Maria

I'm born a catholic, not into any specific relegion nowadays, but still feel a special connection to the person Mary and where she stands for. This movie didn't feel right.

Okay, i don't know much or better said anything about the childhood of Mary, but how it all went with Josef I think is better told in The Nativity Story (2006). I can'tt say many much further then... before I was half past through I stopped seeing the movie further. It wasn't my thing I believe is the story of Mary.

The part of the movie I've seen I liked only Anthony Hopkins as Herod, but also think he better watch out stopping acting before his decline. Also the temptation of Mary by Lucifer was splendid done in directing and the acting of Eamon Farren.

The script is hokey and some details are improbable (and I don't mean the supernatural ones) but the actors deserve a lot of credit. Someone among the reviewers here remarked that you can't properly act out a New Testament story if you don't believe in the New Testament; but after all, an actor in a ghost story doesn't need to believe in ghosts and an actor who plays Stalin doesn't need to be a communist. "Mary" has good actors capable of selling unusual situations. Even if their accents aren't coordinated.

Recent movies have milked the motif of the Chosen One for all its worth. This movie, although comes by that motif naturally, hammers a little hard at it, while also playing with the tired motif of the young woman who is anachronistically feisty in olden times.

I understand that the apocryphal Gospel of James and the Quran have Mary working in the Temple as a child. From this item of questionable history, the "Mary" movie generates a whole sisterhood of youngsters who belong visually in The Handmaid's Tale. The Temple, meanwhile, operates in tense coexistence with the Roman rulers, and that tension provides relevant and ample, if melodramatic, filler material for the script.

Joseph, who is sometimes thought of as elderly, is young and energetic here. Maybe not agreeable to all followers of the religion, but good for the movie.

What is this Mary movie trying to tell us? Does it have a particular spin to sell? I'm not quite sure. It spends quite a bit of time on Herod, and a little time on Satan as well, and my impression is that besides (of course) promoting the positive historical role of women and of men who respect and defend them, it wants to reassure us that in the battle between good and evil, those who defy the foul fiend will ultimately win out.

Gabriel looks like a supermodel and has a nifty scarf cloak combo which he uses to great effect.

Anthony Hopkins borrowed Gary Oldmans Dracula frock and keeps a straight face throughout the proceedings.

The poor are filmed in semi darkness as turgid violins proclaim the wretched lives of the locals, accompanied by weeping and wailing (clearly they've seen the script). Mary follows butterflies and seems to have an American accent, for some reason?

Marcellus borrows Luke Evans armour from another Dracula film, Dracula untold, Marcellus is a baddy in black armour boo hiss.

Mary's parents barely age, ye olde oil of Olay worketh welleth here.

A man with a lampshade on his head isn't happy, a nice lady with a truly magnificent lampshade on her head is nice to Mary, a man with a whisk on his head is pleased to see Mary at what I assume is a temple.

Mary gets taller and finds lip filler as she ages, the temple gruel is thinner than Krusty brand.

Poor people surround Mary, a mysterious British actor asks her opinion on Herod the king (I fear he looks a wrong un!) possibly the devil? Supermodel Gabriel appears again momentarily. Herod appears and possibly Bryan Cranston dressed as a soldier behind him, this is too much I need a lie down now.

"Mary" (2024) had the potential to be a powerful and moving portrayal of one of history's most significant figures. While the film boasts stunning visuals and a reverent tone, it ultimately falls short due to a lackluster screenplay and missed opportunities to delve deeper into Mary's emotional and spiritual journey.

The film chronicles Mary's life from her childhood to the birth of Jesus, touching upon key events and challenges she faced. While the production design and cinematography are commendable, creating a visually immersive experience, the narrative itself feels flat and uninspired.

The screenplay lacks depth and nuance, failing to fully explore Mary's internal struggles, her unwavering faith, and the profound impact of her experiences. The dialogue often feels stilted and lacks emotional resonance, preventing the audience from truly connecting with the characters and their journey.

The performances are adequate, but the actors are hampered by the weak script, preventing them from fully embodying the complexities of their roles. The film's pacing also suffers, with certain scenes feeling rushed while others drag on unnecessarily.

Despite its shortcomings, "Mary" (2024) offers glimpses of what could have been a truly powerful and inspiring film. The film's reverence for its subject matter and its stunning visuals are commendable. However, its lackluster screenplay and missed opportunities to explore the emotional and spiritual depths of Mary's story prevent it from reaching its full potential.

CONS: For Bible-study Christians this movie is going to disappoint. This is "Hollywood's" version of the story of Mary. I no longer practice any religion but I was raised Roman Catholic and did not see any similarities to what I was taught in Catechism. But alas, I realize the Catholic church's teachings may also be inaccurate. Also, the dialogue is rudimentary at best and storyline is rather choppy and rushed.

PROS: Great cinematography; visually stunning. It's other redeeming quality is Sir Anthony Hopkins as King Harod and other fine actor. A good thing, because only good actors could pull off the slow, awful dialogue and awkward moments in this film.

Overall, the film is entertaining albeit overly-dramatic and corny at times. If you're willing to just view it as entertainment, you may enjoy it more.