IMDb-BEWERTUNG
6,2/10
5931
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAddicted to drugs and alcohol, a housewife's self-destructive behavior starts to take its toll on her husband and two young children.Addicted to drugs and alcohol, a housewife's self-destructive behavior starts to take its toll on her husband and two young children.Addicted to drugs and alcohol, a housewife's self-destructive behavior starts to take its toll on her husband and two young children.
- Auszeichnungen
- 1 Gewinn & 7 Nominierungen insgesamt
Anneliese Carter
- Janey Brooks
- (as Shayne Coleman)
Michael Sharits
- Bartender
- (as Mike Sharits)
Empfohlene Bewertungen
Greetings again from the darkness. The combination of Sarah Silverman in the lead role and the word "smile" in the title sets the stage for some shell-shocked movie goers who walk into this one expecting the side-splitting laughs this talented comedienne usually delivers. Drama seems an insufficient description for what director Adam Salky serves up, and Ms. Silverman is fully engaged with the bleak tone. It's a Hollywood rite of passage that every comedic actor must go full bore drama before they are taken seriously as an actor. Welcome to the club, Sarah.
The opening sequence plops us right into Laney's (Silverman) depressed state. We soon learn that she is far beyond the stereotypical disillusioned suburban housewife. She lives in a stunning McMansion with her wonderful husband Bruce (Josh Charles) and their cute kids. Unable to find joy in her life, Laney seeks answers in alcohol, pills, cocaine, and by trysting with her friend's husband (Thomas Sadoski). We've seen it all before, but never by through the work of a fearless Sarah Silverman.
It's not that we dislike Laney. It's more that we feel helpless and somewhat disgusted watching her. We have seen the parents who put their career ahead of family, but it's even more painful to watch such self-destructive emotional behavior. And when Laney finds release through her daughter's teddy bear, it pushes us as viewers to accept just how near the edge she teeters.
Laney's vacuous eyes are the obvious sign that she is simply unable to find any joy in the daily routine of family life. It's not surprising when we learn of the childhood baggage she carries, and her attempts to confront the past provides a spark of hope for her recovery as does the rehab stay. However, the script from Paige Dylan (wife of Jakob Dylan) and Amy Koppelman confirms that sometimes there is no redemption. The abrupt ending is both a kick in the gut and relief that our time with Laney is done and also recognition that Sarah Silverman has arrived as a dramatic acting force.
The opening sequence plops us right into Laney's (Silverman) depressed state. We soon learn that she is far beyond the stereotypical disillusioned suburban housewife. She lives in a stunning McMansion with her wonderful husband Bruce (Josh Charles) and their cute kids. Unable to find joy in her life, Laney seeks answers in alcohol, pills, cocaine, and by trysting with her friend's husband (Thomas Sadoski). We've seen it all before, but never by through the work of a fearless Sarah Silverman.
It's not that we dislike Laney. It's more that we feel helpless and somewhat disgusted watching her. We have seen the parents who put their career ahead of family, but it's even more painful to watch such self-destructive emotional behavior. And when Laney finds release through her daughter's teddy bear, it pushes us as viewers to accept just how near the edge she teeters.
Laney's vacuous eyes are the obvious sign that she is simply unable to find any joy in the daily routine of family life. It's not surprising when we learn of the childhood baggage she carries, and her attempts to confront the past provides a spark of hope for her recovery as does the rehab stay. However, the script from Paige Dylan (wife of Jakob Dylan) and Amy Koppelman confirms that sometimes there is no redemption. The abrupt ending is both a kick in the gut and relief that our time with Laney is done and also recognition that Sarah Silverman has arrived as a dramatic acting force.
Very hard to watch, like Silver Linings Playbook but with less mania and fewer extremes. This is actually a plus, compared to SLP: her weaknesses lurk deeper beneath a surface of normalcy.
Excellent performances will appeal to an audience of actors while a relationship-laden story line will appeal to an audience of script writers.
Normally I am drawn to character studies as I have a strong appreciation for films that leave you caring about the characters and what happens to them. Somehow though, this time I find I can't recommend this film to my non-actor/non-scriptwriter friends. Maybe it rang so true, so plausible, so "normal," that the discomfort of watching these lives unfold outweighed the excellent performances of the players.
Excellent performances will appeal to an audience of actors while a relationship-laden story line will appeal to an audience of script writers.
Normally I am drawn to character studies as I have a strong appreciation for films that leave you caring about the characters and what happens to them. Somehow though, this time I find I can't recommend this film to my non-actor/non-scriptwriter friends. Maybe it rang so true, so plausible, so "normal," that the discomfort of watching these lives unfold outweighed the excellent performances of the players.
Movies can teach us about life- When I was a teenager I watched (experienced) Days of Wine and Roses. Jack Lemon was a great comedian, but his serious dramatic performance probably turned me and others away from becoming alcoholic.
I've always enjoyed Sarah Silverman's strong comedy which is grounded in hard reality. We laugh because we see truth in new ways.
Stephen King could not create a more wrenchingly emotional story about the horror of personal depression. And the danger of deceit, anger and unrelenting despair. There are things in life that can't be controlled and the real horror is when they come from inside us.
Sarah Silverman's professional dramatic performance is magnificent. I can't wait for more from her- drama or comedy or both.
I've always enjoyed Sarah Silverman's strong comedy which is grounded in hard reality. We laugh because we see truth in new ways.
Stephen King could not create a more wrenchingly emotional story about the horror of personal depression. And the danger of deceit, anger and unrelenting despair. There are things in life that can't be controlled and the real horror is when they come from inside us.
Sarah Silverman's professional dramatic performance is magnificent. I can't wait for more from her- drama or comedy or both.
Laney (Sarah Silverman) is part of what appears to be a wonderful family; a doting husband, two lovely kids living in a large, beautiful home. Those thoughts led me to the truth of it all as, Laney traveled into her personal abyss. The surprise is Silverman's performance. Best known for lighter, comedic fare: "Who's The Caboose?", "School of Rock" and "Wreck It Ralph", Silverman delivers an award worthy performance. I was fixated on her talents displayed here. Who knew that a primarily stand-up comedienne, could play such a difficult role so convincingly. Josh Charles and Thomas Sadowski are adequate in their roles, but this is Silverman's movie. Strictly for adult viewing and highly entertaining for those of us who are able to endure a dark drama, I do recommend "I Smile Back".
I am a 28 year old male, and this movie touched on a lot of issues I have struggled with in depression, mostly drugs and continuing to be destructive regardless of how much pain it causes. I teared up many times in the movie, Sarah was excellent. If you are looking for a happy movie, this is not it, and if you didn't care about the characters in the movie you obviously have little to no sympathy for people struggling with clinical depression. This was a very realistic observation of how one finds it extremely hard to see through life's struggles, and how some people are just never see the light at the end of the tunnel.
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- WissenswertesWhen Time magazine asked her about her nude scenes, Sarah Silverman said "I never was naked in anything until I was 40, and now I'm naked in everything! I was never the sexy girl in a big-budget movie, and now I'm just me! I'm allowed to be naked and say, 'This is my human shell, that's all it's supposed to be.' Maybe it's partly that I love being vulnerable and comedy comes easier to me; I'm almost an exhibitionist."
- VerbindungenFeatured in Conan: Sarah Silverman/Paige/Megan Gailey (2015)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Bakıp Gülümserim
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 495.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 58.738 $
- Eröffnungswochenende in den USA und in Kanada
- 15.758 $
- 25. Okt. 2015
- Weltweiter Bruttoertrag
- 63.373 $
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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