Empfohlene Bewertungen

So here's a trio of "Mommy's Girl" scenes, quite obvious in that each has mom and stepdaughter making love.

"Vanity Runs in the Family" is a simple scene but the acting by Aften Opal as stepdaughter and Natasha Nice as her mom puts this one in the winner's circle. It's been reissued to death: first on the VOD titled "Vanity Rush" in September 2023, then in January 2024 on the "Curvylicious" VOD and now this third VOD a month after.

Nice, sporting reddish hair as a brunette, has bought a full-length mirror for her kid and is primping in front of it when Opal arrives. She' s more than a mother who fawns over her child and gets intimate in a hurry, startin with combing her stepdaughter's hair affectionately. Opal is utterly convincing in expressing her apprehension and uncomfortable reactions, but Natasha effectively convinces her that there's nothing wrong with having sex together, and what follows is quite erotic and arousing.

The extreme contrast in the body shapes of the two actresses: Natasha's Rubens-esque figure and Opal a cute as a button teen (she's 24 now but hasn't aged a bit since entering porn five years ago) is important to the scene's success. They're both really into the lesbian sex, with plenty of oral action and Nice throwing in some very nice foot fetish action.

As always, Natasha's unparalleled decolletage is riveting during the scene set-up, before the clothing is cast to the winds.

Title scene: London River fans will likely be happy to see even more of her here -she's put on plenty of weight all in the right places. Reminiscent of the change in recent years in the physical appearance of fellow bondage queen Aiden Starr, River dominates the screen as she punishes stepdaughter Laney Grey.

The screenplay and direction are quite poor, likely due to a "sex is all that matters" philosophy. I replayed the dialogue set-up (pre-sex) portion of the vignette to no avail -it makes no sense. London is reading with disdain an Adult TIme magazine (mock-up with Ana Foxxx on the cover) she found in her son's room. She complains to her stepdaughter Laney Grey about her son spending his money on junk like that when he doesn't work -she at least is in college while they both still live at home.

Then, for supposedly "lying" (it's not explained at all), London elects to punish Laney instead of her brother. For astutue porn fans it's no surprise that both London and Laney enjoy the spanking and soon it graduates to full (yet faux) incest. Clearly, all the talk about the brother is meaningless. Just as meaningless is the camera's interest in a poster of young porn star Kenzie Reeves hanging posted on the bedroom wall.

Even though the outcome is a foregone conclusion, the acting and melancholy mood of "Time of Need" develops enough emotional sincerity to carry the show. In its own way, it makes a case for the faux incest genre.

It opens with a tearful Syren De Mer, still mourning the death of her husband as its year anniversary approaches. Stepdaughter Kimmy Kimm tries to comfort her, but both are equally grieving. Syren invites her kid to sleep in her bed that night, for mutual support.

Lying awake side by side they both miss him, and gradually agree that some loving will perk them both up. By convincingly placing this lesbian sex in the context of their solidarity with the missing guy who completes their family unit, a stronger case for incest is made.