IMDb-BEWERTUNG
6,8/10
13.989
IHRE BEWERTUNG
Eine junge Frau wird von einer geheimen Regierungsbehörde rekrutiert, um in die Köpfe der kürzlich Verstorbenen "eingenäht" zu werden und ihre Erinnerungen zur Untersuchung von Morden zu nut... Alles lesenEine junge Frau wird von einer geheimen Regierungsbehörde rekrutiert, um in die Köpfe der kürzlich Verstorbenen "eingenäht" zu werden und ihre Erinnerungen zur Untersuchung von Morden zu nutzen.Eine junge Frau wird von einer geheimen Regierungsbehörde rekrutiert, um in die Köpfe der kürzlich Verstorbenen "eingenäht" zu werden und ihre Erinnerungen zur Untersuchung von Morden zu nutzen.
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Well, this is another sci-fi-ish series with the unoriginal idea to examine people's memories to find clues that could help prevent a crime like a bombing. Instantly my mind went to "Source code" (because in the pilot is about hidden bombs too), but if you count that these memories are from ...dead people you may also have an iZombie rip-off (which I stop seeing as I got bored).
There is a secret federal Agency, of course. And a special lab. And some Special hackers and scientists. And the heroine is ...special, with some form of brain dysplasia (like maybe the producers???). And everything is ...special BUT the problem is doesn't feel like it.
Emma Ishta, the lead actress, looks like a cross between a tall Scarlett Johansson and Taylor Swift but she is annoying as @#$&@. A pretty good reason NOT to see the show.
Technically also is sub-par. The graphics during the flashback are uninspiring and you've seen it before a 1000 times.
So. What is the target audience for this? I'm not sure. But I'm pretty sure I'm not in it. I suspect most of you too...
There is a secret federal Agency, of course. And a special lab. And some Special hackers and scientists. And the heroine is ...special, with some form of brain dysplasia (like maybe the producers???). And everything is ...special BUT the problem is doesn't feel like it.
Emma Ishta, the lead actress, looks like a cross between a tall Scarlett Johansson and Taylor Swift but she is annoying as @#$&@. A pretty good reason NOT to see the show.
Technically also is sub-par. The graphics during the flashback are uninspiring and you've seen it before a 1000 times.
So. What is the target audience for this? I'm not sure. But I'm pretty sure I'm not in it. I suspect most of you too...
I think you just don't need to overthink this. There are some irregularities, but they "had to" otherwise they couldn't get the story going. So don't question why things happen as they happen, it is what it is. Lots of predictabilities, so nothing really exciting per episode. They ticked the box to have a difficult family members( brother Camille, father Kirsten etc..), episode of contaminated body (still need to watch season 3)
I am still giving this a 7 because..well...it's nothing creative, but neither are the others that I'm comparing it too. So you know...switch off your brain and have a look. Or have it on the background, whilest doing something else.
The reviews sound like an "I Hate Stitchers" club got together to trash this series. There's precious little sci-fi anymore that isn't some prurient, anything to get the women naked, kind of crap. The characters talk fast, the mental disorder is imaginary (hey, it's fiction people), and some of you don't like it. Don't watch, but to hope it doesn't last longer than the pilot is kind of a crappy attitude - like if you don't like it, no one else should see it. What a load of arrogant, self-serving claptrap. I like the series so far. I enjoy seeing some familiar faces from Eureka and Warehouse 13. I'll watch the series. I like hard SF. There's no sorcery, no swords, no semi-nude barbarian women. Not everybody is a social twelve year old.
I think this show has tons of potential, although I like it just the way it is now. I mean it has the potential to last several seasons, and I hope it does.
Other reviews have given the basic info on what the show is about - a sci-fi crime show starring a bunch of smart young people, sort of like NCIS meet Dr. No. The producers use a sort of TV shorthand: instead of a long, complicated back story, the Federal agency that "recruits" Kristin is merely described as "you can't guess what it is", or words to that effect. Why waste time on yet another series of flashbacks and explanations? We all know what they're talking about. Some of the other reviewers are bothered by the impossibility and "scientific" inadequacy of the work space where the corpses are kept on hand for the stitching process. Again, so what? We've been watching Star Trek and Dr. No for years without worrying about it - the flashing lights and dim floating bodies are all one needs to get it; this is a science fiction detective show, for heaven's sake.
