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The Mask You Live In

  • 2015
  • Not Rated
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
7,6/10
2860
IHRE BEWERTUNG
The Mask You Live In (2015)
Trailer for The Mask You Live In
trailer wiedergeben3:08
1 Video
8 Fotos
NewsDocumentary

Füge eine Handlung in deiner Sprache hinzuExplores how our culture's narrow definition of masculinity is harming our boys, men and society at large and unveils what we can do about it.Explores how our culture's narrow definition of masculinity is harming our boys, men and society at large and unveils what we can do about it.Explores how our culture's narrow definition of masculinity is harming our boys, men and society at large and unveils what we can do about it.

  • Regie
    • Jennifer Siebel Newsom
  • Drehbuch
    • Jessica Anthony
    • Jessica Congdon
    • Jennifer Siebel Newsom
  • Hauptbesetzung
    • Joe Herman
    • Michael Kimmel
    • Caroline Heldman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    2860
    IHRE BEWERTUNG
    • Regie
      • Jennifer Siebel Newsom
    • Drehbuch
      • Jessica Anthony
      • Jessica Congdon
      • Jennifer Siebel Newsom
    • Hauptbesetzung
      • Joe Herman
      • Michael Kimmel
      • Caroline Heldman
    • 23Benutzerrezensionen
    • 4Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Videos1

    The Mask You Live In
    Trailer 3:08
    The Mask You Live In

    Fotos7

    Poster ansehen
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    Poster ansehen
    Poster ansehen
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    Topbesetzung40

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    Joe Herman
    • Self - Coach and Former NLF Player
    Michael Kimmel
    • Self - Sociologist and Educator
    • (as Dr. Michael Kimmel)
    Caroline Heldman
    Caroline Heldman
    • Self - Political Scientist and Educator
    • (as Dr. Caroline Heldman)
    Tony Porter
    • Self - Educator and Activist
    Roman Sarlo
    • Self
    Mike Nelson
    • Self
    Cleo Cloman
    • Self
    Borey Ai
    • Self
    Nghiep Lam
    • Self
    Curtis Carroll
    • Self
    Tommy Winfrey
    • Self
    Ian Breckenridge-Jackson
    • Self
    Lisa Elliott
    • Self - Neuroscientist
    • (as Dr. Lise Eliot)
    Michael G. Thompson
    • Self - Psychologist
    • (as Dr. Michael G. Thompson)
    Nadine Burke
    • Self - Pediatrician
    • (as Dr. Nadine Burke-Harris)
    William Pollack
    • Self - Psychologist and Educator
    • (as Dr. William Pollack)
    Carol Gilligan
    • Self - Psychologist and Educator
    • (as Dr. Carol Gilligan)
    Steven Mason
    • Self
    • Regie
      • Jennifer Siebel Newsom
    • Drehbuch
      • Jessica Anthony
      • Jessica Congdon
      • Jennifer Siebel Newsom
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen23

    7,62.8K
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    Empfohlene Bewertungen

    3korpake

    Some salient points, some propaganda.

    I'll start with saying I understand the motivation behind making this film. I think there needs to be much more discussion about these sorts of issues. There is a lot of social dysfunction in the world and men suffer the consequences and are a big part of the causes of this dysfunction. But so are women and they don't feature at all in this film, like they are just spectators or victims and not active participants. They had lots of guys sharing their experiences and that's nice and its important to tell those stories, but I consider myself an average guy and I never had any of these issues. I don't see myself or any of my friends in this film. It's like they missed out whole sections of society Because I can't see myself in the film I draw the conclusion that this film isn't relevant to me or the people I know. This perception may not be correct, but that's the way I see it.

    I thought in some respects this was a really silly and annoying film. It started by suggesting that masculinity is bad and not real because it's just a distortion or absence of femininity (like how darkness is absence of light and not "a real thing"). That put me off right from the start. I hoped it would get better but it didn't.

    Having just watched it, I can't actually recall many facts that were relevant. Mostly how boys/men are bad and bad things happen to them and how they perform worse than girls etc. Plus just lots of random people spouting their opinions without much justification. We are supposed to just take "experts" opinions as facts. This annoyed me even more. People can't seem to tell the difference between facts and opinion and there is no credible contrarian view when appropriate, so this is just a big propaganda piece (some parts). This film doesn't use facts of logic, it uses emotional appeal, manipulation and biased opinions. Nothing wrong with that as long as people are aware.

    Then they say insanely stupid stuff like: "boys can't tell the difference between reality and video games." That really got me mad. I run around lopping off people's heads with light sabers, but that doesn't influence me in real life in the slightest.

    I thought it was a bit rich that a film about men and masculinity was directed and produced entirely by women. Imagine a film entirely directed and produced by men, about femininity, telling women they need to do this and that. I'm not saying you can't do that, it just doesn't carry as much weight for me. Plus I guess its OK if you buy into the narrative that men and women are all the same (which I don't).

    I did like the last 5min though. Generally a good summary that gets some key points across.

    I wanted to like this film, but if I were to summarize the message of the film, it would be: "Men are bad and need to be more like women and just accept that as fact because we said so."

