La edad dorada

This show works as a fantastic fantasy where you imagine yourself as one of the rich and noble of Gilded Age New York.

It's beautifully written, full of colorful characters that each feel as motivated and purposeful as all the others. Their lives are fleshed out and their potential for stories is always taken to its limit.

Even though my own circumstances are about as far from the lives of these people as is possible, the show still managed to get me to feel for and understand the mentality and feelings of all the characters.

Not every sub plot is a knockout and not every interaction is engaging, but it's one of the more consistent writing jobs done in this genre.

Beyond the exceptional writing, it's a beautifully produced show. The costumes on particular are fantastic! Every episode brings a new set of special dresses to admire. And the sets.... Absolutely gorgeous. This is arguably the best show of it's kind in terms of production design.

All around, I wasn't expecting much when I initially turned it on but I was very pleasantly surprised. It's fantastic.

It's so different from all of the rest of latest period dramas like Bridgerton, and even Sanditon. It's a good old period drama, where good always wins, but with enough "drama" to keep you involved and excited. The cast is nice and diverse, the wardrobe is beautiful. It's new world meets old world kinda intrigue.

And it's just nice, and doesn't make you stressed. Characters are mostly kind and good-natured, there's not a single character you truly hate. It's definitely not steamy, it very PG13 in that aspect, but it reminded me of old BBC period dramas.

Highly recommend and can't wait for the next season to arrive.

The show is set during the era of the so-called 'rober barons'...incredibly wealthy men who made huge fortunes no matter what the cost to their poor employees. But the program doesn't center very much on these poor but the rich, their friends as well as their servants. The vibe is very much like "Downton Abbey" and it's written by the same man. Overall, a very satisfying and beautiful program which will likely have you longing to see more.

I really loved watching both seasons (up to now season three has not yet been released) and was ready to give the show a 10. But it is, at times, a bit predictable...but also incredibly unpredictable (such as the finale of season two). The predictability are many of the romantic relationships (particularly of the lead)...but considering how rich the characters are, I'll cut this some slack.

Downton Abbey was about upstairs/downstairs affairs in the UK, while this dramedy is about old money/new money in America.

I found the writing hilarious. It's a dry, witty drama with many laugh out loud moments, although one needs to listen closely to notice them. This is not in your face, but subtle.

The costumes are gorgeous and the acting superb, as you'd expect from HBO and the big names involved.

Some of the previous reviewers commented that they didn't like how woke the show was, but I didn't notice that. As far as I could tell, gender and race issues are treated with historical accuracy.

I love this new show and can't wait for more episodes.

Julian Fellowes' mighty pen is back (and even more cheekier) in this lavish production. This time dealing with aristocratic socialite snobbery of the ugly kind, ruthless business affairs, political sabotaging, hidden homosexual relationships, racial prejudices, and society control freaks. (But I'm sure there is more after only viewing three episodes.)

And we're talking about the year - 1882! A radical period in New York upper-society with the changing of the guard among the wealthy, and the young radical breed coming into play. All carried out in the delicious Fellowian style. With snappy and sassy dialogue, infused with a grand soap opera worthy of a Verdi music score.