I really like the way the geeks, including Kristin and her abrasive roommate, Camille, communicate. Along with the boys in the lab, they are unapologetically smarter than most of the rest of the humans in the world, and don't bother with the cutesy salutes to normal people that some shows use to make smart people more accessible. House and Monk are both examples of exceptionally unlikable people who nonetheless obtained a loyal fan following based on how their characters solved problems, and I think the same will happen with this show.
I love the way some of the characters in this show zoom through pretty complicated dialogue with no explanation or apology, and call me crazy, but I thought Kristin's first experience stitching was gripping; the hyper- ventilation was a nice touch, and totally believable.
I say give them a couple of seasons to show their stuff; they certainly got my attention.
Other reviews have given the basic info on what the show is about - a sci-fi crime show starring a bunch of smart young people, sort of like NCIS meet Dr. No. The producers use a sort of TV shorthand: instead of a long, complicated back story, the Federal agency that "recruits" Kristin is merely described as "you can't guess what it is", or words to that effect. Why waste time on yet another series of flashbacks and explanations? We all know what they're talking about. Some of the other reviewers are bothered by the impossibility and "scientific" inadequacy of the work space where the corpses are kept on hand for the stitching process. Again, so what? We've been watching Star Trek and Dr. No for years without worrying about it - the flashing lights and dim floating bodies are all one needs to get it; this is a science fiction detective show, for heaven's sake.
I really like the way the geeks, including Kristin and her abrasive roommate, Camille, communicate. Along with the boys in the lab, they are unapologetically smarter than most of the rest of the humans in the world, and don't bother with the cutesy salutes to normal people that some shows use to make smart people more accessible. House and Monk are both examples of exceptionally unlikable people who nonetheless obtained a loyal fan following based on how their characters solved problems, and I think the same will happen with this show.
I love the way some of the characters in this show zoom through pretty complicated dialogue with no explanation or apology, and call me crazy, but I thought Kristin's first experience stitching was gripping; the hyper- ventilation was a nice touch, and totally believable.
I say give them a couple of seasons to show their stuff; they certainly got my attention.
College student Kirsten Clark (Emma Ishta) suffers from temporal dysplasia, an inability to sense the passage of time. She is recruited into the highly secret government Stitcher program. It is an experimental machine used to tap into the memories of the recently deceased. Maggie Baptiste is the leader and Cameron Goodkin is the leading scientist. Kirsten's roommate Camille Engelson is revealed to be monitoring her for the program before she was recruited. Kirsten's dead father is revealed to be connected to the Stitcher program.
Emma Ishta is not that good as an actress. That's why her social awkwardness with the temporal dysplasia is so helpful. She actually fits her character. The show suffers after her normalization. The sci-fi premise is ok and the stitching is not the most compelling aspect of the show. I guess a wet Emma injects some sexiness but it's all a little cheap. Allison Scagliotti provides good sass but it's not always maximized. The start is acceptable level of TV sci-fi but the show deteriorates over its three year run.
Emma Ishta is not that good as an actress. That's why her social awkwardness with the temporal dysplasia is so helpful. She actually fits her character. The show suffers after her normalization. The sci-fi premise is ok and the stitching is not the most compelling aspect of the show. I guess a wet Emma injects some sexiness but it's all a little cheap. Allison Scagliotti provides good sass but it's not always maximized. The start is acceptable level of TV sci-fi but the show deteriorates over its three year run.
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- WissenswertesOn September 15, 2017, the show was canceled by Freeform after three seasons, presumably due to low ratings. A large fan campaign to bring back the show was soon launched on Twitter with the full support of the cast and crew. A petition was made and fans tweeted emails of higher-ups at Freeform as well as Freeform's Feedback page on their website. Fans also contacted other networks, specifically SYFY and TheCW, to get them to pick the show up for a fourth season.
- PatzerThroughout the series, actress Emma Ishta's (Kirsten) Australian accent can occasionally be heard slipping through, despite the character being from California.
- VerbindungenFeatured in MsMojo: Top 10 Greatest Sci-Fi & Fantasy Teen Drama Shows (2018)
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- 984 Everett St, Los Angeles, Kalifornien, USA(Kirsten & Camille's exterior house)
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