The Godfather
- Folge lief am 3. Okt. 2025
- TV-MA
- 1 Std. 5 Min.
IMDb-BEWERTUNG
6,2/10
4371
IHRE BEWERTUNG
Ed findet neue Erfüllung, indem er Ermittlern hilft, einen verstörenden Fall zu lösen. Doch als Vergangenheit und Gegenwart verschwimmen, wird sein erschreckendes Vermächtnis größer denn je.Ed findet neue Erfüllung, indem er Ermittlern hilft, einen verstörenden Fall zu lösen. Doch als Vergangenheit und Gegenwart verschwimmen, wird sein erschreckendes Vermächtnis größer denn je.Ed findet neue Erfüllung, indem er Ermittlern hilft, einen verstörenden Fall zu lösen. Doch als Vergangenheit und Gegenwart verschwimmen, wird sein erschreckendes Vermächtnis größer denn je.
- Regisseur/-in
- Autor/-in
- Stars
6,24.3K
1
2
3
4
5
6
7
8
9
10
Empfohlene Bewertungen
A massive downgrade in direction and storytelling
It is really hard to explain how disappointed I was in the third season of Monster. They had a fantastic story that hardly needed any exaggeration yet they decided to make stuff up anyways that goes entirely against the recorded data.
Making stuff up was completely unnecessary as Ed Gein is creepy and unnerving enough as it is in his real crimes. It is obvious that the new Director felt like he was in the shadow of Carl Franklin. Who did a far superior job with the first two seasons of Monster. So he took the route of being more outlandish and silly to appear unique.
Beyond everything else, it disgustingly ignores the real people who worked hard to catch serial killers, or were surviving victims of serial killers who gave vital information leading to their arrests just so they can make up and glorify some non existent connection between them and Ed Gein, which there was never any evidence of. Whoever greenlit these elements of the show should be ashamed.
What a shame.
Making stuff up was completely unnecessary as Ed Gein is creepy and unnerving enough as it is in his real crimes. It is obvious that the new Director felt like he was in the shadow of Carl Franklin. Who did a far superior job with the first two seasons of Monster. So he took the route of being more outlandish and silly to appear unique.
Beyond everything else, it disgustingly ignores the real people who worked hard to catch serial killers, or were surviving victims of serial killers who gave vital information leading to their arrests just so they can make up and glorify some non existent connection between them and Ed Gein, which there was never any evidence of. Whoever greenlit these elements of the show should be ashamed.
What a shame.
Monster: The Ed Gein Story - 7.6/10.
It's refreshing to see that Henry Winkler has passed his creative torch to his son, Max Winkler. With Monster: The Ed Gein Story, part of the third season of The Monster anthology series, Max proves that he understands not only the craft of storytelling, but also the psychology that makes true horror so fascinating.
These episodes dive deep into the infamous case of Ed Gein; the quiet, tormented man whose crimes in the late 1950s shocked America and reshaped the horror genre for decades to come. Ed Gein wasn't a typical killer; he was a man lost between the folds of reality and delusion, haunted by schizophrenia and loneliness. He could not distinguish between what was real and what existed only inside his fractured mind. His actions were monstrous, unforgivable, yet his legacy became the seed of some of cinema's greatest nightmares: Hitchcock's Psycho, Hooper's The Texas Chainsaw Massacre, and Thomas Harris's The Silence of the Lambs.
From the opening scene, the series makes one thing clear: this is not another gore-fest obsessed with body counts. This is a psychological autopsy. A study of the man behind the myth, the human behind the horror. And that exploration is brought to life through a mesmerizing performance by Charlie Hunnam.
Hunnam doesn't play Ed Gein, he becomes him. His physical transformation is striking, but what's truly chilling is how he captures the stillness, the confusion, the eerie innocence that coexists with evil. There are moments where his portrayal almost feels tender, a dangerous tenderness that reminds you that monsters are not born in darkness; they often stumble into it, blinded by their own pain. Hunnam manages to make us feel repulsed and sympathetic at the same time, a rare balance that only a few actors can achieve.
Like Sean Penn's transformative performance as Col. Steven J. Lockjaw, Hunnam vanishes completely into his role. You no longer see the actor; you only see the man, the myth, the wound. That is acting at its purest form.
The tone of the series shifts beautifully between horror, drama, and psychological suspense. Every now and then, there's a flash of dark humor or absurdity, moments that almost make you smile before you realize what you're smiling at. Those brief breaths are essential, allowing the audience to recover before descending back into the abyss.
In the end, Monster: The Ed Gein Story isn't just another addition to the true crime wave. It's a haunting portrait of madness and humanity, framed with intelligence, compassion, and cinematic precision. The direction is sharp, the writing grounded, and Charlie Hunnam's performance is nothing short of extraordinary. He deserves not just applause, he deserves recognition for reminding us why acting still matters in a world filled with cheap shocks and hollow scripts.
Like a fine red wine, this story lingers; heavy, unsettling, and unforgettable.
