Eine Familie, die den Genozid in Indonesien überlebt hat, begegnet den Männern, die einen der Brüder umgebracht haben.Eine Familie, die den Genozid in Indonesien überlebt hat, begegnet den Männern, die einen der Brüder umgebracht haben.Eine Familie, die den Genozid in Indonesien überlebt hat, begegnet den Männern, die einen der Brüder umgebracht haben.
- Für 1 Oscar nominiert
- 48 Gewinne & 45 Nominierungen insgesamt
- Self - Sprecher
- (Synchronisation)
- Self - former leader of death squad
- (Archivfilmmaterial)
- Self
- (Synchronisation)
- (as Josh)
- Self - Sprecher
- (Synchronisation)
- (as Achim Schülke)
- Self - reporter, NBC News
- (Archivfilmmaterial)
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This is definitely a companion piece to the previous "Act of Killing". Not because it does not stand on its own, which it does, but because they stand so much stronger together. Each documentary has an unique perspective on some mutual themes. Especially guilt and remorse.
It's amazing how it all comes together in a movie like this. Oppenheimer must have done a lot of work for this. Adi is such a good subject for a documentary like this, and having him being willing to explore this dark side of his nation's history, and openly talk to the people who brutally murdered his brother - it's such an unique way to explore all of this. And Adi does a really good job with it all.
What I got out of this documentary was that many of the killers didn't know what a communist was, let alone think they were people. They were spun lies about the communists and many took joy in killing them. One of the most eye opening documentaries I've seen, amongst one of the most sadistic and terrible mass killings in history.
The two films work well together, Act of Killing being more overview and focusing on the killers and the political structure/mob rule that is still in power. Act of Killing doesn't particularly explore how they got away with genocide (why the world turned a blind eye), but this is alluded to carefully and specifically in Look of Silence.
I could write so much because the two films together have provoked in me a profound perspective on human horror, which has gripped me most recently with what we see on the news with ISIS (Paris Masacre).
What are human beings capable of, and why is an individual able to make such choices? What are the structures that facilitate the most grotesque of human acts of wickedness upon one another. Do we all contain wickedness, does a killer lurk inside us all? Does fear itself propel the killers - kill or be killed? Are we (cells in the human organism) enacting our worst imaginable terror, excising evil, I kill therefore I am?
Josh Oppenheimer, I applaud your work. The sensitivity and attention to the finest detail employed in your work is, for me, beyond words. The cinematography, colours you choose, balance in composition. Even the subtitles were easy to read. Beautiful lingering pauses. You said of one still scene, a bridge, pale green, a river bank; you have no words to describe how this scene makes you feel, what the scene says. For me this scene (in LoS) is terrifyingly beautiful, sad, the weight of recent history hanging there in the stillness. Embodying the sadness and fear. I love that still scene.
Superb, I do not have the words to describe what your films say to me... I will think about them for a long long time, and watch them again.
Wusstest du schon
- WissenswertesAdi and his family moved thousands of kilometers away to the other side of the country, out from under the shadow of the perpetrators who are still powerful situation in North Sumatra.
- Zitate
Himself, brother of murdered Ramli Rukun: Tell me about that madness.
Himself, former leader the village death squad: Some killed so many people who have gone mad. A man climbed a palm tree, every morning, to call for prayer. Killed too many people. There is only one way to avoid it. Drink the blood or go crazy. But if you drink blood, you can do anything.
Himself, brother of murdered Ramli Rukun: [Testing the eyeglasses] What do you think...
Himself, former leader the village death squad: Salty and sweet. The human blood.
Himself, brother of murdered Ramli Rukun: Pardon?
Himself, former leader the village death squad: Human blood is salty and sweet. I know from experience.
- VerbindungenEdited into P.O.V.: The Look of Silence (2016)
- SoundtracksLukisan Malam
music by E. Sambayon & lyrics by Sakti Alamsyah
performed by Sam Saimun
courtesy of Irama Records
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Box Office
- Bruttoertrag in den USA und Kanada
- 109.089 $
- Eröffnungswochenende in den USA und in Kanada
- 6.616 $
- 19. Juli 2015
- Weltweiter Bruttoertrag
- 157.857 $
- Laufzeit1 Stunde 43 Minuten
- Farbe