Während der russische Konflikt mit Napoleon seinen Höhepunkt erreicht, stehen fünf aristokratische Familien vor der Möglichkeit, dass ihr Leben für immer verändert wird.Während der russische Konflikt mit Napoleon seinen Höhepunkt erreicht, stehen fünf aristokratische Familien vor der Möglichkeit, dass ihr Leben für immer verändert wird.Während der russische Konflikt mit Napoleon seinen Höhepunkt erreicht, stehen fünf aristokratische Familien vor der Möglichkeit, dass ihr Leben für immer verändert wird.
- Für 1 Primetime Emmy nominiert
- 3 Gewinne & 19 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe soundtrack is recorded in a collaboration with choir "Latvia" and Latvian Radio.
- PatzerUniforms in the Russian army changed three times during the period covered in the movie, but there is only one shown in the series.
- Zitate
[last lines]
Pierre Bezukhov: [voice-over] They say sufferings are misfortunes. But if I was asked, would I stay as I was before I was taken prisoner, or go through it all again? I would say for God's sake, let me be a prisoner again.
Pierre Bezukhov: Come, let's sit and eat and give thanks for our good fortune.
Pierre Bezukhov: [voice-over continued] When our lives are knocked off course, we imagine everything in them is lost. But it is only the start of something new and good. As long as there is life, there is happiness. There is a great deal... a great deal still to come.
- VerbindungenFeatured in The Wright Stuff: Folge #21.5 (2016)
War and Peace is a story of mortals, fallible, corrupt, and yet full of love and hope. Some of the reviewers seem to have gotten in their head that Prince Andrey or Natasha should be like gods and goddesses when Tolstoy could not have intended anything farther from that. Tolstoy meant for us to see how the lives of admirable men and women are yet filled with foolishness. We are meant to see that in the end, the foolishness shouldn't matter.
Others seem to be aghast that there's infidelity, violence, and dishonesty. My God, I can only imagine that these reviewers would be better off watching Barney and Friends. This adaptation captures brilliantly Tolstoy's view of how terrible the course of human interaction can run, and yet there is something magical to life.
As far as the casting goes, I personally thought Sonya was a little too plain, Princess Marya a little too attractive, and Pierre rather too skinny, but these physical quibbles are nitpicky. Each performance seems true to Tolstoy's characterizations, if not the idealizations people have conjured in their minds. In my view, Denisov, though a minor character, is particularly brought to life. The old Prince Bolkonsky also is terrific.
Finally, I am no expert on 19th century Russian aristocratic dress or interior design, but frankly I saw nothing particularly out of place. I would be quite surprised if any of the reviewers who took issue with the costumes or the decorations were far more knowledgeable.
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