    I gave it a 3 because I didn't like the film, but I didn't hate it enough to give it a worse rating. It is a topic that needs more discussion, just not like this.
    10sarofed

    Loved by my masters class

    I assigned this film for a master's level ethnic conflict class. The vast majority of the (male & female, gay & straight, black, white, hispanic) appreciated how the film unpacked the pressure on men. We unconsciously buy into so many norms that serve so few people. This gave us a great way to talk about these issues.
    9drohucimup

    Easily Related To

    What does it mean to be a man, exactly? Why shouldn't boys cry? Why can't fathers share their emotions? Why are men allowed to communicate their anger towards others but not their love for their friends? Why are young men taught to view women as sexual conquests instead of people or friends?

    Questions such as these lie at the heart of this documentary, which argues that our society's definition of masculinity is deeply flawed. This is done through a wide array of interviews and case studies. Though the film is clearly informed by feminist theory and an academic foundation, the case studies put a face on concepts and humanizes the ideas found in textbooks. It is an accessible and clear introduction to the fact that feminists care deeply about men's issues. I would strongly discourage people from avoiding the film simply because of this theoretical orientation, however.

    I was able to easily relate to the narratives and case studies presented in the film. The process of socialization for boys is something I experienced first hand, and the film organizes things in an insightful and cogent way. Similarly, it does an excellent job of capturing when things begin to go off the rails. For instance, one of the experts that is interviewed notes that kindergarten boys are eager to talk and participate, while by sixth grade boys had become increasingly reticent. This reticence is, partly, because of an avoidance of being nerdy (weak, effeminate) in favor of projecting a tough "I don't care, none of this effects me" attitude. Example upon example is piled on to create a compelling diagnosis of a problem.

    The primary issue of the film, or perhaps an area for future discussion or analysis, is that it does not explicitly broach how masculinity overlaps with race and class. It is portrayed, but not explicitly explored. There is some mention of how sexuality and masculinity are intrinsically connected, but those other axis of oppression are largely ignored. As a result the concept of masculinity used in this film might seem overgeneralized to viewers. Fortunately, the film wisely sticks to the most universal threads such as aggression, dominance, and control.

    Just a final note: If you have read this film as attempting to demonize "maleness," you've missed the point. It's about the performance of manhood, which is a matter of gender, not sex. Gender is highly malleable and varies across cultures in a variety of ways, and this movie highlights the possibility for change towards a more open and loving form of masculinity in the future. That is a fantastic message and I would encourage any men who find themselves feeling defensive or threatened by the contents of this film to really question why they feel that way. There is an enormous opportunity for self- introspection and growth in this film.
    10keenan-91588

    Incredibly eye-opening!

    This documentary is fantastic! As a woman, I never really considered this perspective. I never realized the struggles men face on a daily basis. I realize now how the mass media, marketing, and society put so much pressure on men. I'm very glad I saw this film and am much more understanding of what men go through. The statistics in this film were shocking to me. I had heard stories from male friends that these problems existed but so much of it is viewed as normal and swept under the rug. This film sheds light on how as a society we shame men into being what we think is easier to compartmentalize instead of giving them the social freedom they so much deserve. I don't think I would have watched this had it not been recommended to me, but I'm so thankful I did. I wish all parents would watch this so that their sons don't have to go through these hardships.
    5badoli

    Starts okay, goes superficial pretty quick.

    The documentary raises some valid points, but ends up very superficial. The downfall starts with blaming of superheroes and video games. The old stereotypes from the brainwashed boy are popping up, that are refuted in a lot of studies. Sure, media has influence, but the "how" and the "how much" only implied. The study it presents is from the 70ies and 80ies and hardly representative of the present state of psychology.

    As such it feels the movie pushes a narrative. Some of the interviewed people offer only anecdotal reference and some just lack any credentials for the issues they discuss. At times it feels weirdly constructed, as with the vilification of porn segment. Even Philip Zimbardo only conjures the old outsider-stereotype and an extremely bold statement like "violance against women is at epidemic proportions" is not supported by any historical figures. Questionable feminist terms like "rape culture", "entitlement" and "privilege" are thrown around.

    The main topic of this film is very important and current and at times it seems the film is highlighting the right issues. But ultimately it looses itself in general attack on anything that it perceives masculine. I wish it was more subtle in the approach and better researched and balanced.

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    Handlung

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    • Wissenswertes
      End card: «This film is dedicated to all of the boys and men we know and love who inspire us daily with their courage and conviction to stay true to themselves.»
    • Verbindungen
      Features Dirty Harry (1971)
    • Soundtracks
      Welcome to the Party
      Written by gary, Dennis Hill, Kyle Hanagami, Kevin Baldes (as Kevin Baldez) and Kenneth Livingstone

      Performed by Good Man Down

      Courtesy of Lyric House, LLC

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    FAQ16

    • How long is The Mask You Live In?Powered by Alexa
    • UK Release?

    Details

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    • Erscheinungsdatum
      • 25. Januar 2015 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • La máscara con la que vivimos
    • Produktionsfirmen
      • The Representation Project
      • The Annenberg Foundation
      • The Brin Wojcicki Foundation
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    • Laufzeit
      1 Stunde 37 Minuten
    • Farbe
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