The Death of Snow White

Man, this picture moves-a fever-dream fairytale barreling through the woods in a chariot made of VHS tape and heavy metal fog, lit by the flickering torchlight of pure pulp passion. The Death of Snow White ain't just another backyard fantasy flick trying to fake its way into cult status. No, this one earns it. Earns it with grit, charm, and a wild sincerity that cuts through the cynicism like a broadsword through bone.

Could've sworn this was a lost Cannon Films relic-some long-buried warrior tale found on a Betamax in a pawn shop off the Jersey Turnpike. It's got that Sword and the Sorcerer energy, baby: sweaty, sword-swinging, spell-casting glory-but polished in a way that belies its indie roots. Looks like twice the money got spent and three times the heart.

The sound design rips. The humor lands. The action works, in that way where you feel the boots hit the dirt and the sweat sting the eyes. The acting? Rock solid, every single soul dialed in and playing it straight-like they believe in this twisted fairy tale world, and by god, you believe it too.

It's not just good-for-an-indie. It's good, period. One of those rare, no-bullshit reminders that indie film still has teeth-sharp ones. Makes you wanna go home and sharpen your own.

Highly recommend. And whatever these maniacs do next? I'm there for it.

Jason Brooks's 2025 film, The Death of Snow White, offers a stark and compelling reimagining of the classic fairy tale, anchored by a captivating performance from Sanae Loutsis as the titular character. This is not the saccharine sweetness of childhood stories, but a more mature and psychologically nuanced exploration of beauty, envy, and survival. Loutsis imbues Snow White with a quiet strength and a palpable vulnerability, portraying her not as a passive victim but as a young woman acutely aware of the danger she faces and determined to navigate the treacherous landscape of her stepmother's obsession.

The film's atmosphere is a departure from traditional portrayals, opting for a visually striking palette of muted tones and shadowy forests, creating a sense of unease and foreboding. Brooks's deliberate pacing allows the tension to build gradually, emphasizing the isolation and the ever-present threat looming over Snow White. The reimagining of the seven dwarves as a more grounded community of individuals adds a layer of realism to the narrative, making Snow White's refuge feel less like a whimsical escape and more like a desperate alliance forged in the face of danger. This grounded approach allows Loutsis to showcase the character's resilience and her ability to connect with those who offer her sanctuary.

Chelsea Edmundson delivers a chilling and multifaceted portrayal of the Evil Queen. She avoids caricature, instead delving into the character's insecurities and the corrosive nature of her envy. Edmundson's performance reveals the pain and desperation driving the Queen's obsession with maintaining her beauty and power, making her a more complex and unsettling antagonist. The dynamic between Loutsis and Edmundson is the film's dramatic core, a silent battle of wills fueled by fear and resentment. Their scenes together crackle with tension, highlighting the dangerous power imbalance and Snow White's precarious position.

Ultimately, The Death of Snow White offers a fresh and compelling perspective on a timeless tale, elevated by Sanae Loutsis's nuanced and captivating portrayal of Snow White. Jason Brooks crafts a visually arresting and emotionally resonant film that explores the darker undercurrents of the classic story. While it may deviate from the familiar sweetness, its mature themes, strong performances - particularly from Loutsis - and atmospheric setting make it a thought-provoking and engaging cinematic experience, revealing a new and compelling facet to the enduring legend of Snow White.

Full transparency, I was the Director of Photography and Producer on this film but I have had the pleasure of watching it go from an idea between friends to now a theatrical release. I've watched it with audiences and every time, I am hearing the same feedback: It's just fun.

Truth is, it was a BLAST to be on set also. From shooting at a real castle, to all of the special effects, to watching real little people actors in their element do their own stunts. So many people gave so much for this movie to exist and I'm so glad it does.

Special shout out to the Loutsis family for spearheading all of this and making it a reality.

The Death of Snow White has the makings of a cult classic, in my opinion. It is wonderfully done and keeps to the spirit of Brothers Grimm. Something I find totally boss! The set design is magnificent, especially when you learn they built thier own castle for the film. Sanae Loutsis is perfect for the role of Snow White, giving off a vibe of gentleness and kindness. It is also really nice to see the Dwarfs being played by Dwarfs. Speaking of the Dwarfs, the character development was phenomenal! They are lovable, funny and yet you don't want to mess with them and the actors who play the dwarves do a great job of bringing them to life and really making each of them stand out in a way that makes them all your favorite.

I must say... this is what passion and the love of storytelling can create. The Death Of Snow White is what most filmmakers hope to achieve in their career! Jason Brooks and his team delivered a dark, horror fantasy that not only pays tribute to The Grimm's Tale but does so with humor, gore, intrigue and fun! It has a great balance of storytelling and keeps you watching! Granted, this isn't a 100 million dollar film, but what this team of creators managed with the budget they had is spectacular and... the fun shows up on screen! The Death of Snow White is a fantastic ride and if you get the opportunity to see it you will be impressed by these talented filmmakers.