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IMDbPro

¿Qué invadimos ahora?

Título original: Where to Invade Next
  • 2015
  • 7
  • 2h
PUNTUACIÓN EN IMDb
7,5/10
26 mil
TU PUNTUACIÓN
¿Qué invadimos ahora? (2015)
To learn what the USA can gain from other nations, Michael Moore playfully "invades" them to see what they have to offer.
Reproducir trailer2:31
4 vídeos
20 imágenes
SátiraComediaDocumental

Para saber lo que Estados Unidos puede aprender de otras naciones, Michael Moore los "invade" en broma para ver lo que tienen para ofrecer.Para saber lo que Estados Unidos puede aprender de otras naciones, Michael Moore los "invade" en broma para ver lo que tienen para ofrecer.Para saber lo que Estados Unidos puede aprender de otras naciones, Michael Moore los "invade" en broma para ver lo que tienen para ofrecer.

  • Director/a
    • Michael Moore
  • Guionista
    • Michael Moore
  • Estrellas
    • Michael Moore
    • Johnny Fancelli
    • Christina Fancelli
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,5/10
    26 mil
    TU PUNTUACIÓN
    • Director/a
      • Michael Moore
    • Guionista
      • Michael Moore
    • Estrellas
      • Michael Moore
      • Johnny Fancelli
      • Christina Fancelli
    • 146Reseñas de usuarios
    • 200Reseñas de críticos
    • 64Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 4 premios y 13 nominaciones en total

    Vídeos4

    Official Trailer
    Trailer 2:31
    Official Trailer
    Teaser
    Trailer 1:23
    Teaser
    Teaser
    Trailer 1:23
    Teaser
    Where to Invade Next
    Clip 0:48
    Where to Invade Next
    Where to Invade Next
    Clip 0:46
    Where to Invade Next

    Imágenes20

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    Reparto Principal53

    Editar
    Michael Moore
    Michael Moore
    • Self
    Johnny Fancelli
    • Self
    Christina Fancelli
    • Self
    Lorena Lardini
    • Self
    Luigi Lardini
    • Self
    Annarita Lardini
    • Self
    Claudio Domenicali
    • Self
    Salvatore Bernaducci
    • Self
    Valérie Rano
    • Self
    Krista Kiuru
    • Self - Finnish Minister of Education
    Pasi Majasaari
    • Self - High School Principal
    Anna Hart
    • Self - First Grade Teacher
    Leena Liusvaara
    • Self - School Principal
    Arttu Taipale
    • Self - Finnish Student, year abroad in U.S.
    Meghan Smith
    • Self - teacher, U.S. Native
    Pasi Sahlberg
    • Self - Education Policy Advisor, Finland
    Matej Zebovec
    • Self
    Sean Nolimal
    • Self
    • Director/a
      • Michael Moore
    • Guionista
      • Michael Moore
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios146

    7,526.3K
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    Reseñas destacadas

    8coryandricks

    One of Moore's Best

    This is one of Michael Moore's best documentaries. It tackles many of the issues that are relevant in America's current socio-political climate (healthcare, paid leave, education, mass incarceration, drugs) but without the usual flashy, confrontational gimmicks that we have come to associate with Michael Moore. Instead, he simply takes us on a learning tour to other countries that have come up with wildly successful solutions to these issues. We have all these prime examples of programs that actually work, yet somehow, here in America, socialism is still a dirty word, so we insist on more of the same failed policies despite all the data proving otherwise because we refuse to accept that somebody other than America got it right. If you're like me (brimming with cynicism in the abyss of absolute hopelessness for this country), it's at least nice to be reminded of what is possible.
    10izadifar

    Brilliant

    Just like Mr. Moore's previous works, brilliant, raw and based on the truth and statistics. The contrast was overwhelming and sickening but he finished it on a positive note. That if only we realize we, the people, realize we have all that it takes, we can bring the wall down, one hammer and chisel at a time. But as one of the guys in the movie said we have "a long way to go". He covered all the relevant issues of our today's society, from women's equal pay to nutrition, from student loans to bankers getting away with murder, from criminalization of drugs and its connection to race to police brutality, from an overworked and underpaid society to disappearance of middle class, from capital punishment to mistreatment of the incarcerated, and more....It is eye-opening and educational, to say the least and makes you wonder why we we "go home and are okay" with all of this. Because "nobody should be".
    9Art Snob

    Your enjoyment will be in 100% accordance with your appreciation of Michael Moore

    It was worth waiting nearly three hours in a rush line to catch a screening of this film at TIFF. Mike was there, and when he mentioned before the screening that he made this movie entirely with his own money because he wanted 100% control of it, my expectations were immediately elevated.

    And definitely rewarded. Whatever your favorite Moore outing is, I can tell you that this film compares favorably to it. But what really made this a memorable experience for me was that after the movie, Moore invited the entire audience to a ticket-holders Q & A with drinks and refreshments at a pub close by. I had to skip the next movie on my docket in order to attend, but I sure wasn't going to miss this!

