Jurassic World: Die Wiedergeburt

PROS: -The Cinematography is Spectacular!!!

-The T-Rex sequence is TERRIFYING!!!

-Heavy "Jaws" influence during the Mosasaur sequence.

-The Dinosaur effects are great.

CONS: -I'm really tired of mutants/hybrids in my Dinosaur Movies.

-Script tries to undo the fallout of "Fallen Kingdom/Dominion".

-All the characters feel like caricatures.

-The inclusion of an annoying family and a baby dino.

This was a frustrating experience. For every positive in the film, there was a corresponding negative. Gareth Edwards is always on point with cinematography and shot composition. The fact that this was shot on film was noticeable in a positive way. The visuals looked bright during the day, avoiding that blue-tinted filter most blockbusters use these days.

The Mosasaur and T-Rex sequences are actually thrilling, with the T-Rex being legitimately terrifying for the first time since "The Lost World". The effects for the dinosaurs were great, though I do miss the use of practical effects. What I don't miss is the inclusion of mutants and hybrids. I go to these movies to see dinosaurs, not monsters. There are plenty of other franchises for that. The Mutadons and D-Rex serve the same narrative purpose as the raptors (who got completely sidelined here) and the T-Rex. If they had simply swapped them out for those two in the third act, I'd have been much happier.

Also not helping were the characters. The family subplot could-and should-have been removed entirely. They add nothing to the story and waste screentime. The expedition team are all stereotypes, but Mahershala Ali at least stands out. Honestly, I think he would've been fantastic as the lead here instead of Scarlett Johansson.

All that said, I went in with no expectations and still found myself mildly entertained. I can't help but smile when the John Williams "Jurassic Park" score plays and it made a few welcome appearances here. This is definitely a 'paint-by-numbers' Jurassic movie, but I wouldn't be upset if Gareth Edwards got another chance to direct one. 7/10.

As someone who's watched every entry in the Jurassic Park and Jurassic World franchises, I have to say, this latest installment is the most disappointing of them all. But should you skip it entirely? Absolutely not. It still works as a decent popcorn flick if you're just in the mood for some dino-action without expecting much else.

When Scarlett Johansson was announced as part of the cast, I had high hopes for a standout performance, especially given her strong track record and the charisma Chris Pratt brought to the previous Jurassic World films. Unfortunately, the film doesn't give her much to work with, and her potential feels underutilized.

What really lets this movie down is its tone. The signature humor that helped balance the tension in earlier films is noticeably absent. Even worse, the horror and suspense hallmarks of any good dinosaur movie are dialed way down, leaving the action feeling flat.

The story itself is a mess. It stumbles at the start, never quite finds its rhythm, and ends without impact. The plot feels disjointed, and the characters are poorly developed, you never feel emotionally invested in what's happening.

And then there's the CGI. For a franchise known for groundbreaking visual effects, this entry is shockingly subpar. The effects are shabby and unconvincing, which really takes you out of the experience.

Bottom line: it's a missed opportunity in almost every way. Still, if you're a fan of the series or just want to see dinosaurs on screen, it's worth a one-time watch, just lower your expectations.

Honestly, the first half felt all over the place - too much talking, too many introductions, and pacing that dragged. But once they hit the island, it got better: dinosaur action scenes were intense and visual effects impressive, especially that river chase and cliff sequence.

Scarlett Johansson and Jonathan Bailey were solid, with Bailey bringing unexpected charm despite some forced emotional lines. The movie leans heavily on spectacle and nostalgia, yet the human characters felt shallow and underwritten - I never truly cared about them.

It's entertaining as a summer blockbuster if you just want dinosaur chaos, but it lacks depth. Still, worth the watch for the action and visuals.

Five years after the mess that was Jurassic World: Dominion (2022), we're back in the land of toothy nostalgia. This time, an expedition heads into remote equatorial regions to extract DNA from three colossal prehistoric creatures in the name of a "groundbreaking medical breakthrough."

Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.

Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.

Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.

That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.

Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.

6/10.

It's rare I see films on their opening day, opening weekend is relatively common but - as I'm otherwise engaged this weekend, I decided to see "Jurassic World Rebirth" on a Wednesday evening. I wish I could say it was because of enthusiasm for the series, but that has largely been beaten out of me at this point. I wish I could say that Rebirth was a film that reignited my love of the franchise but, whilst it's fine, it's largely another retread.

Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.

To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.

The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.

Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.