Ramona, die einen Autounfall überlebt hat, bei dem ihr Mann ums Leben kam, muss sich und ihre Kinder vor den düsteren Prophezeihungen einer rätselhaften Frau beschützen, die eines Tages im V... Alles lesenRamona, die einen Autounfall überlebt hat, bei dem ihr Mann ums Leben kam, muss sich und ihre Kinder vor den düsteren Prophezeihungen einer rätselhaften Frau beschützen, die eines Tages im Vorgarten der Familie auftaucht.Ramona, die einen Autounfall überlebt hat, bei dem ihr Mann ums Leben kam, muss sich und ihre Kinder vor den düsteren Prophezeihungen einer rätselhaften Frau beschützen, die eines Tages im Vorgarten der Familie auftaucht.
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Director Jaume Collet-Serra, ventures into the realm of psychological horror with The Women in the Yard, and the result is a thought-provoking experience. Anchored by a powerful performance from Danielle Deadwyler, the film burrows under the skin, exploring the insidious nature of grief, guilt, and the darkest corners of the human psyche.
Deadwyler portrays Ramona with a raw intensity. She is a woman fractured by loss and the weight of a terrible secret. Her physical disability, a constant reminder of the fatal car accident, mirrors her emotional paralysis. The arrival of the enigmatic Woman, played with an unsettling stillness by Okwui Okpokwasili, throws Ramona's already fragile world into chilling disarray. Okpokwasili's presence is a masterclass in understated horror; her veiled face and pronouncements of "Today's the day" create an atmosphere of relentless dread.
Collet-Serra expertly crafts a sense of claustrophobia within the confines of the isolated farmhouse. The cinematography, often bathed in stark daylight that somehow feels more menacing than darkness, amplifies the feeling of being exposed and vulnerable. The unsettling sound design further contributes to the creeping unease, making the ordinary seem sinister.
However, The Women in the Yard transcends mere jump scares, delving into profound and disturbing themes. The film cleverly uses the supernatural to externalize Ramona's internal torment. Saying anything further at this point, drifts us into spoiler territory.
The revelation of the Woman's true nature is a chilling twist that reframes the entire film. It forces the audience to reconsider every interaction and realize the battle Ramona is fighting. The ending, unsettling and leaves a lingering sense of unease.
While some may find the pacing deliberate and the horror more psychological than visceral, The Women in the Yard is a compelling and disturbing. It's a film that stays with you long after the credits roll, prompting reflection on the shadows we carry within ourselves.
Deadwyler portrays Ramona with a raw intensity. She is a woman fractured by loss and the weight of a terrible secret. Her physical disability, a constant reminder of the fatal car accident, mirrors her emotional paralysis. The arrival of the enigmatic Woman, played with an unsettling stillness by Okwui Okpokwasili, throws Ramona's already fragile world into chilling disarray. Okpokwasili's presence is a masterclass in understated horror; her veiled face and pronouncements of "Today's the day" create an atmosphere of relentless dread.
Collet-Serra expertly crafts a sense of claustrophobia within the confines of the isolated farmhouse. The cinematography, often bathed in stark daylight that somehow feels more menacing than darkness, amplifies the feeling of being exposed and vulnerable. The unsettling sound design further contributes to the creeping unease, making the ordinary seem sinister.
However, The Women in the Yard transcends mere jump scares, delving into profound and disturbing themes. The film cleverly uses the supernatural to externalize Ramona's internal torment. Saying anything further at this point, drifts us into spoiler territory.
The revelation of the Woman's true nature is a chilling twist that reframes the entire film. It forces the audience to reconsider every interaction and realize the battle Ramona is fighting. The ending, unsettling and leaves a lingering sense of unease.
While some may find the pacing deliberate and the horror more psychological than visceral, The Women in the Yard is a compelling and disturbing. It's a film that stays with you long after the credits roll, prompting reflection on the shadows we carry within ourselves.
This movie really got to me - super intense and stressful. At first, I didn't understand anything, but slowly it all starts making sense, and you get pulled into it. It's not just some random woman appearing out of nowhere - there's actually something deeper, and that's what makes it interesting. I was a bit disappointed that they revealed the woman's face too early - I feel like it should've been saved for the end. But still, that's their choice. The tension, the silence, the way it messes with your head - it all works. It stays with you. Overall, it's a really good film. Definitely worth watching!
This movie was trash! I really wanted to walk out the theater. I'm done with Blumhouse ... This crap was the last straw!
Blumhouse Productions has become a powerhouse in modern horror, churning out low-budget films that consistently turn a profit. However, while their financial model is impressive, the studio's approach to horror often lacks depth, originality, and genuine terror. Rather than crafting stories with meaningful narratives or psychological complexity, Blumhouse frequently resorts to predictable jump scares, recycled tropes, and shallow characters designed to appeal to the broadest possible audience.
Blumhouse Productions has become a powerhouse in modern horror, churning out low-budget films that consistently turn a profit. However, while their financial model is impressive, the studio's approach to horror often lacks depth, originality, and genuine terror. Rather than crafting stories with meaningful narratives or psychological complexity, Blumhouse frequently resorts to predictable jump scares, recycled tropes, and shallow characters designed to appeal to the broadest possible audience.
This movie will scare you. That's for sure. But there isn't much to talk about with this movie. Because the plot is so bad that a 10 year old would have wrote better. Pretty much all you will get out of this movie is being scared. But the ending, as well as pretty much everything else besides being scared, falls short. This movie would have been better if it was 1 hour. It was 30 minutes too long. If you're ready to be bored for 30 minutes and then feel scared and bored for an hour, then come see this movie. The only reason I didn't rate this a 3 is because it's actually scary. And that's all it is, scary.
I can't say I was impressed by The Woman In The Yard. It starts promising, a bit intriguing and mysterious but then it just went downhill. Weak writing was the major cause for a failed horror movie. The acting from the very small cast was okay though, nothing bad to write about them, but the plot just didn't help to save this movie. I'm not going to go into details as I don't want to spoil the story for future viewers but there were just things that didn't make any sense at all and that's why this wasn't a good movie. A bit boring as well at one point. I wouldn't waste my time with this one if I were you.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
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- WissenswertesAlle Einträge enthalten Spoiler
- PatzerWhen Annie is in the kitchen cutting the block of cheese its size changes dramatically when her mom comes to help her. (Time: 8:43)
- VerbindungenReferences Der zweigesichtige Spiegel (1958)
- SoundtracksMiddle of This Storm
Written by Lorne Balfe & Ayanna Witter-Johnson
Performed by Ayanna Witter-Johnson
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- La mujer de las sombras
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.405.985 $
- Eröffnungswochenende in den USA und in Kanada
- 9.395.255 $
- 30. März 2025
- Weltweiter Bruttoertrag
- 23.311.502 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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Oberste Lücke
What is the Canadian French language plot outline for The Woman in the Yard (2025)?
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