Manhattan

I went in with low expectations. After all, how great could a show on the WGN network, with a presumably tiny budget, be worth a flip?

I'm SO glad I tried the show. From the pilot on (I'm on Episode 5 now), the show quality has been stellar. The acting is superb; the casting choices are brilliant. This show ranks with the best shows from HBO, Showtime, AMC, or FX.

I'm totally speculating, but I "imagine" some of the Breaking Bad crew in New Mexico is working on this production. They make good use of the New Mexico landscapes when appropriate, giving the show a nice organic feel.

Sure, the show is fiction, but the major elements that the show is based on are true. This is a great way to get some perspective on the war, the Manhattan project, and the lives of those who were involved with the project.

In summary, give it a chance ... highly recommended!

Amazing writing, riveting history and great acting. Not sure why this didn't make the list of top dramas when it first came out. If you are a history buff you won't be disappointed. Give it a try!

Terrific drama, riveting history, intense inter-relationships, great performances. Why is this show so unrecognized?

Why haven't many of these actors I love here gone on to greater things? (Rachel Brosnahan is the one exception.) I wish the writers director & cast would make something again.

I came into the pilot episode of Manhattan expecting the usual deal of bad production budgets, lackluster acting, and an overall cheap feel. Instead, I got a beautifully shot, smartly written, excellently acted, and a very "high quality" feel to everything.

Dare I say it, but I get slight Breaking Bad vibes from the cinematography and just the overall feel of everything. For example, the use of the music at the end of the pilot episode and the opening segment of the second episode that seemed random and unrelated to the main plot at hand. That isn't to say it feels ripped off, because it's not. It actually feels fresh and exciting to watch. Compared to most other shows this summer (example, The Last Ship) this is superior in every way conceivable, unless of course you're looking for the good guys blowing up the bad guys.

The second episode was just as impressive as the first. In fact, I actually watched it twice due to there being nothing else on TV. I never do that with anything.

I sincerely hope WGN picks this up for another season. The fact that there are still under 500 votes on IMDb as of the second episode leave me a little worried about how the ratings fare.

I guess the only thing the show could be doing better is having a better title sequence (think LOST, 24, Breaking Bad, etc. Just something simple but satisfying)!

I've read "109 East Palace," a very good book about life in Los Alamos during the Manhattan Project, and so far it seems that the producers of "Manhattan" have done their homework. Except that Oppenheimer was referred to as "Oppie" by many who were familiar with him.

This is obviously a fictionalized account of the development of the bomb; I doubt you'll see a "real" person portrayed except Oppenheimer -- and maybe Dorothy his trusted assistant. Seventy years later, the whole affair is still too politically charged to do a "real" docudrama. It might come out that the real troublemaker at Los Alamos, the guy who guided atomic weapons development from the '50s on -- after Oppenheimer had been gotten rid of -- was a raving jerk and backstabber. Can't have that.

But the show captures the urgency and the chaos rather well, and the details -- the human "computers," for example, were good and fun. The characters were attention-grabbing enough. I enjoyed it. We'll see if they can carry it through for 12 episodes -- or if 12 episodes of non-stop urgency and intensity are too much.

Update: November 2014. I like this show even better than I did at the start. You who say it became tedious: yes, for awhile it threatened to lose itself in subplots. But the last three episodes roared toward a conclusion that, if the show had not been renewed, would have been the capstone of an entirely complete and satisfying work of fiction.

In many ways, this season has been Frank's journey to answer this question: what things can a good man do, or not do, in the name of good?