to a loss of self-control and even violent outbursts. The particularly unsettling aspect of this noise is its ability to propagate from one individual to another without any forewarning, rendering each moment of the film fraught with unpredictability and tension.

In a mere 45 minutes, Kurosawa employs a myriad of techniques from his extensive repertoire, crafting a film that achieves a level of creepiness and intensity in just a few scenes that surpasses the efforts of many horror films released this year.

"Chime" does not conform to the typical jump-scare format; rather, it evokes a lingering sense of dread that may resurface days later, leaving viewers with an unsettling image from the film etched in their minds. Watch this film of a filmmaker that's at the top of his game!

It's as if Kiyoshi Kurosawa felt the need to apologise for having delivered something as conventional as Cloud back in 2024. Chime, his forty-five-minute companion short, works as an act of cinematic atonement - a reminder that, since Pulse, Kurosawa has been the director most adept at depicting the silent collapse of Japanese modernity.

But what exactly is that faint tinkling that drives people to commit terrible acts? The background noise of urban civilisation? The pressure we inflict on ourselves just to keep functioning within it? Kurosawa, of course, will never say. Instead, he deploys his usual quiet mastery to let us imagine it for ourselves, piece by piece.

It's all in the details: the slight visual tremors, the tiny disruptions, the shadows that flit across a doorway, the odd smile that lingers too long, the passing daytime hallucination that betrays a tear in the fabric of reality. One can choose to resist Kurosawa's enigmatic approach - or simply surrender, to feel it the way he intends: intuitively, like an invisible, formless predator spreading through society like an oil slick or an epidemic.

Just like in Pulse, in fact.

Let's get things straight: this short is not for everyone. Perhaps even more so than feature-length works of Kiyoshi Kurosawa. It's mundane, it doesn't care about answering questions or following the traditional rules of storytelling. You shouldn't try to decode it from the point of everyday rationality or even the traditional cinema structure.

Instead, the movie is interested into raising an issue that was already present The Cure, updating it and setting the mood that compliments the idea. From my point of view, it's not so much a movie about depression, but a movie about the virus of violence that infects those who're troubled with their lives. As the movie progresses, we feel that the virus of violence spreads more and more. I think in a current day and age it's a really important idea, because sometimes I feel like the violence starts capturing minds of more and more people even in their everyday life.

The lonely and mundane tone complements this idea by suggesting on how this disconnected, distant and superficial relationships complement the development of the virus.

So yeah, I don't think it's the best of Kurosawa, but still, I feel like it's an interesting and important short movie. Just please, don't try to watch it as a conventional horror movie or even a conventional movie in general.