IMDb-BEWERTUNG
4,3/10
5704
IHRE BEWERTUNG
Die junge Anna Nix (Sara Malakul Lane) tötet beim Versuch einer Vergewaltigung zu entgehen ihren Stiefvater.Die junge Anna Nix (Sara Malakul Lane) tötet beim Versuch einer Vergewaltigung zu entgehen ihren Stiefvater.Die junge Anna Nix (Sara Malakul Lane) tötet beim Versuch einer Vergewaltigung zu entgehen ihren Stiefvater.
Jennifer Robyn Jacobs
- Genie
- (as Jennifer Jacobs)
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Jailbait: The harrowing true story of how beautiful Thai model Sara Malakui Lane became contractually obligated to make movies for The Asylum production company. You know The Asylum, they are the people who make those straight-to-DVD movies that sound like other blockbuster movies, e.g. Battle of Los Angeles, Apocalypse Pompeii, Jack the Giant Killer, you know...the worst movies ever made. Well here is another one, and it is dreadful but you are still going to watch it for the same reason I did, because Sara Malakui Lane is fine as hell and she takes her shirt off more times than Matthew McConaughey on a hot day in Austin. There simply is no other reason to watch this movie folks, unless you enjoy spending an hour and a half watching a movie so bad it looks like their entire technical crew was picked up daily from the parking lot of a Home Depot, and half the cast to boot.
Jared Cohn delivers here a great homage to the classic exploitation genre women in prison. With a cast of virtual unknowns lead by the drop dead gorgeous Sara Malakul Lane, we are shown the tale of a young girl wrongfully imprisoned and wronged by life itself. She continues making bad decisions but with choice for in this vicious prison environment the only way to make it through the day is to find a way to survive.
We are given a look, a realistic look, at prison life, but we've seen this before, even on the shows like Locked Up, which was notorious for showing real prison life. The direction is fine, the camerawork and lighting are all good, the music leaves much to be desired, perhaps someone should've chosen a more appropriate score, and there's several continuity editing errors. I have seen some of Jared Cohn's other work, I'm sure this is just from lack of great personnel or a rushed schedule.
I wholeheartedly recommend people watch this. You get a fun-filled non-stop gripping tale of a young girl's survival, and if that's not enough, it's filled with non-stop gratuitous nudity on an epic level.
We are given a look, a realistic look, at prison life, but we've seen this before, even on the shows like Locked Up, which was notorious for showing real prison life. The direction is fine, the camerawork and lighting are all good, the music leaves much to be desired, perhaps someone should've chosen a more appropriate score, and there's several continuity editing errors. I have seen some of Jared Cohn's other work, I'm sure this is just from lack of great personnel or a rushed schedule.
I wholeheartedly recommend people watch this. You get a fun-filled non-stop gripping tale of a young girl's survival, and if that's not enough, it's filled with non-stop gratuitous nudity on an epic level.
5 of 10. Like Blue is the Warmest Color, this is an attempt to give softcore/comic book porn a bigger story. Unlike it, the women actually look like young women as opposed to 15-year-olds. Also unlike it, it doesn't drag on for an extra hour, but it still feels long and redundant despite being half the length.
By the end of the film, the title takes on a double meaning in addition to the most obvious one. That helps recover a story that felt artificial, melodramatic, and cliché too often. It shows the brutal nastiness of prison and how it is far from the ideal space for reform and recovery of the young, yet it feels too forced. About the only exception is the well-acted sleezey warden character.
More than anything, this felt like a film intended solely to feature Sara Malakul Lane. It does that, but it also features that she's in need of good direction and a story. Sara alone isn't enough.
By the end of the film, the title takes on a double meaning in addition to the most obvious one. That helps recover a story that felt artificial, melodramatic, and cliché too often. It shows the brutal nastiness of prison and how it is far from the ideal space for reform and recovery of the young, yet it feels too forced. About the only exception is the well-acted sleezey warden character.
More than anything, this felt like a film intended solely to feature Sara Malakul Lane. It does that, but it also features that she's in need of good direction and a story. Sara alone isn't enough.
While "Jailbait" tries to accomplish a lot of things with its fairly stereotypical and way too unrealistic storyline, then director Jared Cohn fails to make a lasting impact with this movie.
The story in "Jailbait" is about Anna (played by Sara Malakul Lane) who is sexually molested by her step dad and accidentally kills him. Going to a juvenile rehabilitation center, Anna ends up learning how life inside the prison walls can be with all its hardships, alliances and abuse.
From an entertaining point of view then "Jailbait" was actually a good enough movie to watch because it wasn't boring and it kept on a brisk pace. However, if you put on a set of realism goggles, then everything in this movie just falls to the ground fast and shatters into a million pieces. Nothing about the things happening inside the juvenile rehabilitation facility is really realistic, and things are portrayed fleetingly and just allows the audience a brief look at the surface of things.
What kept the movie afloat the pace of the storyline and the fairly good acting performances put on by just about everyone in the movie.
But all in all then "Jailbait" is good enough entertainment and scores a solid 5 out of 10 stars from me.
The story in "Jailbait" is about Anna (played by Sara Malakul Lane) who is sexually molested by her step dad and accidentally kills him. Going to a juvenile rehabilitation center, Anna ends up learning how life inside the prison walls can be with all its hardships, alliances and abuse.
From an entertaining point of view then "Jailbait" was actually a good enough movie to watch because it wasn't boring and it kept on a brisk pace. However, if you put on a set of realism goggles, then everything in this movie just falls to the ground fast and shatters into a million pieces. Nothing about the things happening inside the juvenile rehabilitation facility is really realistic, and things are portrayed fleetingly and just allows the audience a brief look at the surface of things.
What kept the movie afloat the pace of the storyline and the fairly good acting performances put on by just about everyone in the movie.
But all in all then "Jailbait" is good enough entertainment and scores a solid 5 out of 10 stars from me.
Wusstest du schon
- WissenswertesSarah Malakul Lane, the star of the movie, was dating writer-director Jared Cohn during the filming.
- PatzerAnna gets a tattoo of the gang she hooks up with but later in the shower scene when she gets beat up by Killa Kelz, the tattoo is gone.
- VerbindungenReferenced in DazzReviews: The TERRIBLE Titanic SEQUEL... (2021)
- SoundtracksGlisten
Written by Christopher Cano (as Chris Cano)
Performed by Variation XX featuring Michelle Aragon (as Michaelle Aragon)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Jail Bait - Überleben im Frauenknast
- Drehorte
- Terminal Island, Wilmington, Los Angeles, Kalifornien, USA(prison scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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