Goodbye Berlín

This is my first movie that I watched from Fatih Akin. Shame on me! I am deeply impressed his innocent language in telling the story of two boys and the other characters. Tschick (Goodbye Berlin) tells a very ordinary story around two teenagers with an amazing beautiful way. I think that the success of the movie is not trying to tell the story from an adult view, on the contrary, telling like a teenager who talks about what happened during the last summer. The tune between sadness and happiness is very balanced. I like movies that not trying to exploit / (ab)use audience's weak points and Tschick (Goodbye Berlin) is also not trying to do this and set the audience free. For me, the main outcome (if we need a message from every movie that we watched) is "to be yourself" and "to accept life and people around you as well as yourself". There are many upsetting around two boy characters but all are experienced not in a melodramatic way but very truthful way like all we experienced when we were young. Anand Batbileg (Tschick) and Tristan Göbel (Maik) play their role perfectly. As I was watching the movie, I have never thought on their performances as "Oh no it is too exaggerated way" or "they are short for the role". I like this movie. It is honest, cheerful, hopeful and very very sentimental. I like sentimental laughter. (*) Mylast note for the admin. It is not possible to write Fatih Akin's surname in its original way. In Turkish we have small "I" and this field doesn't accept it. His surname is not written with "i" but with small "I". You may need fixing this. Thank you!

I think it'd be safe to say that fourteen year-old "Maik" (Tristan Göbel) is a bit of an under-performer at school. His mind is always elsewhere, not helped by his dipso mother who is frequent away for her "health" and his oblivious father. Hormones are also raging too - one of the class cuties is to celebrate her birthday shortly and he's desperate that she invite him to her party. His priorities take an unexpected turn, though, when "Tschick" (Anand Batbileg) arrives at his school. This lad quickly deals with the school smart-asses and the two form an unlikely friendship that eventually sees the new boy procure a rusty old blue Lada and them heading off on a road trip. What now ensues is all rather standard fayre, but it's still quite good fun as they both learn about themselves and each other whilst encountering a little lively romance on their travels with the equally adrift "Isa" (Mercedes Muller). It's told episodically and that allows the appearance of loads of different characters, briefly, to spice up their adventure - one that doesn't really have a goal. Göbel and Batbileg work well together and the aimlessness of their journey, their scrounging and their petty mischief making reminded me occasionally of an "Herbie" movie! It's not especially original, nor is it likely to stick in your mind for long but it does tug at a few memories of when I was fourteen, had a new best friend, and the world was at my feet.

The acting in this movie isn't the best and the movie has some passages that are boring but the story is solid. (Only recommend if you read the book)

Charming, amiable teen-age comedy with a few moments of sadness thrown in as well. Two 14 year old 'outsider' boys in Berlin form a friendship, and take off for the country in a stolen car, seeking adventure.

The odd couple of friends here are pretty endearing. There's no big, obvious reason Maik is an outsider. He's OK looking, not a bad kid, not a teacher's pet or a bad boy. He just has the bad luck of not standing out enough to make him cool, so he's become a non-entity in his class. His counterpart – the very hard to overlook Tschick -- is an extremely tall Russian immigrant 'new-kid' with a silly hair cut and a bad-ass tough attitude. Their bond is sweet, and somehow believable.

Based on a popular young-adult German novel, "Tschick" is not as edgy, odd and original as most of Akin's films, but has just enough quirk and personality to keep it from falling into feeling too familiar, even if the basic story is a variation on something we've seen many times. Of all Akin's earlier films probably the closes analog is "In July" (2000) – a familiar rom-com story given a personality through Akin's approach.

If not the revelation I was hoping for given the brilliance of Akin's best films ("Head-On", "The Edge of Heaven") it's still a likable coming of age film with it's own bittersweet take on the world.

German road movie about two teenage boys going on German roads during summer vacations. It is a simple movie but very well executed and with a great cast. It makes you want to become young and fearless again, nostalgia, nostalgia, always a powerful sentiment. In background it tackles important topics including dysfunctional families and races.