IMDb-BEWERTUNG
6,1/10
6209
IHRE BEWERTUNG
Eine Mitfahrgelegenheit wird zu einem riskanten Katz-und-Maus-Spiel, nachdem sie einem Auto folgt, auf das die Beschreibung eines AMBER ALERT passt.Eine Mitfahrgelegenheit wird zu einem riskanten Katz-und-Maus-Spiel, nachdem sie einem Auto folgt, auf das die Beschreibung eines AMBER ALERT passt.Eine Mitfahrgelegenheit wird zu einem riskanten Katz-und-Maus-Spiel, nachdem sie einem Auto folgt, auf das die Beschreibung eines AMBER ALERT passt.
- Regie
- Drehbuch
- Hauptbesetzung
Ducky Cash
- Charlotte
- (as Ducky Branson)
Tommy Kramer
- Gas Station Patron
- (Nicht genannt)
Kruz Valero
- Simone
- (Nicht genannt)
Victoria Winn
- Woman Leaving Cab
- (Nicht genannt)
Empfohlene Bewertungen
While somewhat predictable, this movie provides viewers with the familiar and unfamiliar at the same time. Jaq and Shane don't know each other, but share a light chemistry early on, and while it doesn't necessarily lean into romance, their bond proves strong and necessary for what the film becomes. I think I enjoyed them bonding together more than the progression of the film. Shane's character needed more development. And I feel like they just threw Jaq's backstory at us when it was convenient, but I'm fine with how it played out. The plot is fairly predictable, but in a way I didn't mind. Watch if you want a safe (pun intended), solid movie with actors you know and love (if you haven't grown to love Tyler James Williams from Everybody Hates Chris or Abbott Elementary, what are you doing?!!). Or if you don't know them at all, even better!
Look it's not going to win any Oscars, but it's not as bad as some reviewers are making it out to be. The acting is not oscar worthy, but what are you expecting here? Saying that, the acting is not that bad either. There is enough tension and suspense to keep you hooked. Honestly I think this was quite good. I have seen A LOT worse out there.
At the beginning you think Hayden's character is a bit airheaded and selfish and I guess that was the intention. They don't overplay that the taxi driver is a bad dad. He's just trying to make it like every other person out there. Trying to do good by his kid. But at the same time trying to do good.
So yeah, the police could have done more. But they didn't stereotype it so that they did absolutely nothing or the opposite, overplayed it so it was way too unrealistic. If this movie nteaches us anything, its that far too often people do nothing when they really should. People don't want to get involved, but at the same time it's not trying to advocate that everyone should take the law into their own hands. It's trying to tell us that if you see something they is not right, trust your instincts. If it proves to be nothing, then at least you tried. But what if you ignored your instincts, what if you were one move away from saving someone. Think on that and stop judging every step like it has to be epic.
At the beginning you think Hayden's character is a bit airheaded and selfish and I guess that was the intention. They don't overplay that the taxi driver is a bad dad. He's just trying to make it like every other person out there. Trying to do good by his kid. But at the same time trying to do good.
So yeah, the police could have done more. But they didn't stereotype it so that they did absolutely nothing or the opposite, overplayed it so it was way too unrealistic. If this movie nteaches us anything, its that far too often people do nothing when they really should. People don't want to get involved, but at the same time it's not trying to advocate that everyone should take the law into their own hands. It's trying to tell us that if you see something they is not right, trust your instincts. If it proves to be nothing, then at least you tried. But what if you ignored your instincts, what if you were one move away from saving someone. Think on that and stop judging every step like it has to be epic.
Kerry Bellessa dares to redeem her 2012 film and does so with a more cautious, more meaningful approach and with two more relatable characters that transform this remake into a pleasant thriller that manages to have moments more in line with what was needed before.
The 2012 film brought us love and hate among viewers who enjoyed or had a bad time with the original version, this time its director is accompanied again by her screenwriter Joshua Oram to give the necessary touches and changes to that first script and as a result we have a much more welcoming film whose great strength is finding two considerably more approachable characters in the skin of two correct interpretations such as those of Hayden Panettiere and Tyler James Williams.
The on-screen chemistry of both actors allows us to connect and have sympathy for both characters, even more so when they are given really interesting motivations that make everything feel much more like belonging in the decisions they both make. The same happens with their supporting actors who are more present and interact more in the plot, which also allows the film to be carried out in a more intense way.
Of course, the film has its flaws in several decisions that are made, which make us feel that everything is done more correctly and without trying to shock anyone, a detail that also means that the villain of the film feels a little softer than in the original, and we must consider that the decisions of its final climax are somewhat lacking in energy, which takes away the impact of its outcome, although it has some new twists that make for a nice little mind game.
