IMDb-BEWERTUNG
5,3/10
18.734
IHRE BEWERTUNG
Als ein ambitionierter junger Anwalt einen großen Fall gegen eine mächtige und rücksichtslose Führungskraft eines großen Pharmaunternehmens übernimmt, gerät er schnell in eine Affäre von Erp... Alles lesenAls ein ambitionierter junger Anwalt einen großen Fall gegen eine mächtige und rücksichtslose Führungskraft eines großen Pharmaunternehmens übernimmt, gerät er schnell in eine Affäre von Erpressung und Korruption.Als ein ambitionierter junger Anwalt einen großen Fall gegen eine mächtige und rücksichtslose Führungskraft eines großen Pharmaunternehmens übernimmt, gerät er schnell in eine Affäre von Erpressung und Korruption.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
Christopher Rodriguez Marquette
- Giffords
- (as Christopher Marquette)
Nathan Moore
- Lawrence
- (as Nathan J. Moore)
Chris J. Fanguy
- Cop #2
- (as Chris Fanguy)
Kamilla Bjorlin
- Susie
- (as Milla Bjorn)
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When first seeing the cast of Josh Duhamel, Al Pacino and Anthony Hopkins, among others, one would expect an intense thriller, yet "Misconduct" is an arbitrary endeavor that has seriously crippling pace and lacking any suspense. It may look nice at first, potentially promising a wit exchange, yet it's painfully slow and honestly a shallow display of crime drama.
Ben (Josh Duhamel) is contacted by her unstable ex-girlfriend who has secret files about her billionaire boss. He takes this chance without knowing that he'll walk on a series of increasingly dangerous conspiracy. The line-up is riddled with famous names, yet their performance is inconsistent. Duhamel looks decent for a leading role, although he doesn't have the poise or sense of urgency when the moments call for it.
The chemistry between him and veterans like Al Pacino and Anthony Hopkins is also shaky. There are some good thrilling moments, yet there are also times when they look ironically silly as though impersonating plot from Law and Order. Female characters share the same fate of incompatibility. Julie Stiles as the operator only appears too cocky for the tough female stereotype.
Meanwhile, Malin Akerman and Alice Eve are seemingly trapped in love triangle gig, and not a good one at that. Its attempt to showcase debauchery is appreciated, yet there's barely any passion involved here. Byung-hun Lee makes a supporting role, and it's quite intriguing when he makes an entrance, yet his character feels underutilized and only serves as a glorified henchman. When they interact it creates a tangled web of a plot.
It does have clear cinematography and direction to portray vices such as greed and lust, yet it shifts significantly slow between unintentionally detached characters that ultimately become mundane and restricting.
Ben (Josh Duhamel) is contacted by her unstable ex-girlfriend who has secret files about her billionaire boss. He takes this chance without knowing that he'll walk on a series of increasingly dangerous conspiracy. The line-up is riddled with famous names, yet their performance is inconsistent. Duhamel looks decent for a leading role, although he doesn't have the poise or sense of urgency when the moments call for it.
The chemistry between him and veterans like Al Pacino and Anthony Hopkins is also shaky. There are some good thrilling moments, yet there are also times when they look ironically silly as though impersonating plot from Law and Order. Female characters share the same fate of incompatibility. Julie Stiles as the operator only appears too cocky for the tough female stereotype.
Meanwhile, Malin Akerman and Alice Eve are seemingly trapped in love triangle gig, and not a good one at that. Its attempt to showcase debauchery is appreciated, yet there's barely any passion involved here. Byung-hun Lee makes a supporting role, and it's quite intriguing when he makes an entrance, yet his character feels underutilized and only serves as a glorified henchman. When they interact it creates a tangled web of a plot.
It does have clear cinematography and direction to portray vices such as greed and lust, yet it shifts significantly slow between unintentionally detached characters that ultimately become mundane and restricting.
I didn't liked this movie. The acting seemed to me unnatural, all of the actors were over-calm an emotionless, it was like a film for androids, at least in most of it. The plot had a potential but it was unrealized for a lot of reasons, I think mostly the directing. As the action was moving towards the end the whole thing became even more messy and sporadic and it all ended with a grand finale of nonsense.
Sorry about my poor English but I felt obliged to prevent other people from seeing that movie. I'm a simple man and I don't know much about the art cinematography but I can distinguish a bad movie when I see it, believe me.
Sorry about my poor English but I felt obliged to prevent other people from seeing that movie. I'm a simple man and I don't know much about the art cinematography but I can distinguish a bad movie when I see it, believe me.
"Misconduct" has some very strong elements, including a talented cast and solid production values. There's a clever reversal of fortune at the midpoint. The plot concerns individuals taking extraordinary steps to bring an individual who seems to be above the law to justice, although some characters have hidden agenda and things are not always what they seem.
Yet, it doesn't quite come together.
