Der Vater eines kranken Mädchens versucht, seiner Tochter den letzten Wunsch zu erfüllen: das Kleid der Hauptfigur einer japanischen TV-Serie. Dieser letzte Wunsch führt ihn zu einem verstör... Alles lesenDer Vater eines kranken Mädchens versucht, seiner Tochter den letzten Wunsch zu erfüllen: das Kleid der Hauptfigur einer japanischen TV-Serie. Dieser letzte Wunsch führt ihn zu einem verstörten Mädchen und einem Professor im Ruhestand.Der Vater eines kranken Mädchens versucht, seiner Tochter den letzten Wunsch zu erfüllen: das Kleid der Hauptfigur einer japanischen TV-Serie. Dieser letzte Wunsch führt ihn zu einem verstörten Mädchen und einem Professor im Ruhestand.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 15 Gewinne & 30 Nominierungen insgesamt
- Bárbara niña
- (as Marina Anduix)
- Locutora radio
- (Synchronisation)
Empfohlene Bewertungen
This is down to the brilliant screenplay and realistic nature of the events that take place. I would believe it if these events took place. Some of it could seem a bit extreme, particularly with Barbara's story, but I didn't feel it was too over the top at any moment.
Technically magical girl is also brilliant. The cinematography was beautiful and Stationary shots are almost exclusively used which worked like a treat. The framing and shot composition we're absolutely great as well.
Themes of Selfishness and humanity are conveyed thoughtfully and in a way that, again, felt very real. I loved seeing how one person's selfish actions can affect so many others in truly hideous ways.
I think the thing that makes magical girl so great is the fact it treats the audience with respect. Quite a lot of left up to interpretation which works to great effect, if certain things were shown they wouldn't seem so revolting and disturbing.
Just a couple more points I want to make. The acting is all fantastic, Lucia Pollan gives one of the greatest child performances I've ever seen. And the reincorporation doesn't feel unnecessary and it makes for an excellent emotional moment.
I urge everyone reading this to watch magical girl. Even if you don't love the stories being told you can't deny the technical brilliance. I can not wait to watch this film again.
For one, I loved the plot. While a good chunk of the exposition is clearly set, we only get the stories and motivations we need to keep the action going. I found that extremely refreshing, specially for Barbara Lennie's character. I can understand that might ruin the movie for some people craving for a closed narration, but to me It's kinda brilliant and much more intriguing and suspenseful to follow the rest of the characters as they are right now without flashbacks or dream sequences to guide the audience through history lane.
The Cinematography was neat, all actors were competent, and apart from an unnecessary monologue on why bullfighting represents the spirit of Spain, Most scenes where well constructed and intriguing.
Overall I loved this, and I honestly would have given 9 stars if leuchemia girl had more fun inappropriate things to do than asking for gin-tonics and cigarrettes. She is the only sane person there and our titular girl, goddamit!
Three people in extreme conditions seem to move in a parallel universe where violence and pain dominate, but in a poetic way. In the universe of Vermouth, everyone is guilty and everyone is innocent. Magical Girl talks about violence and sadness using the rules of a film noir, with many subtle references of Japanese cinema.
It would be easy to fill pages and pages about the virtues of "Magical Girl", but it is a little complicated to do without uncovering some of the many surprises of the film. Because in reality, it is much more than a story where lives intersect and the storm broke. It is a framework where the details are taken care to detail. The music appears only when it is needed.
Jose Sacristan, Barbara Lennie and Luis Bermejo not need more than one scene to explain the most accurate descriptions of screenplay. Lucia Pollan, a revelation, it is amazing to see her purity and innocence overshadowed by the situation.
What is bad, however, is that all these mixed ingredients in the same bowl can roll back to a kind of niche audience more accustomed to these kinds of films. As for the end, it is open to many interpretations, which can leave the viewer confused, but will give us the opportunity to look, to find our own explanation to what is happening.
Magical Girl talks about violence and sadness using the rules of a film noir, with many subtle references of Japanese cinema.
And this is the kind of movie who would let you quite astonished for many reasons. One of these is revealed when you check how violent a scene could be not showing any graphic violence at all, thanks to a wonderful script who works very, very well throughout all the film: this is, indeed, a basic part in Magical Girl, a script designed as a precise swiss machinery. It even works great on many parts who requires a little suspension of disbelief from the part of the viewer. But once you're inside, you remain there.
Magical Girl's power reside on the high complex (but also extremely fluid) multi-layered and interconnected scenes. Quite similar as in Pulp Fiction film (by the way... it would be great to know Tarantino's opinion about Magical Girl).
Also, as it happens on real life, you could witness the huge impact that a "butterfly effect" could provoke. This is very well shown on the film, and it would remain long time on many viewers thoughts.
I really want to know what would be next director's projects, I'm sure that he's going to tune his skills, offering us an interesting filmography.
Go watch it, Magical girl is a well crafted artifact. But beware, as it's NOT intended for young audiences, but adult ones.
Magical Girl is written and directed by Carlos Vermut and (in a Pulp Fiction style) focuses on three stories and characters that are all equally understandable and fascinating. The story is definitely the core of Magical Girl. It is one that subverts expectation. It can make you laugh, cry, or feel disturbed, and all while being a perfect whole. It is also one that makes for an equally great rewatch. There are dozens of details scattered in the movie that can only make sense on a second viewing. Sometimes, these details can even change the context of a previous scene.
The acting and camera-work are good without being too exceptional, but the way they work with the unfolding events can make them much more effective. And the movie never feels constrained by its budget in any way. The song choices are not only great and incredibly memorable, but they also have an important role in the story.
Magical Girl is one of the most unappreciated gems of 2014. It is entertaining, emotionally powerful, unique, and intelligent at the same time. It takes very little to get invested, and you will be on the edge of your seat. I adore this film and would highly recommend Magical Girl, it is a must-see.
Wusstest du schon
- WissenswertesThe movie is divided into three chapters: "World", "Devil" and "Flesh", the three enemies of the soul in Christianity.
- Zitate
Oliver: [Before Barbara enters the black salamander room and upon meeting the mysterious Oliver for the first time] Do you like bullfights?
Bárbara: No, not much, truthfully.
Oliver: I don't like them much either, but it is odd that Spain is specifically the country in which bullfighting is most popular. Do you know why Spain is a country in eternal conflict? Because we cannot decide whether we are a rational country or an emotional one. The Nordic countries, for example, are cerebral countries. However, the Arabs or the Latinos, have accepted their passionate side without complex nor guilt. They all know which side dominates. We Spaniards are on a balance that is suspended precisely in the middle. That is how us Spaniards are... like the bullfights. And what are bullfights? The representation of the struggle between instinct and technique, between emotion and reason. We must accept our instincts and to learn to struggle with them as if they were a bull, so that they do not destroy us. This is exactly what we offer our clients. Could you remove your clothes, please?
[Barbara undresses completely]
- SoundtracksHaru Wa Sara Sara
Music by J. Sivonen
Lyrics by R. Reiman
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Magična devojka
- Drehorte
- Produktionsfirmen
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Box Office
- Weltweiter Bruttoertrag
- 213.782 $
- Laufzeit
- 2 Std. 7 Min.(127 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1