Hounds of Love

I have always been a fan of Australian Horror/Thrillers. Let's face it, with the vast outback and big Cities Down under, there is a lot of room for varying plots and story lines that make for great entertainment.

"Hounds of Love" is a story set in the late 80's about a psychotic couple who kidnap and abuse young women. Without giving too much away about the story, it follows a common theme often seen in Horror/Thriller Genra's made these days but, to its credit, there are sub plots and other mysterious factors going on beneath the surface of the main story.

I thought the acting was above par and the low light settings in the home and quirky behavior of the main characters (the kidnappers) lends an eerie air to the film that works well to bolster the uneasy feeling you get watching the film.

There are many frustrating points in the film, which are by design. It is no easy task pulling off scenes that get under your skin so much you want to scream at the television or movie screen. This film does so on several occasions thanks to the talent and ability of the director and actors.

What I enjoyed most about the film is the fact that a commonly told story had many sub plot variations happening as well as sticking to the main thematic plot. This, I found, was unique to the modern day Kidnap/torture stories film production companies pump out as often as a McDonald's commercial.

Of course, you be the judge but I definitely recommend this film for fans of the Genra/s. Anyone who has ever read any of my reviews will know I am not one to hold back when a film stinks to high Heaven. I tell it as it is. With that, you will get your $'s worth with this film.

I write as an escaped West Australian. We've all got something to live down.

Like Adelaide, Perth has had classic serial killers with an eerie Australian twist. Riffing on a grim 1980s case, Ben Young delivers a fine first feature, for which the Metacritic 72% is not far off the mark. The cinematography is great, capturing the endless hot sky and bleaker suburbs (read Coolbellup or Hamilton Hill) of the 1980s. Also a fine score. The three key players are excellent. The script maybe needed a little more rounding for the ending to gel properly, but I sure felt the tension.

As with Don't Tell and Berlin Syndrome, here's a rare Aussie feature that captures Australia but which I'd be proud to show overseas. Discouragingly, I wonder if the three taken together will pull much more than $1-2m.

Actually uses a real street name, no kidding. Hope it doesn't lead to disaster tourism. Meanwhile, some eagle has already spotted the curious anomaly of the 7-character number plate, never issued in Perth before the 1990s.

This film is really hard to watch much of the time, not only for the physical and sexual violence depicted on screen, but also the emotional abuse. It's just really unsettling, painful, brutal, tough, disturbing, and horrific.

It follows a murderous couple, John and Evelyn, who kidnap a teenaged girl, Vicki, in Perth, Australia in 1987. The things that transpire are harrowing and stomach-turning. What makes it all the more scary is the fact that this film is quite plausible. The "bad guys" look respectable: like you and me, your neighbors, teachers; they look like normal people, which makes this all the more disquieting. It all feels so real, raw, and visceral. The characters feel like real people and are multidimensional, including the villains, who so easily could've been written as one-dimensional evil people caricatures with no interiority. Evelyn is abused and damaged by John, which is why she tags along. John abuses her and kidnaps teenage girls because it makes him feel dominant. And Vicki isn't a damsel in distress; she's clever and quickly picks up on the tension and power dynamics of the captor couple and manipulates them in her attempts to escape. The dialogue feels realistic and the cinematography is very simplistic and pared-back, almost shot like a documentary, further elevating the verisimilitude; it often feels like you're a fly on the wall. Everything feels gritty.

The acting across the board is good. Emma Booth, Ashleigh Cummings, and Susie Porter are the standouts and all give really great performances. Booth as Evelyn in particular turns in a superb, impressive performance. The swath of emotions she conveys so organically is really something; she vacillates between being chilling to sympathetic to scary to pathetic to pleasant to enraged to envious.

I won't spoil anything, but the ending is really touching and edited so well. It so easily could've felt overly sentimental, but it just felt so moving, which further elevated the film overall. This is definitely worth a watch, albeit it's not for the faint of heart.

In the same vein as the other Aussie horror movies of late, Wolf Creek and The Loved Ones, Hounds of Love is a very gritty tale of teenage abduction by a mature couple.

This is a tough watch for a lot of people and casual watchers will likely be horrified that anyone should want to commit something like this to film.

That being said, this is very well made for something on a tiny budget. The direction, editing and especially the acting by the the three main leads is excellent.

Thankfully, we don't get to see the worst bits of the violence. The director pans away or let's events occur behind closed doors whenever a particular flashpoint occurs.

I would recommend with caution. If you are against animal cruelty of any kind, this will be your worst nightmare.

I thought that this movie was perfectly fine with some really nice performances. The movie looked great with some really nice shots. Visually it was a pleasure to watch. The plot was nothing wildly original.. or really original at all. Yet, still did a good job at keeping you engaged with a certain amount of thrill while still moving a little slowly/building tension.

The three main actors really did a great job, the two crazies and the young girl. Their performances were grounded and visceral on multiple levels, the best of the three being the crazy woman, bravo. The parents paled in comparison and their delivery in their one scene together was honestly cringe and probably should have been cut.

All in all I thought most everything was well done, and if it had just had a bit more of originality sprinkled into the plot I think it could have been even more successful. Well done regardless, would recommend.