Two Down
- 2015
- 1 Std. 32 Min.
IMDb-BEWERTUNG
6,0/10
2083
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young woman's world is turned upside down when an injured hit man takes her hostage at gunpoint in her own home.A young woman's world is turned upside down when an injured hit man takes her hostage at gunpoint in her own home.A young woman's world is turned upside down when an injured hit man takes her hostage at gunpoint in her own home.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 10 Nominierungen insgesamt
Tori Butler-Hart
- Sophie
- (as Tori Hart)
Empfohlene Bewertungen
I came across this on Flix Premiere and it is by far one of the best films they have on there. It's a clever, witty, British hit-man movie with one foot in the 1970's, and I mean that as the highest compliment.
For a debut feature it has high production values, the acting is superb, the writing is subtle and intelligent but darkly funny. What more do you want from a movie.
There are a few small action sequences but they feel more like real life scuffles than full blown martial arts fights, which is so refreshing to see.
It's looks beautiful, is brilliantly directed by Matthew Butler Hart and there are some real star turns from the three main actors.
I can't wait to see what these guys do next. In the meantime I'll be happy to watch this again.
For a debut feature it has high production values, the acting is superb, the writing is subtle and intelligent but darkly funny. What more do you want from a movie.
There are a few small action sequences but they feel more like real life scuffles than full blown martial arts fights, which is so refreshing to see.
It's looks beautiful, is brilliantly directed by Matthew Butler Hart and there are some real star turns from the three main actors.
I can't wait to see what these guys do next. In the meantime I'll be happy to watch this again.
Coming into Two Down entirely cold, having not heard of it before and without reading reviews, seeing a trailer or any knowledge about its creators, I got to enjoy a lovely film.
Unmistakeably British from the outset the film is set in London but does nothing to exploit stereotypes or caricature Londoners. Instead it reflects internally on its own characters, some of whom are quite weakly developed but collectively work well together to create a shared atmosphere within the film.
The plot is extremely simple but that's taken as a strength by the film. Rather than create elaborate plot twists and try and shock the viewer the film is relaxed about introducing new elements and information, and does this sufficiently often to keep the film moving. It was noticeable that just as the film lets you settle into 'Ok, this is the situation' it then draws you gently back out of that complacency, forcing your engagement to understand the implications of the latest revelation.
That gentleness underlies everything in the film. Its comedy is quiet and understated, the characters are (mostly) very measured and act with calm intent, and even the action scenes (shoddy though one of them is) are very quick, simple and there only to fill gaps in the story.
This film isn't going to appeal to kids seeking CGI fueled action sequences, expensively shot stunts, blood and gore, sex or ADHD influenced cuts. That's not its audience. Instead it's worth watching Two Down if you like low budget British films, if you like films that aren't afraid to take their time to tell you a story, or if you just want to watch a good film.
Unmistakeably British from the outset the film is set in London but does nothing to exploit stereotypes or caricature Londoners. Instead it reflects internally on its own characters, some of whom are quite weakly developed but collectively work well together to create a shared atmosphere within the film.
The plot is extremely simple but that's taken as a strength by the film. Rather than create elaborate plot twists and try and shock the viewer the film is relaxed about introducing new elements and information, and does this sufficiently often to keep the film moving. It was noticeable that just as the film lets you settle into 'Ok, this is the situation' it then draws you gently back out of that complacency, forcing your engagement to understand the implications of the latest revelation.
That gentleness underlies everything in the film. Its comedy is quiet and understated, the characters are (mostly) very measured and act with calm intent, and even the action scenes (shoddy though one of them is) are very quick, simple and there only to fill gaps in the story.
This film isn't going to appeal to kids seeking CGI fueled action sequences, expensively shot stunts, blood and gore, sex or ADHD influenced cuts. That's not its audience. Instead it's worth watching Two Down if you like low budget British films, if you like films that aren't afraid to take their time to tell you a story, or if you just want to watch a good film.
Three words... WOW, what an amazing movie, the story starts getting better and better, such a beautiful story, with so much touching moments, amazing soundtrack, congratulations to Two Down , total respect to you guys.
I was part of a jury for a film festival and this film came to us from the U.K a while ago and I was thrilled to watch it. As a jury member you have to watch a lot of films. A lot of films. Most which are OK, but a lot which are not so OK. So when something like this comes along, low budget debut feature, it restores my faith in emerging filmmakers.
The film is 'about' a hit-man who has been injured on a job and makes for a safe house only to find a young woman now living there. She's no damsel in distress, she can look after herself and from the off you wonder if there is something else going on with her. They are then joined by a take out guy, and they spend the evening together getting to know the hit-man and trying to figure out why the job went wrong. I can't say much about the story without giving away huge spoilers as the way the film is done any mention of what's or who's or why's will spoil it for you and that is certainly something I don't want.
The script is excellent, slick, intelligent, funny and really gives the brilliant actors something to work with. It is very well crafted by the director and the storytelling is clear, clever and accomplished without bringing too much attention to itself like so many films do these days. The story and characters are the thing here and he has done everything to make sure it stays that way. A true director.
I read somewhere for the festival that the whole film was shot in 12 days. Once you see the result you will agree with me that that is extraordinary. Lots of indie films are shot quickly due to lack of budget, but they don't come out looking like this.
It is a huge feat the team have pulled off and I urge everyone to see it if they can. Yes it has its flaws, all films do, and I'm sure with more time and money they would have been able to smooth them over, but if this is what is coming out of the UK after a 12 day shoot, we should start taking notice.
The film is 'about' a hit-man who has been injured on a job and makes for a safe house only to find a young woman now living there. She's no damsel in distress, she can look after herself and from the off you wonder if there is something else going on with her. They are then joined by a take out guy, and they spend the evening together getting to know the hit-man and trying to figure out why the job went wrong. I can't say much about the story without giving away huge spoilers as the way the film is done any mention of what's or who's or why's will spoil it for you and that is certainly something I don't want.
The script is excellent, slick, intelligent, funny and really gives the brilliant actors something to work with. It is very well crafted by the director and the storytelling is clear, clever and accomplished without bringing too much attention to itself like so many films do these days. The story and characters are the thing here and he has done everything to make sure it stays that way. A true director.
I read somewhere for the festival that the whole film was shot in 12 days. Once you see the result you will agree with me that that is extraordinary. Lots of indie films are shot quickly due to lack of budget, but they don't come out looking like this.
It is a huge feat the team have pulled off and I urge everyone to see it if they can. Yes it has its flaws, all films do, and I'm sure with more time and money they would have been able to smooth them over, but if this is what is coming out of the UK after a 12 day shoot, we should start taking notice.
A poor beginning and a somewhat predictable ending. I was ready to turn it off after ten minutes due to the cringe worthy dialogue. But I stuck with it and I can say it improves over the middle ground.
All-in-all, it was a good effort for an indie debut flick, which was produced on a tight budget.
As a fan of Independent British film, I would definitely support these guys and watch any future projects.
Loved Tori Butler-Hart as Sophie and an underused Conleth Hill. Alex Hassell, as John Thomas, was slightly irritating to begin with, but taken in the tone and context of the film, the character grows on you.
Wusstest du schon
- WissenswertesHarry Montague's (Conleth Hill) apartment and restaurant are actually The Grapes pub in Limehouse, London, owned by Ian McKellen.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Двое подставленных
- Drehorte
- North London, London, England, Vereinigtes Königreich(Exteriors and Interiors)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.000.000 £ (geschätzt)
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen