Objetivo: París

The movie is a great thriller but when you realize it is real life events happening all around us - you get one hell of a ride. I hope Muslims will make their kids and family watch this so the Muslim Religion will be parted away from this current way of recruiting the weak and troubled - to do horrific acts of terror . I wish this movie will be part of the school teaching - just as movies to avoid drug use or other acts of violence . Go see this and give a high rating .. you will encourage others to watch it too . The characters were interesting and the directing was superb . I'll try to look out for more movies by this director.

This film was doomed because it was made before the January 2015 terrorist attack in Paris, I mean the FIRST terrorist attack. And this movie was supposed to be released just after the SECOND terrorist attack, in November of the same year, the one against the Bataclan and many other places. Mass killings that made more than one hundred and forty casualties. Useless to say that no theatre nor distributor dared to show this movie. No one. They feared about riots among the audience, where you have a huge Islamist community. Dimitri Storoge is outstanding as the leader of the group of fanatics. He is convincing at the most. Malik Zidi plays the undercover cop who is sent to infiltrate the French ISIS cell. His character is the weakest, the less convincing, annoying at the most. Predictable at a scale you can't imagine. He has an authentic traitor's face. His double character is too obvious to be believable. A real undercover cop or agent would never behave like this, unless to have suicidal tendencies. I guess there will not be many other movies speaking of this topic. Not so close I mean. But we can watch and interpret this feature from many sides, with many points of view. It is really a hot subject. And the more the time goes, the more it will be hot. We see here the inside of those fanatics groups, as Paul Greengrass did ten years ago with UNITED 93, about the 9/11 attack terrorists. But in a quite different manner although. We can think and try to analyse their motivations, even if we of course don't approve them.

A very interesting film.

This movie tells how religion can be used to lead people to fanatism. By extremist which is the purpose this film want to demonstrate, but not only it could be anyone with hidden motive (and actually preacher in "hidden" mosque are compared to sect leader by the way they brainwash their followers).

We follow a journalist, that intends to write a book on extremist islam in France. The comeback from Afghanistan from one guy transforms it in the making of an jihad group in Paris, and the vicious circle is triggered.

The point of view chosen, of this journalist, is interesting as it creates an objective distance with the ideas, the easiness everything progress towards the worst. It also shows how someone that do not share these ideas can still be affected, only because of the links created with others. And of course, it adds a tension in the movie wether or not he will be uncovered. The realistic treatment given to the initial situation and story adds to that and makes it a really interesting movie, that is worth many "headline investigations" that water on TV, especially the first part.

Of course, not everything is realistic, some characters are'nt that convincing (and tries too much to handle every kind of possible jihadist) and their development can be too quick. The second part of the movie is more evolving into a genre movie but keeps things at a realistic level. It tells above all of the easiness with which lost lambs can fall into fanatism traps.

A well-made film, good acting. It is essentially essayistic: it argues less for dramatic cinema than it does to inform, like a documentary but not a documentary. The film that I would suggest as followup -- and works better as dramatic film -- is *Carlos* directed by Assayas (the mini-series is complete and longer than the feature film version). *Carlos* is the historical setup for *Made in France*; the former lays the groundwork, twenty-five years earlier, for the context of *Made in France*.