Das Attentat - Geheimoperation Belgrad

4 stars are for actor casting selection, acting and production of this drama. Good job on that, everithing else is way off of how it actually happend!

I found everything else as misleading for this history event with not enough information. If there where used only a few information and evidences from autopsies of the victims - this scenario would be a lot more close to the truth with much bigger drama and action impact which would be beneficial for the whole project.

Political background (domestic and foreign) at the time is covered poorly, evan though it was crutial for the assasination and later political path of Serbia.

Djindjic made actual patriotic stance from 2002 by forcing return of serbian troops to Kosovo, supporting Republika Srpska, not willing to support fake and selective international court in Hague by providing them military documentation from war - instead he insisted of indivitual responsibility for each war crime.

Prime minister (Djindjic) and his bodyguard (Veruovic) were shot with 2 different bullet calibers. Role of politician Jovanovic (who was a junkie and connected to the Zemun klan) is misrepresented at a big scale, except for one scene where he has been involved in decision making for catching Dusan Spasojevic.

Fake serbian patriots who are politically active evan today, were not thrilled to see Djindjic doing some actual work because they planned to monetize those topics for their own good not for the good of serbian people (which is cristal clear today in 2024). Also his stance was not aligned with plans of international political agenda's for the Balkans. If you check which companies outside of Serbia are supporting Sablja series - you will see who is controlling this whole process in the last 22 years. Fake patriots and international western politics agenda.

If the film crew wanted to present some truth to Serbian people benefit - they had to do some actual and extra work. They could start from the victim bodyguard Veruovic - but I am sure that wasn't allowed.

At the beginning, I was hooked. The cinematography is good, there is some good acting, I like how Dragan Micanovic delivers the role of Zoran Djindjic.

I have also watched an interview with the directors, where they have explained bringing in the characters which don't exist in real life. They have hyped the show nicely, so I decided to give it a shot.

My first negative remark - the wrong choice of actor for the role of Legija. There is a lack of any physical resemblance, which could even be okay - if the tone of voice, mannerisms and the attitude were even remotely similar to the real-life Legija. This is not the case.

Then, the creators are also trying to send a message about Serbia's democratically elected and one of the most progressive politicians being murdered by the mafia - but the show is government funded. And the government is run by - well... Guess who. The mafia remaining even after the 'Sabre'.

Some parts of history are ignored on purpose, since the creators didn't want to make a fuss or get a lawsuit, others maybe because the Serbian national tv wouldn't really want to show them.

The last straw was a sudden change of character with one of the main characters - Boris, the police inspector. Not to spoil but - he makes a complete, nonsensical 180 near the end of the show, without enough previous motivation.

I have expected a lot from the show, and I have not been dissapointed by the acting, by the scenery and production (clearly a lot of money was put into this). However - the writing and parts of the casting, as well as the obvious censorship has dissapointed me.

Watchable, but wouldn't watch it again.

So far, I have mixed feelings.

The production is excellent. The opening credits are impactful, and both the music and cinematography are high quality. Thriller elements are well-executed, intense and keep you engaged.

However, the story lacks courage and a critical edge, like it's been smoothed over to avoid bothering anyone.

I'm disappointed with how Vladimir Beba Popovic was portrayed. Some key figures as well as some of today's prominent politicians aren't even mentioned (yet) and their absence is noticeable.

The "Zemun clan" members aren't well introduced, so unless viewers are underworld experts, it's unclear who's who among the many characters. It's a bit confusing!

There are too many characters who show up briefly, don't get enough development, and then disappear completely. I think the story is too complex and needs more episodes.

Milica Gojkovic and Lazar Tasic deliver outstanding performances. Their acting is refreshingly authentic and deeply sincere. Dubravka Kovjanic is superb! This might be one of her career highlights. Ljubomir Bandovic is simply outstanding. Fedja Stukan is excellent. And yes, he is very handsome! Andjelika Simic is mesmerizing in her miniature and I hope to see more of her.

Although there is clearly some 'artistic license' taken with certain historical facts around this assassination and the break-up of Yugoslavia, there was enough to make it worth watching. The acting is generally very good and the pace just right. Some characters were truly despicable and hard to digest, but unfortunately, there were, and are still, far too many of these goons still active. Seeing how secret militias and certain armed/criminal groups are able to control the ruling government and institutions is a warning that this is still going on and that similarities with certain current regimes are all too familiar. History does indeed repeat itself time and time again. A sad but true commentary on the state of politics and populations that accept this corrupt and despicable way of existing. Hard to watch at times but some important themes are presented. Solid series overall.

This series can be enjoyable if we are not familiar with or don't care much about the real events that took place in Serbia. However, it is disappointing to see that many important political figures who played a direct role in the atrocities depicted in the series are entirely absent. These individuals are still active in Serbian politics today, making their exclusion even more noticeable. This omission raises questions about whether political censorship continues to play a significant role in shaping how these events are portrayed. It feels like an attempt to avoid addressing certain uncomfortable truths about the past. It's unfortunate that such a strong influence seems to persist.