It is well directed, with a cast that is up to par and a story that works and is effective. It could have dared to be much more consistent, of course, but playing it safe is not a bad thing either, because the film is a good pastime that manages to have significant moments with which you will enjoy this thriller and its suspense in an acceptable way and without major distractions.
A clear message, an effective premise and a proposal that this new version fulfills goes up a notch from the original and that completes the redemption that its director sought, a mission accomplished without further gratification.
The 2012 film brought us love and hate among viewers who enjoyed or had a bad time with the original version, this time its director is accompanied again by her screenwriter Joshua Oram to give the necessary touches and changes to that first script and as a result we have a much more welcoming film whose great strength is finding two considerably more approachable characters in the skin of two correct interpretations such as those of Hayden Panettiere and Tyler James Williams.
The on-screen chemistry of both actors allows us to connect and have sympathy for both characters, even more so when they are given really interesting motivations that make everything feel much more like belonging in the decisions they both make. The same happens with their supporting actors who are more present and interact more in the plot, which also allows the film to be carried out in a more intense way.
Of course, the film has its flaws in several decisions that are made, which make us feel that everything is done more correctly and without trying to shock anyone, a detail that also means that the villain of the film feels a little softer than in the original, and we must consider that the decisions of its final climax are somewhat lacking in energy, which takes away the impact of its outcome, although it has some new twists that make for a nice little mind game.
It is well directed, with a cast that is up to par and a story that works and is effective. It could have dared to be much more consistent, of course, but playing it safe is not a bad thing either, because the film is a good pastime that manages to have significant moments with which you will enjoy this thriller and its suspense in an acceptable way and without major distractions.
A clear message, an effective premise and a proposal that this new version fulfills goes up a notch from the original and that completes the redemption that its director sought, a mission accomplished without further gratification.
The child is kidnapped in less than 20 seconds. A mom is partial witness too late. Two strangers on the cusp of being late for an important appointment separately. The guilt and pressure, a choice is made. An Amber Alert hits all phones. What would YOU do if there was a strong chance the kidnappers vehicle was near you?!?!
From this point on it gets intense. Is it the kidnapper? What is the driver's intentions?!? You find out more about the car in question and driver. Do you trust instinct? Do you risk your important appointment. Do you risk your safety and your life quite literally?
The two main characters Jaq & Shane are relatable and you learn a little more about them. Some aspects of the movie are obvious. Yet some things have you trying to figure out until the near end.
Although the movie is good. I'd say Halle Berry's 2017 Kidnap was more intense and somehow better.
The last 30 minutes of Amber Alert is disturbing. As you can piece together what has/will happened/happen and it's pretty unimaginable horrific.
From this point on it gets intense. Is it the kidnapper? What is the driver's intentions?!? You find out more about the car in question and driver. Do you trust instinct? Do you risk your important appointment. Do you risk your safety and your life quite literally?
The two main characters Jaq & Shane are relatable and you learn a little more about them. Some aspects of the movie are obvious. Yet some things have you trying to figure out until the near end.
Although the movie is good. I'd say Halle Berry's 2017 Kidnap was more intense and somehow better.
The last 30 minutes of Amber Alert is disturbing. As you can piece together what has/will happened/happen and it's pretty unimaginable horrific.
This was a title I decided to watch when I wanted something that was not too long and engrossing. I decided on this little movie and was not disappointed that I did.
First I will say the leads were both good and believable. I was enthralled with the story being as slight as it was but still made you want them to find the little girl.
And I must say that watching the lead actor was very easy on my eyes. Now I will have to start watching Abbott Elementary. All in all I would say if you have some time to spend and want something that is worth watching and easy on the eyes while also a somewhat nail biter, then I would suggest this title.
First I will say the leads were both good and believable. I was enthralled with the story being as slight as it was but still made you want them to find the little girl.
And I must say that watching the lead actor was very easy on my eyes. Now I will have to start watching Abbott Elementary. All in all I would say if you have some time to spend and want something that is worth watching and easy on the eyes while also a somewhat nail biter, then I would suggest this title.
Wusstest du schon
- WissenswertesThis is a re-working of a 2012 film of the same name, by the same writers and director.
- PatzerAt about the 18-minute mark you see the main characters driving on West Main Street in Louisville. At this time, they are supposed to be driving to Middletown and Hurstbourne, which are in the eastern part of Louisville.
- VerbindungenRemake of Amber Alert (2012)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
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- Эмбер Алерт
- Drehorte
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- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
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