The motivations of the characters aren't always clear, logical or consistent. Sometimes, this works to its advantage, particularly with Hopkin's performance. Other times characters do things that don't make much sense. This seems particularly confusing with one incident involving a firearm and another involving a needle.
Characters often seem to know things they have no way of knowing. One character maintains a pied-à-terre under an assumed name that everybody seems to know about.
Police procedures are often unrealistic. The police can't simply arrest somebody unless they actually observe them committing a crime, even on the strength of a accusation supported by evidence of uncertain provenance. The Fifth Amendment guarantees, "No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a grand jury..." Even if an accusation is not brought before a grand jury, an accuser can't simply go to the police and ask them to arrest somebody in a dramatic confrontation.
Characters often show up at critical moments for no rational reason. Half the cast shows up for a climatic scene.
Many details seem contrived. A body is found holding a cell phone displaying a text message. A garment picks up traces of perfume by being in close proximity to somebody.
Many of the scenes don't quite end. Somebody shoots a guy in the leg, but faces no consequences, then holds a gun on somebody else and we cut to the next scene without knowing how the scene ends. Ticking clocks are set in motion, but largely ignored.
The dramatic perspective is muddled.
The story involves a major lawsuit that might be a class action tort or might be a civil action for fraud, but it's not clear whom the law firm represents or why they have standing. Much is made of whether certain evidence was obtained illegally; however, this is usually only relevant in criminal cases, not civil cases, and it's not clear that the evidence was obtained illegally by the parties to the suit.
Basically, the film is less than the sum of its parts. Some of the parts are quite nice, but they don't quite fit together to form a cohesive and compelling whole.
Yet, it doesn't quite come together.
The motivations of the characters aren't always clear, logical or consistent. Sometimes, this works to its advantage, particularly with Hopkin's performance. Other times characters do things that don't make much sense. This seems particularly confusing with one incident involving a firearm and another involving a needle.
Characters often seem to know things they have no way of knowing. One character maintains a pied-à-terre under an assumed name that everybody seems to know about.
Police procedures are often unrealistic. The police can't simply arrest somebody unless they actually observe them committing a crime, even on the strength of a accusation supported by evidence of uncertain provenance. The Fifth Amendment guarantees, "No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a grand jury..." Even if an accusation is not brought before a grand jury, an accuser can't simply go to the police and ask them to arrest somebody in a dramatic confrontation.
Characters often show up at critical moments for no rational reason. Half the cast shows up for a climatic scene.
Many details seem contrived. A body is found holding a cell phone displaying a text message. A garment picks up traces of perfume by being in close proximity to somebody.
Many of the scenes don't quite end. Somebody shoots a guy in the leg, but faces no consequences, then holds a gun on somebody else and we cut to the next scene without knowing how the scene ends. Ticking clocks are set in motion, but largely ignored.
The dramatic perspective is muddled.
The story involves a major lawsuit that might be a class action tort or might be a civil action for fraud, but it's not clear whom the law firm represents or why they have standing. Much is made of whether certain evidence was obtained illegally; however, this is usually only relevant in criminal cases, not civil cases, and it's not clear that the evidence was obtained illegally by the parties to the suit.
Basically, the film is less than the sum of its parts. Some of the parts are quite nice, but they don't quite fit together to form a cohesive and compelling whole.
...there are very few perfect movies that have been made, can't understand the venom and the hate coming from the other 4 reviewers...i'm the 5th. personally..i totally enjoyed the movie...because i didn't try to pick it apart, Alice Eve did just fine in the acting department and what a beauty she is too. not Oscar worthy but everything was professionally done...the movie kept me engrossed for its whole duration. personally, for me..i liked that little twist at the end. in my opinion this movie is a solid 6...which means its very watchable( for majority of people...not for the nitpickers). don't believe the naysayers who are ripping the movie, take a chance on it and make up your own opinion. hahaha compare to the movie (Heist) that came out 2015 this would look like an Oscar contender....now that was a bad movie and has a higher rating then this. i turn off that movie 1/2 way through..that was a bad movie..this one is not. again...don't believe the naysayers and do take a chance on this movie if you are a fan of decent thrillers.
Despite a great cast this film could mot be salvaged. It has way too many holes in it and just wasn't believable. It had little redeeming value. Glad we were able to watch it for free.
Wusstest du schon
- WissenswertesMade just £97 (about $125) in its U.K. opening weekend, with an average of four viewers per screen.
- PatzerIt would be close to impossible for any law firm to draft, finalize, and arrange formal service of a fraud complaint against a billionaire, plus schedule a deposition with him, all in less than one week. A demand for production of documents is usually needed first, with a minimum of two weeks for the plaintiff to respond, then a deposition is scheduled to obtain the plaintiff's testimony about the documents.
- VerbindungenReferenced in Cinematic Excrement: 2nd Look: Hillary's America (2023)
- SoundtracksHead Trip
Written & Performed by Lee Coombs
Courtesy of Cutting Edge Music (Holdings) Limited
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Falta de ética
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 2.049.761 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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