Zwei Priester - der eine zweifelt an seinem Glauben, der andere hat mit seiner Vergangenheit zu kämpfen - müssen ihre Differenzen beiseite schieben, um eine besessene junge Frau zu retten.Zwei Priester - der eine zweifelt an seinem Glauben, der andere hat mit seiner Vergangenheit zu kämpfen - müssen ihre Differenzen beiseite schieben, um eine besessene junge Frau zu retten.Zwei Priester - der eine zweifelt an seinem Glauben, der andere hat mit seiner Vergangenheit zu kämpfen - müssen ihre Differenzen beiseite schieben, um eine besessene junge Frau zu retten.
Aaron LaPlante
- Demonic Figure
- (Synchronisation)
Yadira Correa
- Additional Voice
- (Synchronisation)
Eli Sulkowski
- Additional Voice
- (Synchronisation)
Audrey Wasilewski
- Additional Voice
- (Synchronisation)
Calvin Williams
- Church Congregation
- (Nicht genannt)
Empfohlene Bewertungen
Here's a film with quite a dilemma. An exorcism story with little to no characterization, and no imagination. If the director was going for a more realistic approach, he failed.
This film performs almost every trick in the exorcism movie book and nothing more. It's quite a shame too. The direction is adept and offers some tension. The pacing is proper for this kind of storyline. The acting is pretty good. I've seen better, but I've also seen a lot worse. The setting is appropriately creepy and atmospheric.
The problem is it does little to tell us anything about it's characters and it strictly sticks with the exorcism. I felt like I learned nothing about this supposed "true story" throughout the runtime except how the rituals are performed. I believe that is where the critics and the audience are having a problem connecting with the film. It was just boring and uninspired.
Overall, I'd say it can wait until streaming. It won't be long before it gets there as nobody is rushing to the theaters to see this one. I was one of two people at my showing, and I completely understand why.
1.5 priests out of 5.
This film performs almost every trick in the exorcism movie book and nothing more. It's quite a shame too. The direction is adept and offers some tension. The pacing is proper for this kind of storyline. The acting is pretty good. I've seen better, but I've also seen a lot worse. The setting is appropriately creepy and atmospheric.
The problem is it does little to tell us anything about it's characters and it strictly sticks with the exorcism. I felt like I learned nothing about this supposed "true story" throughout the runtime except how the rituals are performed. I believe that is where the critics and the audience are having a problem connecting with the film. It was just boring and uninspired.
Overall, I'd say it can wait until streaming. It won't be long before it gets there as nobody is rushing to the theaters to see this one. I was one of two people at my showing, and I completely understand why.
1.5 priests out of 5.
I know the reviews aren't great but I like Pacino and Dan Stevens, plus I'm usually overly forgiving with these type of movies, so I would have got some enjoyment from it.
I said would have because I couldn't get very far into it.
The reason was the camera which was so distracting. It was shaking with random zooms and unnecessary camera angles. I don't think I've experienced anything like this before, and hopefully nobody will attempt it ever again.
Baffling choice for such a movie. I guess if the director didn't want anyone to focus on his movie for a split second, then mission accomplished.
I said would have because I couldn't get very far into it.
The reason was the camera which was so distracting. It was shaking with random zooms and unnecessary camera angles. I don't think I've experienced anything like this before, and hopefully nobody will attempt it ever again.
Baffling choice for such a movie. I guess if the director didn't want anyone to focus on his movie for a split second, then mission accomplished.
Here we are again-another film about demonic possession, another "based on a true story" tagline, another exorcism. But The Ritual, which dramatizes the infamous 1928 exorcism of Emma Schmidt, had something more in its grasp: a chilling historical case, a legendary priest, and the potential to stand out in a saturated subgenre. Unfortunately, while the bones of a compelling and terrifying film are here, the execution undercuts itself at nearly every turn.
The source material is potent. The real-life exorcism of Emma Schmidt is one of the most detailed and disturbing accounts in American history. But while the story had me hooked, the mockumentary-style camerawork took me right out of it. It's a baffling creative choice that feels like it belongs in an entirely different film. We're not watching a found-footage horror film here, but the cinematography seems to think we are. Jarring close-ups, erratic shaky cam, and a lack of visual clarity not only disrupt the pacing, they often hide the horror instead of revealing it.
Pacino, even in his late career, still commands the screen. His Father Riesinger is a worn man with a quiet intensity, bringing grit to the role. Dan Stevens matches his performance, injecting skepticism and emotional weight into a character. Abigail Cowen gives a physically demanding and emotionally performance as Emma. She doesn't overplay the possession, instead grounding it in fear, confusion, and exhaustion. Her portrayal makes you believe she's both victim and battlefield.
