IMDb-BEWERTUNG
6,3/10
7203
IHRE BEWERTUNG
Chile, 1955. Der Fall von María Carolina Geel, einer bekannten Schriftstellerin, die ihren Geliebten ermordet hat, fesselt Mercedes, eine schüchterne Sekretärin, die für den Richter arbeitet... Alles lesenChile, 1955. Der Fall von María Carolina Geel, einer bekannten Schriftstellerin, die ihren Geliebten ermordet hat, fesselt Mercedes, eine schüchterne Sekretärin, die für den Richter arbeitet, der die Angeklagte verteidigen soll.Chile, 1955. Der Fall von María Carolina Geel, einer bekannten Schriftstellerin, die ihren Geliebten ermordet hat, fesselt Mercedes, eine schüchterne Sekretärin, die für den Richter arbeitet, der die Angeklagte verteidigen soll.
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
Nicolás Zárate
- Arnés
- (as Nicolás Zarate)
Empfohlene Bewertungen
I think this is my favorite Netflix watch this month. I thoroughly enjoyed this film. The pace perfectly matches the main character's personality. While watching it, I believe I found the peace the main character, Mercedes, seeks. The film is subtly profound.
The void and regret she feels are incredibly relatable qualities and I found myself totally immersed in the story and in her personal journey. I enjoyed the timepieces including the furniture and the fashion of the time so beautifully displayed. I look forward to reading more about the real people behind the headlines and will search for more Chilean films.
The void and regret she feels are incredibly relatable qualities and I found myself totally immersed in the story and in her personal journey. I enjoyed the timepieces including the furniture and the fashion of the time so beautifully displayed. I look forward to reading more about the real people behind the headlines and will search for more Chilean films.
A very beautiful movie about the burdens and exhaustions of women, the woman searching for herself and finding it in peace and privacy.
When a woman finds a place for herself to elevate herself and live her own time, it becomes a refuge, as she said, "I am tired of the noise. I want some peace." Stories always present some kind of female role that focuses on motherhood or maturity. You have not found a film like this about the desire for peace and tranquility and the restoration of the soul. I loved it and wanted it very much.
A very wonderful and very calm movie that touched me deeply and I believe that the story has roots or is an adaptation of a previous story.
A wonderful, wonderful, very nice movie.
When a woman finds a place for herself to elevate herself and live her own time, it becomes a refuge, as she said, "I am tired of the noise. I want some peace." Stories always present some kind of female role that focuses on motherhood or maturity. You have not found a film like this about the desire for peace and tranquility and the restoration of the soul. I loved it and wanted it very much.
A very wonderful and very calm movie that touched me deeply and I believe that the story has roots or is an adaptation of a previous story.
A wonderful, wonderful, very nice movie.
As chilean I felt so proud of this movie. The story is factual and accurate (except for the main character, that is). The author and the book are one of our dear readings, so I felt moved, and prompt to learn more about the background. Little did I know about Maria Carolina Geel and her own deeds at the time, and how Gabriela Mistral gave her a hand to set her free. Same as in the film, I don't believe that any woman close to the culture can feel uninvited somehow, and being dragged to experience a bit of the same sorority . The movie is pleasure to watch, well written and narrated; calm and introspective. Some criticism can be harsh, but quite real and again, accurate. At some point, there was a fight inside of me with the main character, but I couldn't help being absorbed by a recurrent call for compassion that leaves so much space for self expression. Many arguments were constructed subtlety, yet that wasn't the true intention. Not even the main trigger was relevant. The movie moves on a different layer, far from the mainstream. If you are looking for an experience rather than mere entertainment, this might be your option.
Even the Chilean national poet Gabriela MISTRAL (1889 - 1957), who was awarded the Nobel Prize for Literature in 1945, stood up for her convicted fellow writer.
In 1955, a sensational scandal occurred in Santiago de Chile. In the Hotel Crillon, the writer Maria Carolina Geel (Francisca LEWIN) shot her lover out of the blue. By chance, the court clerk Mercedes Arevalo (Elisa ZULUETA), who works for the investigating judge, comes into contact with this case. It turns out that she receives the keys to the defendant's luxurious apartment. This opens up a new world for the inconspicuous Mercedes, who is not taken entirely seriously by her husband (Pablo MACAYA) and two sons. Surrounded by beautiful things and in heavenly peace, Mercedes begins to rethink her own life and consider new horizons possible.
A quiet and beautiful narrative film from Chile, which is somewhat reminiscent of the Italian blockbuster TOMORROW IS ALSO ANOTHER DAY / C E ANCORA DOMANI by and starring Paola CORTELLESI. EL LUGAR DE LA OTRA by Maite ALBERDI was selected by Chile as a candidate for the OSCAR for Best International Film.
In 1955, a sensational scandal occurred in Santiago de Chile. In the Hotel Crillon, the writer Maria Carolina Geel (Francisca LEWIN) shot her lover out of the blue. By chance, the court clerk Mercedes Arevalo (Elisa ZULUETA), who works for the investigating judge, comes into contact with this case. It turns out that she receives the keys to the defendant's luxurious apartment. This opens up a new world for the inconspicuous Mercedes, who is not taken entirely seriously by her husband (Pablo MACAYA) and two sons. Surrounded by beautiful things and in heavenly peace, Mercedes begins to rethink her own life and consider new horizons possible.
A quiet and beautiful narrative film from Chile, which is somewhat reminiscent of the Italian blockbuster TOMORROW IS ALSO ANOTHER DAY / C E ANCORA DOMANI by and starring Paola CORTELLESI. EL LUGAR DE LA OTRA by Maite ALBERDI was selected by Chile as a candidate for the OSCAR for Best International Film.
I watched this movie on Netflix, expecting a conventional crime drama. I was surprised to discover a sensitive, complex and accurate film. The characters, based on a real case, are designed in a subtle, but powerful way, by the actors and the director. The film is not satisfied with just bringing the story to the viewer, but also manages to formulate an interesting statement on the feminist issue, referring to Chile in the 1950s. The main actress, in the role of Mercedes, plays a complex and multi-layered character, and she does it very successfully, in my opinion, on the one hand, she plays a restrained and introverted role, but at the same time she manages to express the drama that takes place inside her in an impressive way and is highly recommended.
Wusstest du schon
- WissenswertesOfficial submission of Chile for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
- VerbindungenReferenced in Expertas en nada: RETORNO (2023)
- SoundtracksEl Merecumbe
Written by Francisco Galán Blanco
Performed by Orquesta Huambaly
Courtesy of Universal Music Chile S.A.
(P) 1957 EMI Odeón Chilena S.A.
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- 1 Std. 36 Min.(96 min)
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