Coma
- Miniserie
- 2024
IMDb-BEWERTUNG
6,6/10
1131
IHRE BEWERTUNG
Die Hingabe eines Familienvaters wird auf die Probe gestellt, als seine Nachbarschaft von einer Jugendbande unter dem Kommando eines bedrohlichen 17-jährigen Anführers heimgesucht wird.Die Hingabe eines Familienvaters wird auf die Probe gestellt, als seine Nachbarschaft von einer Jugendbande unter dem Kommando eines bedrohlichen 17-jährigen Anführers heimgesucht wird.Die Hingabe eines Familienvaters wird auf die Probe gestellt, als seine Nachbarschaft von einer Jugendbande unter dem Kommando eines bedrohlichen 17-jährigen Anführers heimgesucht wird.
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Empfohlene Bewertungen
Felt compelled to leave a review after seeing the less than fair criticism given to this. For me the acting was great, the story was decent, it was filmed at a good pace and kept me engaged and watching right up to the end. The young boy Jonas Armstrong was very good and I can see him in lots of dramas in the future. This is not some big budget Hollywood movie with Oscar winning performances and I'm not really sure why everything has to be. It's a good drama, on a low scale budget and much better than Love Rat which was shown on channel 5 the previous week. To me Jason Watkins is always worth a watch and he and the rest of the cast did a great job.
Coma is a brilliantly tense thriller, over four hours of increasing intensity, there are no loops here just escalations.
It centres around a mild mannered Jason Watkins and a single moment, tormented by just about everything and anyone he snaps and his world unravels. Pretty soon he's sitting uncomfortably in wine bars with petty gangsters and lying to the police.
It is also awful, a great set of core names wondering what they are doing here. It is filmed in Eastern Europe and that doesn't get lost - it simply looks nothing like anywhere in the UK.
Somehow this manages to be enthralling, tense and awful at the same time.
It's 4 hours - it's channel 5 - there are worse things on TV to watch!
It centres around a mild mannered Jason Watkins and a single moment, tormented by just about everything and anyone he snaps and his world unravels. Pretty soon he's sitting uncomfortably in wine bars with petty gangsters and lying to the police.
It is also awful, a great set of core names wondering what they are doing here. It is filmed in Eastern Europe and that doesn't get lost - it simply looks nothing like anywhere in the UK.
Somehow this manages to be enthralling, tense and awful at the same time.
It's 4 hours - it's channel 5 - there are worse things on TV to watch!
I was really looking forward to this drama because of the excellent cast. Jason Watkins has been consistently excellent in everything I've seen him in. The problem with this is the fanciful script. It's too silly for words. The characters aren't that likeable. Jason Watkins' character is a complete "Wally". It's hard to believe his wife would be in a relationship with him as he's so helpless.
The story became more unbelievable with each episode. I was at the stage where I was expecting them to discover Lord Lucan hiding in their garden. It could have been a really dripping story but was let down by the weak script. I love British drama but this was a big let down.
The story became more unbelievable with each episode. I was at the stage where I was expecting them to discover Lord Lucan hiding in their garden. It could have been a really dripping story but was let down by the weak script. I love British drama but this was a big let down.
I was looking forwards to viewing this as I liked the three main leads.
However a poor script ;often too repetitive gave the series a lack of drive.
The police were once again portrayed as inadequate buffoons.
The young actor who played the lout showed only a characture of what was a pivotal role ,though again this was the script rather than the actor.
The story could have been told in one episode My version was that Simon should have told Paul that it was his(Simon's) boss who hit the boy.
Then when Paul had dealt with this person,Simon could have anonymously phoned the police with details of the offence. Paul would be arrested and locked up and Simon was off the hook having only to deal with junior psycho.
However a poor script ;often too repetitive gave the series a lack of drive.
The police were once again portrayed as inadequate buffoons.
The young actor who played the lout showed only a characture of what was a pivotal role ,though again this was the script rather than the actor.
The story could have been told in one episode My version was that Simon should have told Paul that it was his(Simon's) boss who hit the boy.
Then when Paul had dealt with this person,Simon could have anonymously phoned the police with details of the offence. Paul would be arrested and locked up and Simon was off the hook having only to deal with junior psycho.
I came here, expecting to see 9.5/10 or even 10/10 for COMA. However, I see the aggregate reviews for this masterpiece are 6.5/10! What were these other people watching? Was it the most riveting tense drama in years? Was it the ingeniously written plot? Or was it the absolutely incredible acting by all concerned, particularly Jason Watkins?
Right from the start, the tension builds and builds as we see an ineffectual harmless man plunged into a nightmare not of his making. His life is literally collapsing around him. The actor who played the main villain was off the scale and his love of fine red wine was such a clever unexpected touch.
Please ignore these other reviews,. There are other programmes entitled "Coma" so maybe they were watching another programme, I don't know. Watkins and Ben Edwards deserve BAFTAs for this.
Right from the start, the tension builds and builds as we see an ineffectual harmless man plunged into a nightmare not of his making. His life is literally collapsing around him. The actor who played the main villain was off the scale and his love of fine red wine was such a clever unexpected touch.
Please ignore these other reviews,. There are other programmes entitled "Coma" so maybe they were watching another programme, I don't know. Watkins and Ben Edwards deserve BAFTAs for this.
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