El rey Carlos VI declara que el caballero Jean de Carrouges debe zanjar la disputa con su escudero retándole a un duelo.El rey Carlos VI declara que el caballero Jean de Carrouges debe zanjar la disputa con su escudero retándole a un duelo.El rey Carlos VI declara que el caballero Jean de Carrouges debe zanjar la disputa con su escudero retándole a un duelo.
- Director/a
- Guionistas
- Estrellas
- Premios
- 5 premios y 44 nominaciones en total
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Reseñas destacadas
Scott returns to form
Seen the film at a screening at the Venice Film Festival.
Even if there is no way of telling that what The Last Duel portrays is entirely how the events took place, or as authentic as it seems to be in depicting middle ages, one thing is certain: it belongs to Ridley Scott's better works, and proves that the 84-year-old filmmaker is still able to deliver memorable films.
The dramatization takes on a three act narrative frame that resembles partly that of Kurosawa's masterpiece Rashomon: three chapters narrate the events, each from the point of view of one of the three protagonists, the two duellists and Marguerite.
The film clearly seeks a historical authenticity, and seems to succeed at achieving it. The almost word-by-word, blow-by-blow adherence to the accounts of the duel seem to confirm such an achievement, and is in a way reminiscent of Scott's debut film The Duellists, known for its methodical reconstruction.
The true essence of this film's stance is the idea that through the study of history more can be learnt about the contemporary world, the past as a mirror of the present.
The Last Duel is, in the end, a film that deals with the present by showing the past, and does so in an exquisite and entertaining fashion.
(extract from my review on comeandreview)
Even if there is no way of telling that what The Last Duel portrays is entirely how the events took place, or as authentic as it seems to be in depicting middle ages, one thing is certain: it belongs to Ridley Scott's better works, and proves that the 84-year-old filmmaker is still able to deliver memorable films.
The dramatization takes on a three act narrative frame that resembles partly that of Kurosawa's masterpiece Rashomon: three chapters narrate the events, each from the point of view of one of the three protagonists, the two duellists and Marguerite.
The film clearly seeks a historical authenticity, and seems to succeed at achieving it. The almost word-by-word, blow-by-blow adherence to the accounts of the duel seem to confirm such an achievement, and is in a way reminiscent of Scott's debut film The Duellists, known for its methodical reconstruction.
The true essence of this film's stance is the idea that through the study of history more can be learnt about the contemporary world, the past as a mirror of the present.
The Last Duel is, in the end, a film that deals with the present by showing the past, and does so in an exquisite and entertaining fashion.
(extract from my review on comeandreview)
Long and not much depth
Story starts well but then begins to drag about half-way through and moves like molten lead from there until the end. The three perspectives do not add any depth, with each retelling being a very predictable retelling of events already heard. I did not feel that I learned anything new, different, or deeper with each retelling. Instead I got the same story from a pretty predictable and cliched perspective of the next involved individual. Thats it. Felt like a really long watch. I found myself just trying to gut it out. All that said it's an ok movie, just not much more which was a little disappointing given the star power involved. Adam Driver does a good job, and so do most of the cast - really thought the actors did the most with what they had to work with. The story is a good one, the screenplay misses the mark though and maybe so too did the overall interpretation of the events. Movie was at its best when revealing life in the early Middle Ages. Was at its worst when attempting to make grand morality statements - just a pretty obvious and much too shallow treatment of medieval customs, code, and morals - all placed in a one-dimensional lens. The soundtrack was predictable and a rough listen at times.
repeating structure
It's 14th century France. Jean de Carrouges (Matt Damon) and Jacques Le Gris (Adam Driver) are comrades-in-arms and best of friends. They are given a new lord in Count Pierre d'Alençon (Ben Affleck). While Jacques becomes the Count's favorite, Jean falls further and further out of favor. It doesn't help that Jean has married Marguerite de Carrouges (Jodie Comer) which leads to complications.
This is directed by Ridley Scott. The structure divides the movie into three chapters. Each chapter takes the point of view from Jean, Jacques, and finally Marguerite. This is good but the Rashomon structure does lead to the feeling of repetition. Then there are the two scenes devoted to the central issue. The one depicting Jacques' point of view needs to be more on his side. After all, this is a case of his says, she says. The two sections leave the question as a degree rather than a decision. There is no question to the basic case. That may be deliberate but it does not increase the tension. The intensity needs to be higher although I do like the actual duel. There is a reality in the brutal repeated battering.
This is directed by Ridley Scott. The structure divides the movie into three chapters. Each chapter takes the point of view from Jean, Jacques, and finally Marguerite. This is good but the Rashomon structure does lead to the feeling of repetition. Then there are the two scenes devoted to the central issue. The one depicting Jacques' point of view needs to be more on his side. After all, this is a case of his says, she says. The two sections leave the question as a degree rather than a decision. There is no question to the basic case. That may be deliberate but it does not increase the tension. The intensity needs to be higher although I do like the actual duel. There is a reality in the brutal repeated battering.
jodie comer stole the show
If you are blown away by her performance in killing eve get ready to be blown away again by her worthy of an Oscar performance in the last duel , her character is the exact opposite of villanelle and she is equally believable playing this sympathetic character to the point of breaking your heart , she absolutely stole the show , I am so glad she is starting to capitalize on the success of killing eve and getting to play big parts in great movies like this one .
Still got it
Really enjoyed it! Worth the watch. Great actors and still such a great director. Not his best work but still great. Always worth watching his movies.
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¿Sabías que...?
- CuriosidadesJean de Carrouges was born in the 1330s and Marguerite de Carrouges was born in 1362. They married in 1380. Thus Marguerite was 18 at her wedding and Jean was more or less 45. Also, Jean de Carrouges and Jacques le Gris were about the same age and were both squires and eventually knights, but at the time of the duel, Carrouges had participated in many more battles than le Gris, thus it can be surmised that he had better fighting reflexes and experience.
- PifiasThe crowd shouts, cheers, and gasps during the duel. This feels completely believable, but in real life trials by combat (including the one depicted in the film) actually took place in absolute silence, as any spectator making noise or otherwise disturbing the judicial duel was punishable by death.
- Citas
Marguerite de Carrouges: I am telling the truth.
Nicole de Carrouges: The truth does not matter.
- ConexionesFeatured in Metatron: The Last Duel: HALF HELMET? What On Earth!? (2021)
- Banda sonoraLa blanche biche
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- El Último Duelo
- Localizaciones del rodaje
- Cahir Castle, Cahir, County Tipperary, Irlanda(as Argentan ; Carrouges and Le Gris reconcile)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 100.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 10.853.945 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.759.151 US$
- 17 oct 2021
- Recaudación en todo el mundo
- 30.552.111 US$
- Duración
- 2h 32min(152 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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