Das Leuchten der Erinnerung

Loved this movie, I laughed, chuckled, giggled throughout the entire film. I cannot imagine any other actors doing such a great job w/ portraying crazy real life experiences. We all stumble as we move through the ages of life and I felt this movie did it brilliantly!

Films that try to earnestly, honestly explore and detail life experiences to hopefully illuminate and celebrate them--and maybe even help viewers deal with their own similar experiences--are films I always appreciate, even if I can't say I ended up enjoying watching them because the life experiences depicted are so difficult and inherently sad. I should also emphasize now, though, that "The Leisure Seeker" also tries to find the humor in this inherently sad situation, and succeeds at times: There are some very amusing moments. In an interview while promoting this film Helen Mirren said she took the role because the character she was playing was rushing into living and life rather than running away from it when it got difficult, and I agree. Interesting to find out in the closing credits that this is an Italian film production, with an Italian director (in fact, Mirren also said she always wanted to be in an Italian film because they were so inspiring to her when she was young, and it was also one of the reasons she took this role), so it is actually an Italian take on a very American story and road trip taking place in two distinctly different parts of America along the East Coast, from Massachusetts to Florida. I found it reflective and contemplative in a good way, and I was drawn in and glad I took the trip with them, even if I left the theater feeling melancholy and a bit afraid of what my later years may bring to me as well. Recommended, but be aware that your own life experiences may make this a darker or lighter film depending on what you've been through yourself.

Fugitive, 70-something grey nomads John (Sutherland) and Ella (Mirren) dust off their old Winnebago for one last trip, to visit the Florida Keys and the home of Ernest Hemingway. John is a retired literary professor and Ella has always wanted to take him there. Their disappearance scares the hell out of their grownup kids who, while pleading with them on the phone to come home, vacillate between respecting their wishes and calling the cops on their irresponsible parents.

THE LEISURE SEEKER is an at times funny, at times poignant, perhaps even confronting but also very real tale of what's waiting for us all as we near the end of our respective journeys. The film is a study of 'memento mori' and a pretty honest exploration of the gradually diminishing range of options as age and failing health catches up and overtakes even those not quite ready to call it a day.

Although it evoked a strong emotional response from the reviewing audience, it didn't feel either glib or particularly dark or depressing. Rather, it played as the celebration of a family's unembellished life and their enduring and at times conflicted love for one another.

I have been telling as many friends as possible about this movie. I am 85, a widow, and lots of my friends are my age or older. There were so many things that didn't quite ring true here....Mirren was wonderful but she isn't really able to sell a chatty woman with a Southern accent, less educated person than her husband. I've had several Alzheimers sufferers in my life and in many ways Sutherland didn't seem to fit the bill. For instance I wonder if he could really drive that house trailer. But, in spite of absolutely everything the total story rang true and had a strong effect on me.

I saw this at an AARP pre-screening and found it to be funny and poignant. The entire audience, composed of young and old people, laughed aloud and applauded often throughout the film. Why? Because the topic, situations presented, and dialogue resonated with experiences common to the lives of everyone watching.

The film addresses topics not often seen in films: intimate loving relationships and romance in the elderly, Alzheimer's, end-of-life issues and family dynamics involved, dying with dignity, personal choice, euthanasia and suicide. There is no preachiness; the viewers are respectfully left with an emotional invitation to reflect upon these issues for themselves. Remarkably, this is done with humour and grace, without self pity or undue sentimentality. The film is not Hollywood glitzy, it may even seem a bit drab at times, but this is part of why it rings true and makes the film work. Everything from the couple's home and basement, the RV they run off in, the campgrounds they stay in, and the nursing home they visit - all of it, remarkably familiar to most Americans. We are being asked to think about extraordinary issues relating to ordinary lives, similar to those we all lead, and it seems that this less glossy calling card works. This approach is also supported by the beautifully nuanced performances given by Mirren and Southerland as they let us into their world of romance, aging, family, incurable illness, and end-of-life choices, all while travelling the landscape of US Route #1.

From start to closing credits, group laughter, applause, and cheering revealed a palpable comradery among the audience members, which told volumes about how well the film accomplished its goal of raising awareness of important emotional, personal, social issues while still offerring an enjoyable night at the movies. I hope you have an opportunity to see it.