    The movie might be called "Non-American Exceptionalism." In it, he "invades" a host of (mostly European) countries to "capture" their best ideas. These ideas turn out to be systems – be they economic, institutional, educational, penal, etc. – where desirable ends that could never be realized in America are par for the course. It can be a prosperous factory in Italy where the workers are well-paid and get fantastic benefits … it can be the cost-effective school lunch program in France where kids get chef-made gourmet meals every day … it can be the free college in Slovenia ... you get the gist. While Moore doesn't pretend that these countries have no problems (watch the right-wing media say otherwise), his examples certainly seem to be "winners" that he invites scrutiny of.

    What's likely to be most controversial about this movie is one of the conclusions he draws: that systems seem to work better when women are involved in the decision-making process. When I asked him at the Q & A how he thought Fox was going to spin this film, he said that with the female-friendly theme, they'll probably say that it's a campaign commercial for Hillary. (For the record, his hero female politician is Elizabeth Warren).

    Obviously, your potential enjoyment of this film is completely Moore-dependent. If you've ever enjoyed one of his provocateur films, you can put this one down as a sure thing; if you're one of his detractors, this will make you resent him all the more. Seeing this as a member of the former group and getting to attend a one-of-a-kind Q & A afterward definitely made this one of my all-time TIFF outings.
    7raidatlanta

    a great film, for Americans

    I gave this movie a 7 (hesitated with 8) because it is a good film. It is funny, entertaining, it shows things that are true. Something that is nice is that it seems also that Moore tries to show as many countries as possible, even countries that some people might feel are "forgetable", etc.

    The reason why I do give a lower mark is that it is a film that is really made for a US audience. Having spent a good deal of time in North America I can completely understand why he tries to make it so that the ideas shown and expressed in the film are as "American" or "American born" as possible, but when you're from someplace else, and when you know more about history or such things in general, it seems just a bit annoying that they try to make some ideas that are pretty much universal, or just not American, as American as possible. The ending is also quite cliché, but it just reflects and intensifies the previous comment. it's actually because of the very-patriotic-to-get-republicans-to-listen ending that i decided to give this movie a7 instead of an 8.

    for non us viewers I would say that you can just skip the last 15 minutes, but that the rest is great
    10interestingfunstuff

    I'm A Grown Man And I Literally Cried!

    We Americans have a lot to learn from other cultures. Most Americans think they are "the best" in the world - IN EVERYTHING - AND THAT'S UTTER NONSENSE! It's a form of social control used by various elites to keep the average American from knowing what is possible with the great wealth and power our country has accumulated. We have been brainwashed into taking crumbs and believing that's all we deserve from our society.

    We are also deliberately kept ignorant about the rest of the world and how much better many countries treat their citizens - since our school systems pretend that most of the world outside of Mexico, Canada and a few large countries in Europe and Asia - simply doesn't exist. It outrageous. We are such fools!

    I'm an extremely well-informed person and I didn't even know about half of what Michael Moore mentioned in his film! I can only imagine all the dunderheads out there who have never even heard the names of some of the countries mentioned in Where To Invade Next! Be curious about the rest of the world. It has a lot to teach us!

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    Intereses relacionados

    Peter Sellers in ¿Teléfono rojo? Volamos hacia Moscú (1964)
    Sátira
    Will Ferrell in El reportero: La leyenda de Ron Burgundy (2004)
    Comedia
    Dziga Vertov in El hombre de la cámara (1929)
    Documental

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      During the Norway segment, it is stated that mass murderer Anders Behring Breivik, who was responsible for several terrorist attacks in 2011 that killed 77 Norwegians, was sentenced to a minimum of 10 and a maximum of 21 years in prison. It is also mentioned that 21 years imprisonment is the maximum penalty in Norway, regardless of how many casualties there were. Although this is true, it should be added that Breivik was specifically sentenced to containment. Containment or preventive detention means that although the initial sentence is 21 years, the imprisonment can be extended indefinitely, as long as the convict is considered a danger to society, so in practice this probably means life imprisonment.
    • Pifias
      When listing what the French get extra for their tax money besides basic services, on screen text states 4 weeks paid vacation. The French have a minimum of 5 weeks paid vacation and 11 legal holidays a year.
    • Citas

      Michael Moore: I am an American. I live in a great country, that was born in genocide and built on the backs of slaves.

    • Créditos adicionales
      At the end of the credits, we see a woman scaling a flagpole and cutting down a Confederate Battle Flag, while we hear a pair of men (presumably some sort of law-enforcement officers) requesting that she stop. Accompanying that scene are the words of Moore's battle cry: "Hammer. Chisel. Down."
    • Conexiones
      Featured in Hollywood en primer plano: Documentary (2016)

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    • How long is Where to Invade Next?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de mayo de 2016 (España)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Michael Moore Official Website
      • Official Facebook
    • Idiomas
      • Inglés
      • Italiano
      • Francés
      • Alemán
      • Noruego
      • Portugués
      • Árabe
    • Títulos en diferentes países
      • I ara, què envaïm?
    • Localizaciones del rodaje
      • Portugal
    • Empresas productoras
      • Dog Eat Dog Films
      • IMG Films
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 3.827.261 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 897.034 US$
      • 14 feb 2016
    • Recaudación en todo el mundo
      • 4.664.756 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 2h(120 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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