These episodes dive deep into the infamous case of Ed Gein; the quiet, tormented man whose crimes in the late 1950s shocked America and reshaped the horror genre for decades to come. Ed Gein wasn't a typical killer; he was a man lost between the folds of reality and delusion, haunted by schizophrenia and loneliness. He could not distinguish between what was real and what existed only inside his fractured mind. His actions were monstrous, unforgivable, yet his legacy became the seed of some of cinema's greatest nightmares: Hitchcock's Psycho, Hooper's The Texas Chainsaw Massacre, and Thomas Harris's The Silence of the Lambs.
From the opening scene, the series makes one thing clear: this is not another gore-fest obsessed with body counts. This is a psychological autopsy. A study of the man behind the myth, the human behind the horror. And that exploration is brought to life through a mesmerizing performance by Charlie Hunnam.
Hunnam doesn't play Ed Gein, he becomes him. His physical transformation is striking, but what's truly chilling is how he captures the stillness, the confusion, the eerie innocence that coexists with evil. There are moments where his portrayal almost feels tender, a dangerous tenderness that reminds you that monsters are not born in darkness; they often stumble into it, blinded by their own pain. Hunnam manages to make us feel repulsed and sympathetic at the same time, a rare balance that only a few actors can achieve.
Like Sean Penn's transformative performance as Col. Steven J. Lockjaw, Hunnam vanishes completely into his role. You no longer see the actor; you only see the man, the myth, the wound. That is acting at its purest form.
The tone of the series shifts beautifully between horror, drama, and psychological suspense. Every now and then, there's a flash of dark humor or absurdity, moments that almost make you smile before you realize what you're smiling at. Those brief breaths are essential, allowing the audience to recover before descending back into the abyss.
In the end, Monster: The Ed Gein Story isn't just another addition to the true crime wave. It's a haunting portrait of madness and humanity, framed with intelligence, compassion, and cinematic precision. The direction is sharp, the writing grounded, and Charlie Hunnam's performance is nothing short of extraordinary. He deserves not just applause, he deserves recognition for reminding us why acting still matters in a world filled with cheap shocks and hollow scripts.
Like a fine red wine, this story lingers; heavy, unsettling, and unforgettable.
Historical Fiction
It's historical fiction that allows itself to float like the perverbial Silence of the Lambs butterfly from one depraved homicidal
sociopath to another in flimsy ways at best. To me the anchor of the experience is Hunnam. If you like watching a totally committed actor throwing themselves into a risky and difficult performance, even when that character is repulsive, you'll like this. As for the other stories that orbit Hunnam's Gein, some very contrived, I could tolerate that because I thought Hunnam gave a mezermerizing performance.
What in tf was that??
Wow!! This had so much potential with the 1st few episodes but dang does it completely fall apart by the time it finally ends!! Not only was it historically inaccurate but it just wasn't done well at ALL. They tried way to hard to be creative with some scenes and it was just a completely embarrassing FAIL.
Way too many liberties.
The years tick by; a medicated Ed remains calm and controlled. He gets a chance to help the police, who are on the hunt for a sadistic killer.
What on earth is this? A story about Ed Gein, or A Cabin in the Woods type homage to every serial killer on earth.
What an absolutely diabolical waste of time! I know that some of what's being presented is true, but it's just all over the place. What is it trying to tell us, Ed's story or some other form of messaging?
We are being made to look at Ed Gein with a sympathetic eye. I find it so strange, but we are being asked to believe in just too many inaccurate events. Did he write to Speck? Why not suggest he wrote to Margaret Thatcher as well?
Once again, I find myself absolutely blown away by Charlie Hunnam's superb performance. I hate to say it, though; I just find him a little wasted. I didn't like the way his character was written in this final installment.
What on earth are they going to do with Lizzie Borden? Will she be inspired by the Karate Kid and Tutankhamun? Who knows?
The makeup, set designs and general visuals were superb, this was immaculately produced, it looked great.
Sorry, this final episode was poor.
3/10.
What on earth is this? A story about Ed Gein, or A Cabin in the Woods type homage to every serial killer on earth.
What an absolutely diabolical waste of time! I know that some of what's being presented is true, but it's just all over the place. What is it trying to tell us, Ed's story or some other form of messaging?
We are being made to look at Ed Gein with a sympathetic eye. I find it so strange, but we are being asked to believe in just too many inaccurate events. Did he write to Speck? Why not suggest he wrote to Margaret Thatcher as well?
Once again, I find myself absolutely blown away by Charlie Hunnam's superb performance. I hate to say it, though; I just find him a little wasted. I didn't like the way his character was written in this final installment.
What on earth are they going to do with Lizzie Borden? Will she be inspired by the Karate Kid and Tutankhamun? Who knows?
The makeup, set designs and general visuals were superb, this was immaculately produced, it looked great.
Sorry, this final episode was poor.
3/10.
Wusstest du schon
- WissenswertesHappy Anderson previously played serial killer Jerry Brudos in Mindhunter (2017).
- VerbindungenReferences Psycho (1960)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Laufzeit
- 1 Std. 5 Min.(65 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen



