Poder mental

Too often I make the mistake of being captivated by a film's poster. The amount of movies I've seen based purely on their poster is higher than I'd care to admit. And alas, once again I've made the mistake. 'The Mind's Eye' has a clever, eye-catching poster indeed, but the film can in no way live up to it. In fact it doesn't even come close. It's a snoozefest. Evidentally psychokinesis does not make for a very good film subject.

The entire plot revolves around an insane doctor who wants psychokinetic powers for himself. Though the audience can't help but wonder, why? What exactly is this going to add to your life? What about having these powers could possibly be worth the effort and sacrifice you are clearly going through to get them? It just doesn't make any sense. Then add in the fact that the two protagonists are about as unlikable and dull as film characters come and you're left with a pretty unwatchable product. Director Joe Begos seems aware he doesn't have the strongest script (dispite having written it himself) and seemingly tries to make up for in the final third with excess gore, but even that falls flat with a lack of originality. There's really not a whole lot to see here.

As a child of the 80's, I grew up with these kinds of films; films about people with special powers and government cover-ups. This film does a great job of evoking that same feeling, with a decent script and a pretty decent SFX budget. The acting, however, was beyond hacky, and really marred the integrity of the film. Almost everyone involved in this movie was just awful, with overacting and poor delivery abundant in every scene. It was like watching a student film at times, with people who have no business being in front of a camera. With a more talented cast, this would have been a worthy addition to 80's horror films. As it stands, it is a decent film with some really bad talent attached to it. Watch it for the carnage and gore, but be advised, you will be rolling your eyes every time someone attempts to deliver their lines with a straight face.

I'm a very big fan of low budget Sci-Fi films, and this one was quite impressive.

If you ever seen the David Cronenberg film, Scanners, it's very, very similar to that experience, The effects are simple and effective, and a good use of both visual and sound effects to make the psychokinetic powers seem eerie.

It's a good set of interesting characters with the best one being the guy who played the main antagonist, Slovak. He starts off sane and gets crazier like a super villain as the movie progresses.

The Mind's Eye follows Slovak as he hunts down and experiments on the ever growing population of psychokinetic people, in hopes of gaining great power from them, only to have to chase down a few of them who had escape his clutches.

I'm also a sucker for movies that allow me to reminisce over my 80s upbringing with a look and a soundtrack that remind me of that era (The film actually takes place in the early 90s)

It's a stellar production.

http://cinemagardens.com

Here's a first for yours truly: a review of a yet-to-be-released film that's currently making the festival circuit. The 'secret movie' and highlight of Brooklyn's Nitehawk Cinema's Halloween 'Nite to Dismember'celebration turned out to be director Joe Bego's follow-up to "Almost Human," the very 80's (particularly Steve Moore's wall-to- wall electronic soundtrack) "The Mind's Eye." What "Turbo Kid" is to 80's post-apocalyptic movies "The Mind's Eye" is to David Cronenberg's "Scanners": a contemporary homage that looks/sounds like the genuine article, right down to the ugly-looking logo of the institute at the center of the intrigue. Per Begos' representative at the screening, the director's aim was to make the sequel/follow-up to "Scanners" that he feels the actual "Scanners" sequels didn't live up to. It takes an awful lot of trouble for "The Mind's Eye's" psychokinetic characters to flex their mental muscles. A simple ax or gun seems to do the trick better for most of the film. Even though it mercilessly teases early on that big exploding heads and psychokinetic duels are coming, it's not until the final act that "The Mind's Eye" truly goes berserk in a good way. You know, like "Rabid" and "The Brood" and, yes, "Scanners."

Personally I feel "The Mind's Eye" has some shortcomings in the casting of its leads. Either that or Begos deliberately went with actors that feel miscast (Graham Skipper) or way over the top (John Speredakos) to match similar bad casting in Cronenberg's late 70's/early 80's films. That would be an even more meta tribute to the Canadian master of body horror than the "Videodrome"-like opening titles/fonts that start the movie. At least the supporting cast is populated with low-budget horror luminaries, from Larry Fessenden ("I Sell the Dead") and Jeremy Gardner ("The Battery") to Noah Segan ("Starry Eyes") and Lauren Ashley Carter ("The Woman"). For a 2015 low-budget film that sets its story in the early 90's (which makes it feel closer to Cronenberg's prime decades) the action is decent and the deaths/gore off-the-charts groovy, something "Scanners 2 & 3" definitely skimped on. For fans of body horror missing the old Cronenberg now that the genuine article is doing mostly psychologically-heavy stuff (not that I'm complaining), "The Mind's Eye" will make for a pleasant and entertaining evening's entertainment. Me and the Nitehawk Halloween crowd really dug it.

To call The Mind's Eye a homage to Scanners might be stretching it. A reboot of the Scanners series, maybe. In the long run, this movie is a decent thriller that would probably wow those who never saw the Scanners series. One thing that annoyed me regarding the patients VS the guards is there wasn't any conflict. All the patients had to do was stare down the guards, and that's that. The one guard near the end had it right. He told the lead patient to stare down at the ground or else! It didn't work, but it was a better solution to handle the patients.