A Good Day Will Come

A crown jewel in Iranian diaspora cinema, A Good Day will Come manages to impress in more ways than one. What begins as a story of a wrestler competing for Olympic gold turns into an act of resistance that will galvanise an entire nation. Taking inspiration from the real life story of Navid Afkari, the film finds its protagonist rising up against a government that has lost the trust of its people. Writer and director Amir Zargara places the moral dilemma front and centre as he shows how such hard choices affect both those who take them and their loved ones. The dim cinematography amplifies the story and the brisk editing keeps us on our toes. Highly recommended.

The film, directed by Amir Zargara, is a semi-autobiographical film inspired by the life of Iranian wrestler Navid Afkari.

It follows Arash, a pro-wrestler who is torn between standing up against the tyrannical regime or quietly enjoying his glory by staying in his lane. When someone dear to him dies during a government protest, Arash cannot stay silent anymore and takes to the street. What happens next puts him on a treacherous path filled with danger.

The film is a daring ode to the resistance movement against Iran's oppressive government. Following Arash's arc from a mere athlete to an active part of the movement, you get that rousing, empowering feeling about doing what's right even though it might not be easy. It also highlights that despite the heroism, such a courageous act definitely comes at a price. The film deftly balances this duality and unflinchingly portrays what it's like to be in a dictatorial society. It is based on the experience of talented wrestler Afkari, who died in prison after being - allegedly - falsely accused of murder after partaking in protests.

Visually, A Good Day Will Come is confidently filmed, with sharp cinematography and well-paced editing. It's got everything: the harrowing, heroic, tragic, and ultimately, a bittersweet but meaningful depiction of the cost of standing up for justice in this day and age.

I'm not usually a fan of short films, but A Good Day Will Come is something special. Arash, a wrestler in Iran, is grappling with both his sport and the unrest around him, and the film captures his struggle beautifully. It's dark, moody, and the soundtrack really hits home. Sia Alipour's performance as Arash is moving without being overdone. Director Amir Zargara takes you into this emotional world, and by the end, it leaves you with a sense of quiet hope. The dark visuals and haunting music make every moment feel heavy yet important. It's brief but leaves a lasting impact. Definitely worth your time.

Starring Sia Alipour and Mehdi Bajestani, Amir Zargara's A Good Day will Come finds Arash, a professional wrestler, dreaming of representing his country and winning gold medals. But, his country is in turmoil and its people are suffering and Arash must decide between using his platform to stand up to tyranny, or put his head down and remain silent.

Powerful and moving, Amir Zargara's short film was inspired by the plight of Iranian wrestler Navid Afkari. Zargara chooses to highlight the moral conflict within the protagonist in a number of astute ways, and as the story progresses, we witness Arash slowly and gradually transforming from a meek bystander into something else entirely. The seeds of resistance take root in his mind and we see the wrestler change as a result, both inside and out.

The dark and shadowy cinematography alludes to the hopelessness within the narrative as powerful performances from the cast force you to take notice. Sia Alipour as Arash is a revelation, conveying his internal conflict perfectly while Mehdi Bajestani as his coach is fantastic in his own right. The narrative pacing is on point and the film never manages to drag on, courtesy of its sharp editing.

Inspiring and subliminally powerful in select moments, A Good Day will Come benefits from a poignant and original story that takes inspiration from real world events to say something powerful about the world we live in. While the film will have its share of naysayers, I think it nevertheless manages to get its message across with ease. A win for Amir Zargara, A Good Day will Come soars above the clouds as it celebrates resistance against tyranny and oppression. Four stars out of five.

A quietly poignant tale about courage and sacrifice in the face of brutal violence and oppression.

There's quite an interesting parallel to be drawn here between wrestling with a professional opponent and wrestling with your own morality. In both cases, if you're not quick enough, you could lose more than you can imagine. A Good Day Will Come focuses on Arash's internal wrestling match as the injustice in Iran threatens to intensify. When his family becomes affected by the political conflicts, Arash grapples with a certain responsibility to them and to his home country-the same country he proudly represents at sports tournaments.

What does it mean for the protagonist to risk everything as a public figure, dealing with the pressures of the spotlight and the duty to defend his title as a champion? Is a public statement enough to ensure he's done his part and stood his ground? In contrast, what is the risk on a personal level-to honor his dad's legacy and put his own life on the line instead of watching from the benches?

A Good Day Will Come never indulges in any spectacle, nor does it glorify the suffering of the Iranians. Amidst their country's turbulent division and savage attacks on the basic human rights of their people, this short takes an intimate, more contained approach to telling a painful story.

The camera is still. It doesn't intrude, but it lingers, unwavering at every corner, giving us enough time to look at the raw truth in the eye-the bare grief and hopelessness looming over Arash's family and many others like it. There's a sense of bleakness to the cinematography, while the somber score further amplifies the inner dread within the characters, each coping with the situation in their own way. All of those technical elements manage to fill the spaces between the scarce dialogue, working together to create a picture that can resonate with audiences on a broader level. Zargara's film poses questions about showing humanity, empathy, and a willingness to fight for what's right.