Warfare

Super slow and quiet at the start then an eruption of chaos and gunfire without any kind of build up - typical Alex Garland films. Sound design and extra loud gunfire made it a very immersive experience. Some criticism of the film is that there was no story plot or character arcs but when the film ends, it's apparent that the Iraqis and the American soldiers are left with the trauma when everything suddenly stops and the violence has ended. Maybe gone are the days of entertainment war films and 'Warfare' makes people think about the nitty gritty details and what soldiers and civilians are left to deal with.

It starts light. Almost like a joke.

Young soldiers, full of swagger, testosterone, and nervous energy, dropped into a foreign neighborhood with gear, guns, and no real plan. You think you know where it's going.

Then it tightens. Hard.

Alex Garland's Warfare isn't a typical war film. It's a mirror. A slow-burn portrait of occupation - show up, seize control, provoke chaos, and leave. It doesn't lecture. It just sits with you. Uncomfortably.

They're foreign soldiers holding civilians in their own home at gunpoint, surrounded by a community trying to push them out. Whether the locals are rescuers or rebels depends on your perspective - and Garland refuses to give you one.

There's no soaring score. No rousing speeches. Just dust, dread, a spectacle of force and the weight of presence. It's not about winning.

It's a loud reflection of the post-9/11 playbook: arrive with guns, destabilize everything, leave behind blood and rubble. Sound familiar?

As the invaded family ask of the US military. Why? Why did you do this? What was all this about? And it's a good question and not a criticism of the film in anyway. Maybe that was part of the point of it all. Although the congratulatory credits footage confuses that angle as we get to meet the real perpetrators of the events of the film.

I was on board with the who futility of war, the meaningless nature of the soldiers taking over a random house, smashing down walls and taking captive the innocent families that live there and then having to defend themselves from attacks caused by the act of taking over a random house, hey how about just don't take the house, right?

That seemed like a poignant message and if left at that then we've got ourselves a film with a solid message, but then we get the actual soldiers taking photos on the set with the actors and smiling, and the message about thanks for always answering the call" and well maybe we're all just imagining there's a lesson learned here at all. You can't have a sobering film on the brutal insensitivity of the US Military and the pointless damage it inflicts on the innocent around the world and then go all hugs for the military bros as the credits roll, can you? It was a confusing message.

It was a well made movie, fantastic sound design. I just don't know what I'm supposed to take away from it, and maybe that's part of the point, the world is full of contradictions.

But I really did feel embarrassed and ashamed for the cruelty inflicted on the families we hardly saw in this film.

A masterclass in tension and sound design. A visceral, gut wrenching, unrelenting war film experience.

This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.

Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.

Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.

This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.

This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.

So. Well. Done.

Went into this expecting a military movie like those that get rolled out on Netflix periodically, however this is a huge step above. The fact it's a true story too also adds so much to the events shown. The filmmakers go out to put you in the middle of the action. It's a very intense movie that does an amazing job of making you feel the tension in the situation. Performances keep you locked in but the real star of the show is the sound. From the gunfire to explosions you feel every hit. The 'Show of force' they use NEEDS to be heard to be believed. I came out of the movie shaken tbh but really entertained and the time flew by.