La historia sigue a Jack, un asesino en serie altamente inteligente, a lo largo de doce años, y describe los asesinatos que realmente desarrollan a su loco interior.La historia sigue a Jack, un asesino en serie altamente inteligente, a lo largo de doce años, y describe los asesinatos que realmente desarrollan a su loco interior.La historia sigue a Jack, un asesino en serie altamente inteligente, a lo largo de doce años, y describe los asesinatos que realmente desarrollan a su loco interior.
- Dirección
- Guión
- Reparto principal
- Premios
- 11 premios y 17 nominaciones en total
Ed Speleers
- Ed - Police Officer 2
- (as Edward Speleers)
Reseñas destacadas
I just saw Lars Von Trier's new film 'The House That Jack Built' at the Atlantic Film Festival. I'm not extremely familiar with Trier's other work (I love Antichrist and Dancer in the dark is one of the most depressing films I've ever seen), but I've still been looking forward to this one since its premiere at Cannes. The subject matter peaked my interest and the trailer looked great. The early reviews got me even more invested as everyone was saying it was Trier's most disturbing and violent film yet.
'The House That Jack Built' was fairly brutal, yet oddly comical (if you can look past the disturbing material) and widely entertaining. I was not expecting it to be as funny as it was considering all of the 'hype' around the film's dark brutality since its screening at Cannes. Having said that there are some extremely gruesome and disturbing scenes which are effective in what they set out to do.
The film is divided into 5 sections plus an epilogue. A strange structure but ultimately I think that it benefited the film as we see a slight progression of Jack's character throughout. Though it can feel a bit repetitive at points, it never gets boring and is continuously engaging. Matt Dillon was excellent as the truly psychopathic serial killer Jack. It was honestly probably the best role I've seen him in (seriously, he should be in more movies).
There are many philosophical discussions about the nature of art throughout the film. This can either come off as super pretentious or can actually add to the film. I thought it worked fine in the context of the film as it relates very much to the character of Jack and how he views himself and his, so to say, 'art'
The film portrays the violence in a fairly realistic manner and does not hold back. At all. Seriously, the movie is not for the faint of heart. But it never came across as gratuitous or 'edgy'. It felt like Trier was just showing us what these scenarios would look like if a serial killer viewed his killings as art.
If you're a fan of Trier's work then definitely try and see this one. Even if you're just a fan of disturbing art-films, check it out. It has a screening at VIFF in October but other than that I have no idea where you can see it. Surprisingly, the Atlantic Film Festival (Halifax, Nova Scotia) had a one-night screening for the film. Either way, try and see it if it looks interesting to you. I highly recommend it. 9/10.
'The House That Jack Built' was fairly brutal, yet oddly comical (if you can look past the disturbing material) and widely entertaining. I was not expecting it to be as funny as it was considering all of the 'hype' around the film's dark brutality since its screening at Cannes. Having said that there are some extremely gruesome and disturbing scenes which are effective in what they set out to do.
The film is divided into 5 sections plus an epilogue. A strange structure but ultimately I think that it benefited the film as we see a slight progression of Jack's character throughout. Though it can feel a bit repetitive at points, it never gets boring and is continuously engaging. Matt Dillon was excellent as the truly psychopathic serial killer Jack. It was honestly probably the best role I've seen him in (seriously, he should be in more movies).
There are many philosophical discussions about the nature of art throughout the film. This can either come off as super pretentious or can actually add to the film. I thought it worked fine in the context of the film as it relates very much to the character of Jack and how he views himself and his, so to say, 'art'
The film portrays the violence in a fairly realistic manner and does not hold back. At all. Seriously, the movie is not for the faint of heart. But it never came across as gratuitous or 'edgy'. It felt like Trier was just showing us what these scenarios would look like if a serial killer viewed his killings as art.
If you're a fan of Trier's work then definitely try and see this one. Even if you're just a fan of disturbing art-films, check it out. It has a screening at VIFF in October but other than that I have no idea where you can see it. Surprisingly, the Atlantic Film Festival (Halifax, Nova Scotia) had a one-night screening for the film. Either way, try and see it if it looks interesting to you. I highly recommend it. 9/10.
You know that a Lars von Trier serial killer movie is unlikely to be like anyone else's serial killer movie; that it is most likely to be more gruesome and perhaps even with a streak of very black humour and "The House that Jack Built" certainly doesn't disappoint. What we might not have guessed was that it would take the form of a dialogue between our serial killer, Jack, (a never better Matt Dillon), and some Stygian boatman who is probably rowing him all the way to Hades, (Bruno Ganz. perfectly cast).
When it was shown at Cannes a number of critics walked out. Why? Could they really have been so sensitive or did they just want to punish von Trier for even showing up? Certainly no-one could deny that as serial killer movies go this one is highly original; you might even call it pretentious but then you'd be missing the joke or could that have been the reason for those walk-outs? Serial killers aren't supposed to be funny.
Using animation, paintings and newsreels to illustrate Jack's 'career' von Trier goes his own way as usual and the von Trier way is, as we know, both shocking and disturbing in ways other director's films simply aren't. If you want to see a 'thriller', forget it but if you want to get inside the head of one crazily inventive outsider, (von Trier, who else), then this is the one for you.
When it was shown at Cannes a number of critics walked out. Why? Could they really have been so sensitive or did they just want to punish von Trier for even showing up? Certainly no-one could deny that as serial killer movies go this one is highly original; you might even call it pretentious but then you'd be missing the joke or could that have been the reason for those walk-outs? Serial killers aren't supposed to be funny.
Using animation, paintings and newsreels to illustrate Jack's 'career' von Trier goes his own way as usual and the von Trier way is, as we know, both shocking and disturbing in ways other director's films simply aren't. If you want to see a 'thriller', forget it but if you want to get inside the head of one crazily inventive outsider, (von Trier, who else), then this is the one for you.
That feeling, when you're expecting a great thriller about an intelligent psychopath, and you get a surprisingly accurate, but still egotistic social criticism, with Lars von Trier's inner demons in the middle.
This movie was definitely a roller coaster. Some very intense scenes and some very slow ones. For the most part, I enjoyed the film. I will say it was different from your average horror flick. The camera work reminded me of something you'd see in a docudrama. Matt Dillon was great in this. Based on his performance alone you should give this film a shot. I've been reading a lot of criticism towards the director. I guess I'll have to watch some of his older work. 7 stars.
¿Sabías que...?
- CuriosidadesThe film had its world premiere at the Cannes International Film Festival on May 14, 2018. It was reported that more than a hundred audience members - including some critics - walked out during the premiere, though a six-minute standing ovation followed the screening. Some of the upset audience members continued to condemn the film on social media for its extreme violence and nihilistic tone.
- PifiasIn the closing credits, "Miscellaneons Crew" can be seen.
- Versiones alternativasAn R-rated version exists alongside the unrated 'director's cut'. The UK/Irish release is of the unrated version, as confirmed by the press invitation.
- ConexionesFeatured in ARfRA: The House That Jack Built Controversy (2018)
- Banda sonoraPartita No. 2 in C minor, BWV 826
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Glenn Gould
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- The House That Jack Built
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 8.700.000 € (estimación)
- Recaudación en Estados Unidos y Canadá
- 258.106 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 34.273 US$
- 16 dic 2018
- Recaudación en todo el mundo
- 3.081.913 US$
- Duración2 horas 32 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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