Hannah Einbinder: Everything Must Go

Having been a fan of Hannah Einbinder's work in "Hacks," I was eager to watch her stand-up special, "Everything Must Go." However, I must admit, I only managed to get through about 15 minutes of the show before deciding it wasn't for me.

Perhaps it's just a matter of personal taste, but I found myself struggling to connect with her comedic style. While her performance in "Hacks" is undeniably brilliant, this particular show, for me, simply fell flat. I was genuinely puzzled by the audience's uproarious laughter, as her set seemed to lack the comedic effort and punch I've come to expect from stand-up. It felt as though the jokes weren't landing, or perhaps, weren't even truly being attempted.

Ultimately, despite my admiration for her acting, "Everything Must Go" didn't resonate with me as a comedy special.

She and Jean are so good in Hacks, but this is a bizarre and welcome introduction in to a very brilliant and anarchical mind.

I mean, who knew a few slices of the high school sports-oriented history (no spoilers) of this ballsy, artsy, nerdy woman could be so surprising and funny.

I am not a big fan of TV stand-up (though I loved "I'm Dying Up Here") but she wooed me in like a pro.

Yes, I DO want to see comedy about climate change and bees and trees and men and women if it's done the way Hannah does it.

It also gave me insight into why 'Hack's is so great. Very different styles of comedy challenge viewers (or at least me) to see the humor and the macabre in our lives. Grateful for some resounding belly laughs at a dark, accurate, and refreshing lens on a crazy world.

Loved it!

Hannah Einbinder has comedy in her DNA, being the daughter of original SNL cast member Larraine Newman. And she has built a solid body of work in "Hacks" with Jean Smart. But as a stand-up, she needs to do more work.

This special - her first - is not so much a stand-up comedy as it is a carefully rehearsed scripted monologue, complete with audio and lighting cues. It comes off as "too rehearsed" if that makes sense. There is no spontaneity, no apparent improv, and occasionally zero audience response. Einbinder is a good writer, but she doesn't yet know how to perform in front of a live audience. Hopefully, that will come with time. There was too much mugging to the camera, as if to say "yeah, I know I'm cool". No, Hannah, you're not (at least not yet). And if you were cool, this isn't the way to telegraph it.

A day after watching the special, I was hard-pressed to remember a signature bit or line from her performance. I think that was due in part to her scripted delivery, which left little room for connection with the audience.

Einbinder's career is still young, so there's room to grow. She's done well as a writer and actor on "Hacks" and that should continue at least through the show's fifth season (not unusual for a streamer to end a show after 5 years). For her to take the next step, her delivery and material needs to also grow and mature.

This isn't comedy.. it's performance art..

The roars from the crowd seemed REALLY odd to me. As if they were some cult following just there to cheer her on completely regardless of what she did or said. As if the audience was filled intentionally with her "tribe" who came to see and support "Hannah" and did not merely buy tickets anticipating a comedy show. There's no real laughter here.

I did not find anything she did, much less said, funny. It's performative art.. which okay.. I can accept, but it wasn't even GOOD performative art.

She's great in Hacks.. where there's a writing staff and a director to tell her what to do... but CLEARLY stand-up isn't her thing. Based upon the crowd reactions in this, she may be in a bubble.. surrounded by those wishing her well and supporting her, but lacking the ability to tell her when things need more work. This "special" REALLY needed much more work if it was supposed to be funny.

This is really just HBO saying "Hey Hannah, Hacks has been a success. Do you want to do a 1 hour comedy special? We think you've gained some notoriety and many would tune in." And she said yes, that was a mistake. Clearly when left to her own devices, absent a writing staff, she has no clue what comedy actually is.

The poor experience is foreshadowed pretty well by the pretentious opening French music... I mean a French song for your US comedy debut? Really?

Blech.

The negative reviews here are from people who have no concept of comedy and subjectivity.

They think that if they didn't find it funny, then it isn't funny and its the performers fault for writing something terrible.

If you don't understand that comedy is ABSOLUTELY subjective then you shouldn't be posting reviews for them. You're not qualified because you don't even understand the thing your reviewing.

You need to understand a topic before you start sharing your thoughts on that topic.

Otherwise you're basically posting the same reviews of those people who leave reviews for movies they haven't watched or books they haven't read.