IMDb-BEWERTUNG
6,8/10
3274
IHRE BEWERTUNG
Die Geschichte dreier Brüder, Söhne eines Ziegenhirten, die der Ndrangheta nahestehen, und ihrer zerrissenen Seelen.Die Geschichte dreier Brüder, Söhne eines Ziegenhirten, die der Ndrangheta nahestehen, und ihrer zerrissenen Seelen.Die Geschichte dreier Brüder, Söhne eines Ziegenhirten, die der Ndrangheta nahestehen, und ihrer zerrissenen Seelen.
- Auszeichnungen
- 23 Gewinne & 18 Nominierungen insgesamt
Empfohlene Bewertungen
Every few years an authentic Italian mafia film comes along, the last one being 2008's Gomorrah. Now we have Anime Nere; A slick, well made, taut and perfectly paced film about an unsung rise to power. It takes place deep within the crime underworld in a village outside of Milan. Grounded in realism and contains no superfluous love stories or unneeded fluff. Classic Mafia film moments and themes are handled deftly and with fresh eyes. The enormity of the film emerges only its its last few frames. People that idolize Scarface or The Godfather will have a new classic on their hands. Thoroughly entertaining and thought provoking cinema.
ANIME NERE boasts some of the best acting that I have seen in any film from anywhere in the world over the last 10 years. Perhaps only SICARIO (US 2015) can bear comparison with this extremely high standard of acting.
Francesco Munzi's direction is also first rate, aided by excellent stark photography.
Dialogue is extremely credible, and the script builds up to an unbearable tension point without much physical action.
So why do I rate this film only 7/10? Because I expected more reaction from the target family, and I find the open ending frustrating.
PS - I decided to rewatch ANIME NERE and I have to admit that the ending makes more sense than I initially surmised. The point, trite but valid all the same, is that death is supposed to be a deterrent among crime-pursuing families, but once a crime is committed, even a minor one like stealing goats, revenge will follow, and death is no longer a deterrent but an objective.
Interesting aspect: as in THE GODFATHER, there are three brothers here, and you know instinctively that the brother who wants to stay out of crime is the one most likely to be the action man. The other two are Hamlet-like figures, who hate Barreca for killing their father but talk rather than do something about it. And any distraction carries the ultimate price, as Luigi and Leo find out.
In crime, as in life, there is always someone stronger and more lethal than you. What I initially saw as an open ending is in fact the only ending to criminal life. I change my rating to 9/10 and recommend this film.
Francesco Munzi's direction is also first rate, aided by excellent stark photography.
Dialogue is extremely credible, and the script builds up to an unbearable tension point without much physical action.
So why do I rate this film only 7/10? Because I expected more reaction from the target family, and I find the open ending frustrating.
PS - I decided to rewatch ANIME NERE and I have to admit that the ending makes more sense than I initially surmised. The point, trite but valid all the same, is that death is supposed to be a deterrent among crime-pursuing families, but once a crime is committed, even a minor one like stealing goats, revenge will follow, and death is no longer a deterrent but an objective.
Interesting aspect: as in THE GODFATHER, there are three brothers here, and you know instinctively that the brother who wants to stay out of crime is the one most likely to be the action man. The other two are Hamlet-like figures, who hate Barreca for killing their father but talk rather than do something about it. And any distraction carries the ultimate price, as Luigi and Leo find out.
In crime, as in life, there is always someone stronger and more lethal than you. What I initially saw as an open ending is in fact the only ending to criminal life. I change my rating to 9/10 and recommend this film.
BLACK SOULS is an unusual Italian gangster film that portrays the subject matter in an art-house style. Thus, it's a slow and sedate movie with exemplary realism throughout that goes for a very low key approach. It feels like very little happens in this film, yet at the same time the production has the same kind of realism as a documentary.
It's certainly a well-shot piece with some fine cinematography. The acting is of a solid standard with the actors giving mannered and restrained performances rather than going over the top as in an American gangster movie. The plot, about innocent lives being drawn into the criminal underworld, is a familiar one, but the slow-burning approach works well and builds up some powerhouse moments.
It's certainly a well-shot piece with some fine cinematography. The acting is of a solid standard with the actors giving mannered and restrained performances rather than going over the top as in an American gangster movie. The plot, about innocent lives being drawn into the criminal underworld, is a familiar one, but the slow-burning approach works well and builds up some powerhouse moments.
Last Saturday I went to see "Anime nere" at the London Film Festival with great expectation. In fact in August I had read a very positive review on La Repubblica newspaper. I must say it met completely my expectations, the movie is very well done, convincing and the light, the light is absolutely sublime. I like all the actors performances. The director told us, after the projection, that they were a mix of professional and not professional ones (very difficult to distinguish for the high quality of their performances). The plot is very intense, but not in a bad way. The most disturbing scenes are not shown on screen, but left to the audience imagination. The movie is set in a rural village in Calabria, south of Italy, where the three brothers were born and where Luciano, the elder, is still living with his family. The two younger brothers, instead, had moved to Milan in the north of Italy few years back.
Highly recommended, a potential candidate to next year foreign Grammy awards!!
Highly recommended, a potential candidate to next year foreign Grammy awards!!
What a moving film! Very deep and different from the usual bloofest you see in gangster films. This seemed alot like a great pilot for a top notch miniseries.
Wusstest du schon
- SoundtracksMany Lifetimes (Covered In Sand Interpretation)
Written by Ruaridh Law
Performed by TVO
Remixed by Guy Alexander Brewer
Originally released on Broken20 / Broken60_2.5
© Broken20, 2013
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 101.088 $
- Eröffnungswochenende in den USA und in Kanada
- 6.286 $
- 12. Apr. 2015
- Weltweiter Bruttoertrag
- 1.278.360 $
- Laufzeit
- 1 Std. 49 Min.(109 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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