Añade un argumento en tu idiomaSatirical sitcom about how friends, family, historical circumstances, and his arch-rival Robert Greene, who first coined the derogatory term "upstart crow", influenced William Shakespeare to... Leer todoSatirical sitcom about how friends, family, historical circumstances, and his arch-rival Robert Greene, who first coined the derogatory term "upstart crow", influenced William Shakespeare to write his famous plays.Satirical sitcom about how friends, family, historical circumstances, and his arch-rival Robert Greene, who first coined the derogatory term "upstart crow", influenced William Shakespeare to write his famous plays.
- Nominado a 1 premio BAFTA
- 3 premios y 5 nominaciones en total
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In a time when too many television comedies have become filled with formulaic stereotypes, Upstart Crow presents a funny show that doesn't talk down to the audience. I love the insider references to past shows such as Rise and Fall of Reginald Perrin and Will's constant complaints about travel from London via coach. I love the creative language and the hints of prescience that come in as well as references to ideas that get scuttled or titles that get changed. The character of Green absolutely eats up the scenery, but there are wonderful low key performances from all of the characters. I have not enjoyed a series as much since the Elizabethan era BlackAdder or perhaps Fawlty Towers.
I find rather hard to believe that folk believe that there is canned laughter in this show. I also find it had to believe that someone who claims to have watched only 30 seconds of it can actually judge. I have attended 2 recordings of this rather clever show and can categorically state that the laughter is real laughter from real people sitting in their bums watching the actors sweating. Ben Elton is there throughout, pointing clues between takes for those not fully versed in Shakespeares. In fact in some of the breaks where characters have to make lengthy costume change he goes into long spiels about have British sit-coms are made and that laughter tracks are never used at the BBC.
Second series in now in the can - hopefully there will be a third.
Second series in now in the can - hopefully there will be a third.
Yes, there are some references, including 'Bob' making an entrance, but it's disappointing that UC is down-rated by those who see it as a Blackadder series.
The dialogue is tight and fast-paced, makes great play with the absurdities of A level study and intersects with several historical and modern day themes, particularly as Southern Rail which is hilarious.
The cast are all excellent, whether playing straight or hamming it up. David Mitchel is a real surprise and Mark Heap is delightfully awful as the nasty, conniving, petulant, supercilious Robert Greene. However, Gemma Whelan is simply superb. She switches acting mode with incredible ease, delivers lines with extraordinary dexterity and pace and is captivating when reciting verse.
The live audience obviously enjoy the performances most heartily and the actors deftly weave around the spontaneous guffawing, This only adds to the timing and pace of the acting.
Ben Elton has done his homework and ought to get an armful of awards for it.
Please don't compare this to Blackadder. Take it as an intelligent, well acted farcical mickey take of Shakespeare and you'll get it. A first class production.
The dialogue is tight and fast-paced, makes great play with the absurdities of A level study and intersects with several historical and modern day themes, particularly as Southern Rail which is hilarious.
The cast are all excellent, whether playing straight or hamming it up. David Mitchel is a real surprise and Mark Heap is delightfully awful as the nasty, conniving, petulant, supercilious Robert Greene. However, Gemma Whelan is simply superb. She switches acting mode with incredible ease, delivers lines with extraordinary dexterity and pace and is captivating when reciting verse.
The live audience obviously enjoy the performances most heartily and the actors deftly weave around the spontaneous guffawing, This only adds to the timing and pace of the acting.
Ben Elton has done his homework and ought to get an armful of awards for it.
Please don't compare this to Blackadder. Take it as an intelligent, well acted farcical mickey take of Shakespeare and you'll get it. A first class production.
I came across this on TV a couple of weeks ago, and I was surprised by how funny it was. I wasn't aware at the time that it was from the writer of "Blackadder", but it certainly shows in the quality. The cleverest thing is the dialogue. It's a great mix of Shakespearean phrases and modern English brilliantly rolled into one. The jokes are very funny, and the cast well-chosen (Mitchell is excellent as Shakespeare). If you haven't seen this, I'd recommend checking it out. It's well-worth your time if you like British Comedy.
I've read the other (negative) review on here, and I sympathise, I can understand how this show isn't going to be to everyone's taste, but I enjoyed it on second watch, and have enjoyed subsequent episodes. I get the impression that there's been an attempt to recreate Blackadder, the visuals, ideas and setup, are very similar to Blackadder's early years. Naturally Upstart Crow doesn't come close to the great Blackadder, but it's still a worthy attempt, and has certain merits of its own. My main criticism of this is the hideous use of canned laughter, at times it is unbearable, a semi joke, and the audience are laughing hysterically, it doesn't help. I've always been a fan of David Mitchell's brand of comedy, the supporting cast are fun, I think it's quite underrated.
¿Sabías que...?
- CuriosidadesThe title of the series refers to a pamphlet published in autumn of 1592 in which playwright and poet Robert Greene referred to William Shakespeare as an "upstart crow".
- PifiasIn the first episode, Will's daughter, Susanna, is said to be 13. Susanna was baptized May 26, 1583, placing the episode (and the series) around 1596. Yet, Christopher Marlowe (who was killed in 1593) is portrayed as still being alive.
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