El círculo

What a monumental waste of A-class actors!

On paper, this film ticks all the right boxes: topical sci-fi, great actors in fitting roles, plot ingredients that should create great suspense...and yet, it completely fails to deliver at all levels.

I wanted to like this film, so I ignored the first few warning signs: the characters start off a bit one-dimensional, a slightly uninspired representation of Google/Facebook/Amazon-ehm I mean-"The Circle's" headquarters...But then came a couple of scenes that could (no exaggeration) be right out of a CollegeHumor parody video - except they were meant to be serious- and I knew something had gone really wrong with the script and direction.

15-20 minutes into the film everything becomes completely predictable. There isn't a single moment that has you on edge or wondering what's coming next, because everything is as blatant and simplistic as it could be. There's nothing novel about any of the characters or the major plot points. What is worse, the script just can't stop preaching:

"losing all our privacy is bad...mmkay?"

"big corporations shouldn't spy on us all the time...mmkay?"

"sacrificing your personal life in the name of a morally dubious career can have regrettable repercussions...mmkay?"

-NO SH!T movie! Thanks for letting us know, because, you know, we didn't have to write enough 10th grade essays about these things!

Bottom line: I know it's tempting, but don't watch unless you have time to waste. It's not even "so-bad-it's-good" bad, it's just incredibly dull.

No wonder the millennials hate this movie. This is not the best movie you'll ever see, but it's better that one would conclude reading all the hate reviews that flooded IMDB. The plot and acting are decent, camera and editing nothing to write home about but bearable, overall slightly better than average movie. The movie tells the story of the generation created to live in a minute, not even a day, manipulated so easily by people and organizations that prey on this mental flaw, or vulnerability, to be politically correct... It's a grim future.

I was a big fan of Dave Eggers' A Hologram for the King. It was a fantastic read for enjoyment and to analyze. The film adaptation also did not disappoint. When The Circle was announced as a film I immediately checked out the book. To my disappointment, the film wasn't as interesting an got to bogged down to its technological ventures and wasn't exactly the best read. However, I held out hope that the film would be able to impress, especially with the star studded cast at the helm.

Emma Watson plays Mae Holland an ambitious young customer service rep who joins The Circle, a cutting edge technology based company that seems to be growing at fast pace and changing the future. The thing is, the technological leap of the company leads to massive privacy concerns and the company seems to be capable of more than what initially meets the eye. First off, I will say that the scathing reviews I've seen for the film are somewhat unwarranted, however the film is far from perfect and could have been much better.

The plot may seem like its minimal or nonexistent but this wasn't really my concern. I was more concerned with things being introduced into the film that have no real importance later in the film. John Boyega's character is a glorified cameo that seems to just be there as a big name. In the book the character is mysterious has a much larger effect on Mae's life. The ending of the film leaves much more to be desired; there needed to be more explanation onto what the reveal was and anything about repercussions.

The film is littered with talented people but unfortunately the writing and the structure of the film really lets them down. Its a misfire really, and the film needed to be much better and have a stronger central message. I feel like parts of the film and scenes were left on the cutting room floor. The film isn't exactly terrible but its most certainly unfulfilled and really could have left a stronger impression.

6/10

Set in the near future "The Circle" tells a horror story of the social media age involving an omnipotent American corporate, pitched somewhere between being Facebook-like and Google-like (note, lawyers, I just said "like"!) Emma Watson ("Beauty and the Beast") plays young intern Mae who, partly through the aid of family friend Annie (Karen Gillan, "Guardians of the Galaxy", "Doctor Who") but mostly through her own aptitude, lands a foothold job in customer services for the company. With the lush corporate campus fast becoming home, Mae is quickly singled out as having "executive potential" by the charismatic CEO Bailey (Tom Hanks, "Bridge of Spies") and his more taciturn sidekick Stenton (US comedian Patton Oswalt).

Progressively brainwashed into believing the company's intrusive snooping (a favourite motto is "Secrets are Lies") is all for 'the greater good', Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.

Whenever I watch a film I tend to form my own opinion first before checking out what the 'general public' on IMDb think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson's character is such a 'doormat', in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?

I actually found her indoctrination into "the Circle way" as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they're not checking up on Mae's social life, but…. Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega ("Star Wars: The Force Awakens") is completely wasted in his role as Ty; the Wozniak-like genius behind The Circle's technology. The script gives him very little to do other than stand around and look grumpy.

The film is sad in being the last movie appearance of the great Bill Paxton ("Apollo 13") who plays Mae's sick father and who died of complications following heart surgery two months before the film's release (the film is dedicated "For Bill"). Tragically, Mae's mother in the film, actress Glenn Headly ("Dirty Rotten Scoundrels") also died suddenly at the age of 62, also due to heart problems, a couple of months after the film's release. It's surprising the film doesn't have a "curse of The Circle" tag on it.

The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers ("Away We Go"). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year's "Nerve", a B-movie film I rated highly that also had a string social media theme.