The Ritual isn't without merit. The performances are strong, the story is there, and there are moments that hint at something deeper and more terrifying. But the disjointed visual style does it no favors. It's a film that constantly reminded me of what it could have been something chilling, thought provoking, and unforgettable. Instead, it's a promising exorcism tale that exorcises itself of its own potential.
The source material is potent. The real-life exorcism of Emma Schmidt is one of the most detailed and disturbing accounts in American history. But while the story had me hooked, the mockumentary-style camerawork took me right out of it. It's a baffling creative choice that feels like it belongs in an entirely different film. We're not watching a found-footage horror film here, but the cinematography seems to think we are. Jarring close-ups, erratic shaky cam, and a lack of visual clarity not only disrupt the pacing, they often hide the horror instead of revealing it.
Pacino, even in his late career, still commands the screen. His Father Riesinger is a worn man with a quiet intensity, bringing grit to the role. Dan Stevens matches his performance, injecting skepticism and emotional weight into a character. Abigail Cowen gives a physically demanding and emotionally performance as Emma. She doesn't overplay the possession, instead grounding it in fear, confusion, and exhaustion. Her portrayal makes you believe she's both victim and battlefield.
The Ritual isn't without merit. The performances are strong, the story is there, and there are moments that hint at something deeper and more terrifying. But the disjointed visual style does it no favors. It's a film that constantly reminded me of what it could have been something chilling, thought provoking, and unforgettable. Instead, it's a promising exorcism tale that exorcises itself of its own potential.
Coming out of the cinema me and my friends couldnt believe we just watched a movie that really wasnt showing us anything at all. Where do i even begin? Bad acting (with 1-2 mini exceptions), THE CAMERA SHAKING ALL THE TIME FOR SOME REASON AND WE WOULDNT SEE CLEAR THINGS IN FRONT OF US, the script mustve been two pages long because noone said much things except of the psalms, the movie worked in silence for too long without showing you anything in the action. Felt like there was no order and not anything exiting happened. No jumpscares in a horror movie... Felt like a loop repeating being boring.
In a world where two or three exorcism movies are being released each year, you have to do something special to make your mark. Unfortunately, The Ritual is about as bland as you can get from an exorcism movie.
It's first issue is that it commits the cardinal sin of not being remotely scary or creepy. Partly this is because everything it is doing has been done to death, and has been done better in other films. Partly it is because it doesn't even seem to try too hard to cultivate a spooky atmosphere. The whole tone and look of the film is just dull.
The performances are OK, but nothing special. Al Pacino is wasted in a pretty formulaic role, and Dan Stevens does his best to put meat on the sparse bones of a beleaguered priest tasked with hosting the exorcism. It is a wonder how such a good cast was assembled for such a poor film.
Ultimately though, I do think this film falls apart with its story. It is just so formulaic and derivative of the exorcism genre. I knew every single story beat that was going to happen before it did. Nothing here is remotely new. I think they rested on their laurels due to the fact it was based on a real story, but that doesn't make it any better. The whole thing just lacked any real theatricality or spark.
Of all the exorcism films that I've seen in recent years, this is most definitely one of the least inspiring. One to avoid.
It's first issue is that it commits the cardinal sin of not being remotely scary or creepy. Partly this is because everything it is doing has been done to death, and has been done better in other films. Partly it is because it doesn't even seem to try too hard to cultivate a spooky atmosphere. The whole tone and look of the film is just dull.
The performances are OK, but nothing special. Al Pacino is wasted in a pretty formulaic role, and Dan Stevens does his best to put meat on the sparse bones of a beleaguered priest tasked with hosting the exorcism. It is a wonder how such a good cast was assembled for such a poor film.
Ultimately though, I do think this film falls apart with its story. It is just so formulaic and derivative of the exorcism genre. I knew every single story beat that was going to happen before it did. Nothing here is remotely new. I think they rested on their laurels due to the fact it was based on a real story, but that doesn't make it any better. The whole thing just lacked any real theatricality or spark.
Of all the exorcism films that I've seen in recent years, this is most definitely one of the least inspiring. One to avoid.
Wusstest du schon
- PatzerDuring the exorcism, Emma speaks several languages, including Polish when addressing the Mother Superior. The Mother Superior responds in what is supposed to be Polish, but her pronunciation is so poor that native Polish speakers might have difficulty understanding her.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Exorcismo: El Ritual
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 527.118 $
- Eröffnungswochenende in den USA und in Kanada
- 329.198 $
- 8. Juni 2025
- Weltweiter Bruttoertrag
- 3.412.441 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Seitenverhältnis
- 2.00 : 1
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