Mad Love in New York

I felt inspired to add one more review as this film has very few thus far.

I had first heard of this movie from Ariel Pink when he was working on music for the film. Initially they were toying with the idea of having him play one of the more important characters in the film, but eventually he decided to stick with music composition and a quick cameo, which can be seen in the early portion of the film. I never got to seeing it when it was released, but GOOD TIME came out, and got my attention right away. GOOD TIME ended up being my favorite film of 2017 by a longshot. Totally blew me away - the combination of everything was just stellar... the acting, the anxiousness of the characters, the pacing, the claustrophobic sort of cinematography, the synth score by Oneohtrix Point Never which is simultaneously beautiful and relentless, and of course the script and thus the movie as a whole. If a title card gives you goosebumps on it's own that's usually a really good sign.

Tonight I decided to go backwards and check out Heaven Knows What. I knew after what they delivered with Good Time, it would likely be firing on all cylinders as well, and that is exactly the case! It hits hard with just about every single one of the elements that made Good Time so great, only Heaven Knows What is a far bleaker film, probably since it's based off of the true story of a junkie, portrayed by that junkie. In Good Time, though it's still heavy, you kind of get to laugh at the characters for being such dumbasses, but in HKW, there's nothing to laugh about. These characters are all living through the bowels of existence - they are all fully psychologically emaciated - and the portrayal of it is painfully realistic. This is an extremely tragic film. If you can't find something to appreciate in tragedy, or in an analysis of psychological decomposition, then you probably won't like the movie. Personally, I found it to be some form of a masterpiece. A very fitting launchpad and showcase of ability for the incredible Safdie Brothers and for the brilliantly terrifying Caleb Landry Jones. It's also a very fitting precursor to the gripping masterpiece that is Good Time. I'm sure this was a very rewarding cathartic experience for the captivating lead, Arielle Holmes, as well - you could now call me a fan. I went to follow her on Instagram but couldn't find her :(

This film features one of the most devastating ways to start a film I have ever seen. To introduce two characters this way... that's why I give this film a 10. Everything that leads up to the title card... so, so heavy - so raw, so real. It's almost too much, and that's why it is such an accomplishment.

As such a huge Good Time fan, it's incredible to see Necro and show stealer Buddy Duress in their first roles as well. Duress really, really kills it in both this and Good Time. Such impressive performances coming from a dude who prior to this had been featured in zilch, nada, nothing.

I love reading negative reviews for films whenever I find a movie to be completely masterful. "I just couldn't figure out what this movie was about, it's incomprehensible!" LOL, really? Seems pretty straightforward to me: some junkies are living their screwed up lives, trying to survive, and we get to watch. There's nothing else to it, and there doesn't need to be. How is that incomprehensible?

I could go on, but I will stop here. As long as you are down with the bleakness, this is a movie you must see. The score by Japanese synth legend Isao Tomita is incredible as well. I'm just really wholly impressed. This movie is really gonna stick with me. I can't wait to see what the Safdie Brothers do next.

The story in itself is very disturbing. I had to say these actors did a sensational job. I felt like I was there living on the streets with them. They were extremely convincing.

An early Safdie Brothers (Benny & Josh) film from 2014. Following on the heels of Larry Clarke's seminal 1995 film Kids, we follow the ups & mostly downs of a drug addict (played by Arielle Holmes whose novel this film is adapted from) as she tries to cop drugs, panhandle & find some sort of balance w/the love of her life, played by Caleb Landry Jones (Banshee from X-Men: First Class). After her man dares her to slash her wrists (which she does after we assume she promised to but never really sealed the deal) she gets bandaged up in a hospital & instead of taking that opportunity to clean up her act she just dumps herself back on the street where she hooks up w/a user/dealer & they spend time together where they do whatever they can to get themselves fixed up but once Jones comes back into the picture (at one point he throws a homemade ninja star at Holmes' new guy injuring him & in a later episode Holmes comes to his rescue when he nearly OD's in a public restroom). Not for the faint of heart or for those who may've been open minded about drug use or whatever when they were younger but seeing this documentary styled voyage into listlessness (many of the actors are shot from a distance giving the film an authentic feel to the proceedings) but as an exercise in filmmaking it can be equal parts exciting & depressing.

I saw Good Time a couple of years ago, and to make a joke that absolutely everybody who saw and enjoyed it has already made: it was a good time. Tense, gritty, and excellently paced, it also piqued my interest in the Safdie brothers as filmmakers going forward. Uncut Gems has been on my radar for a while, and I'll finally have the opportunity to see it in a few days, but in the meantime went back into their filmography to see what else they had to offer. The interesting premise and critical acclaim of Heaven Knows What grabbed my attention, and so I gave it a watch last night.

Throughout much of the film, I thought it was pretty decent if not quite remarkable. It looked good and was shot well for an indie film, the music made me feel queasy in a good way, and the central performance from lead actress Arielle Holmes- who I did not recognise- was very good. I was surprised to learn once the movie was over that not only was this loosely based on a true story, but that it was indeed Holmes' story- she effectively played as version of herself throughout the movie. And this made me appreciate her performance even more- it was brave of her to relive such a traumatic story on screen, and even if she was acting situations close to what she experienced, the fact that this was her first time acting is still mightily impressive. I was under the impression while watching that she was just an unknown, freshly discovered actress, albeit a very good one. This semi-autobiographical, almost meta twist is definitely the most interesting and notable aspect of the film.

Besides that, is Heaven Knows What worth the 90-ish minutes of grit and potential trauma? I would say yes, but don't expect to see anything you haven't seen or heard already in most movies that depict drug addiction. It treads familiar ground but does so well, although by and large the acting from the rest of the cast isn't quite as strong as Holmes'. There is also a loose, not exactly propulsive unfolding of events that serve as a vague kind of story, so while this is somewhat frustrating, it's also almost definitely intentional. It depicts the flow and tedium of a life that's all about trying to score the next high; a life that is surely 99% frustrating, tedious, and stress-inducing. It doesn't make for a pleasant watch, but it does make for a mostly compelling one.

The treading of familiar ground and not excelling in anywhere but the casting of/performance of Holmes is the only thing that holds this back. The Safdie Brothers were likely still tweaking their craft that they'd essentially end up perfecting in Good Time, but this is a really solid effort, and worth watching if you either haven't seen many movies about drug addiction, or are okay with watching one that might not necessarily tell you anything new about the topic.

I guess I'm writing this review after seeing the one and only other review. This film is actually really very good, and for what its showing: perfect. Time is different for some people. Those with heroin in their lives don't live as we do. For them time doesn't really exist.

There is a flow and it is somewhat linear though quantum leaps here and there are possible at anytime.

There is always need.

The opening is a dream. One of Harley's perfect moments in 'time' smashed by a realisation. She has to kill herself for the man she loves? Combine this with Heroins ebb and flow and it becomes even more intense.

Love unrequited but really Ilya loves Harley too... right?

What will you do for love? Anything. What will you do for Heroin? Almost anything?

The film flows through days and night though really we are just allowed to view their lives for a short train ride. The end is Malick in style - life just keeps on flowing.

I read up a little on Arielle Holmes (Harley) - she has lived the lifestyle, and some parts of the film are based on her adventures!

It's very realistic. Just watch it all, let it flow.

Oh also, the use of modular synths and sound instead of voice (in parts) is very effective, the latter trying something new and it worked.