While the ending of the film is a bit twee – a movie definition of "being hoisted by your own petard" – it's overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.

(For the graphical review, please visit bob-the-movie-man.com or check out One Mann's Movies on Facebook. Thanks.)

Director James Ponsoldt's The Circle depicts the story of a not-so-distant future, or perhaps an alternative present, in which one company dominates digital media, data gathering, and surveillance services. Based upon the four-year-old novel by author Dave Eggers, you'll notice some stark similarities between this motion picture narrative and the smash hit TV series Black Mirror. The biggest difference between the two is that The Circle is fast-faced and poorly written whereas Black Mirror is a slow-burning but well-written anthology series. In addition to the similarities between the aforementioned, there are certainly elements of The Truman Show in this movie as well. With a powerhouse cast, brilliant composer (Danny Elfman), and excellent editing, The Circle appears to have what a blockbuster needs; however, the hollow characters, poor character development, fractured subplots, and overall diegesis hold the film back from reaching the impact that it could have had. Having taken a digital media and privacy class in graduate school, and published a few articles, this is a film that I was looking forward to in order to analyze how the social commentary or commentary on the human condition regarding reasonable expectations of privacy and big data were integrated into the plot. Sadly, the screenplay was not strong or developed significantly enough to provide big data and privacy discussions.

Mae Holland (Emma Watson) hates her job at the water company, so she is incredibly excited when her friend Annie (Karen Gillan) lands Mae an interview at The Circle, the world's most powerful technology and social media company. Mae's fear of unfulfilled potential impresses the recruiters at The Circle and she lands the opportunity of a lifetime. After Mae puts herself into harm's way but rescued, thanks to The Circle's newest surveillance and data gathering system, she is encouraged by the company founder Eamon Bailey (Tom Hanks) to take a more active role in technology development by participating in an experiment that puts Mae's life on display for the world (in the vein of The Truman Show) to see. Once Mae turns on that camera, she has more "friends" than she ever imagined and becomes an instant online celebrity. Unfortunately, this decision will affect those closest to Mae and the negative ramifications will reach far beyond her inner circle and begin to impact humanity at large. Sometimes, people just don't want to be found or be "social."

For all The Circle has going for it, the weak screenplay keeps it from being the blockbuster that it so desperately wants to be. A great movie typically begins with solid writing, and that is what's missing here. After five minutes (or so it seems) of opening title logos, perhaps that is indirect evidence that there were just too many hands in the pot, each trying to take the movie's narrative in a different direction. Much like Frozen plays off like two different movies crudely sewn together, The Circle appears to be one movie for the first two acts, but takes an unexpected and unfulfilling turn in the third. A couple of conspicuous unanswered questions come after Mae meets TrueYou designer and founder Ty (John Boyega). He designed the platform that launched The Circle. At one point he asks Mae to meet him in a secret tunnel (where all the servers are stored) and tells her that "it's worse than I thought." Great opportunity to introduce intrigue, suspense, and more. The problem is that the audience is never told what Ty finds or what happens with what he found. You can remove that whole subplot and the movie remains the same. There are other subplots that are nicely introduced, but never carried out as well. Any or all of them can be removed and the film proceeds the same. Not good. If you can remove several subplots or unfulfilled turning points and the film's diegesis remain largely untouched, then you have poor writing. The third act in and of itself leaves audiences with a hurried ending that does little to provide closure to the narrative; however, it does support the film's circular logic and irony. Hardly satisfying.

In terms of the allegory here, The Circle is a Google-like company with Apple's technology. Eamon Bailey is a Steve Jobs type innovator with characteristics of Mark Zuckerberg and Google's Eric Schmidt. Thankfully, The Circle does not represent any one company, but rather combines all the most notable innovations and technological achievements of Google, Apple, Facebook, Instagram, and more into one globally dominating company. Antitrust issues are introduced early on, but again, that's never fully developed. The movie highlights many issues faced by private citizens, governments, and digital data driven companies today; therefore, it sets the foundation for a movie that could have been thought-provoking, but the writing hinders that ability. The irony in the movie is for every digital answer to streamlining services or bolstering conveniences, a little privacy is eroded each time. Pretty soon, if one shares enough information, the idea of privacy is extinct. Privacy was central to the plot, but it just wasn't handled in the most effective way. Concepts such as "off the grid," self-proclaimed "celebrity," and "calls to action" are displayed and discussed in the film, connecting this augmented reality to real-world issues each of us encounter or think about. One particularly interesting theme in the movie is deep friendship. Unfortunately, this was not fully fleshed as is the case with most of the movie; but still, it does get touched upon.

If you were hoping for another film like the brilliant Social Network, then you will undoubtedly be disappointed. Films such as The Circle should be memorable, but unfortunately this one is very much forgettable. Coincidentally, the movie itself is as hollow as the plot and characters.

Written by R.L. Terry

Edited by J.M. Wead