Lucy y Desi deben superar grandes retos, mientras se enfrentan juntos primero a una crisis que podría terminar con sus carreras y luego a otra que podría terminar con su matrimonio.Lucy y Desi deben superar grandes retos, mientras se enfrentan juntos primero a una crisis que podría terminar con sus carreras y luego a otra que podría terminar con su matrimonio.Lucy y Desi deben superar grandes retos, mientras se enfrentan juntos primero a una crisis que podría terminar con sus carreras y luego a otra que podría terminar con su matrimonio.
- Nominado para 3 premios Óscar
- 13 premios y 61 nominaciones en total
Resumen
Reseñas destacadas
Over the years I have picked up the occasional tid bits of information about them, but never really went looking. I was eager to watch this movie, and admittedly did learn a lot.
What was missing for me, was the emotional attachment that I was very surprised I did not feel towards the movie characters considering the fond feelings and memories I have towards the original people.
I felt like Nicole Kidman just lacked something that Lucille Ball had.
I dont know if it was her acting as much as it was a screenplay that didn't quite reach the depth of, or really capture, the obviously intense time during that particular week of their lives. The movie did show a few flashbacks to give the audience a chance to connect and understand the characters more deeply but for me it did not do that. It only left me feeling more disengaged. Both of them, I am positive, had interesting and incredible lives, just by the lone fact of the time period they lived in. Everyone who lived during that time has a shared understanding that we , as later generations just dont get. The sreenplay fails to fully make the audience FEEL what that timeframe in our history felt like, and todays generations cant really emotionally connect without understanding THAT first. For me, That was the first step backwards. Without Kidman bringing to life, Lucy, I was emotionally absent.
As usual, I am in the minority again about my opinion of the actor Bardem. I actually think he did better than Kidman in bringing his character to life. In fact, it was both male actors (Bardem as Desi and Simmons playing Fred) that blew the 2 main female leads, (kidman as Lucy and Arianda as Ethel)out of the water.
It was an okay movie. A little stiff, a little unemotional. And it did make me really crave for someone to step up and write a great mini series about Desi and Lucy. Because I dont think you have a chance of capturing them in a 2 hour movie.
And of course, maybe hire an unknown yet exceptional actress to play Lucy. There are plenty to choose from.
I suspect there are two different audiences and levels of appreciation for this movie - those who grew up watching "I Love Lucy" and those who didn't. My wife and I are the former, I was 12 when the show ended its run, I have a very clear memory of the TV show, a little from original shows and more from watching reruns. In the hit show, Lucille Ball as Lucy was a bit dimwitted.
In real life Ball was nothing like that. She was bright and driven and often attended too little to the feelings of others. She had high standards for episodes, while her husband Desi was the businessman behind it all. Together they formed quite a team and "I Love Lucy" was one of the most successful entertainment enterprises ever.
This movie focuses on a particular week during which they geared up for that week's episode, but also were hit with headlines that implicated Ball as a member of the Communist Party. Plus Lucille found out she was pregnant with her second child. When the episode was about to be filmed for the week there was a call from J Edgar Hoover to Desi, shared with the live audience, but that was creative license, in real life it didn't happen. The movie also shows some of the formative years, as far back as the 1940s, and the events that shaped her career direction.
Kidman and Bardem are wonderful in their roles and the whole movie is a superb glimpse into what "I Love Lucy" was all about, especially all the things we DIDN'T see during the telecasts. I viewed it again a few weeks later and enjoyed it even more because I had a clearer image of what all was going on. I will likely view it a few more times, it is that good.
Also worthwhile looking up is a 2020 documentary "Finding Lucy", 83 minutes long, now easily available for free viewing on the internet. I watched it also and it helps appreciate the movie even more. After she and Desi were divorced she bought out his share of Desilu studios. She became the boss, she made the tough decisions. To her credit it was during her watch that two groundbreaking TV series were approved - 'Mission: Impossible" and "Star Trek." I'd say she was overall a pretty successful lady in show business. I love Lucy.
Of course, there is such a thing as dramatic license - okay. However, this went above and beyond. I will cite a few things here, but by no means ALL:
Ricky and Lucy didn't meet the way as shown in the film. Lucille showed up at a rehearsal to say hello to the director of whatever movie Ricky was doing, and she was a mess from her previous film, all as shown. When she came back another time, Ricky didn't realize it was the same woman. When he did, he said, "That's a hunk of woman!"
Immediately before the filming of episode 68 ("The Girls Go Into Business") of I Love Lucy (which did not include fixing Fred up with a woman), Desi Arnaz, instead of his usual audience warm-up, told the audience about Lucille and her grandfather. Reusing the line he had first given to Hedda Hopper in an interview, he quipped:
"The only thing red about Lucy is her hair, and even that is not legitimate."
Lucille Ball was 31 when she made the Big Street at RKO, not 39. RKO had suspended her when she refused to be billed fourth in a film. Her good reviews for The Big Street brought a better offer from MGM.
What was the deal with mentioning Judy Holliday? Holliday wasn't around, even on Broadway, until the mid-40s and didn't make a splash in film until circa 1949. She was no rival to Lucille Ball.
Jean Arthur and Barbara Stanwyck were sought for The Big Street; Runyon insisted on Ball.
Aaron Sorkin's script is a muddled mess, combining the Communist scare and little Ricky's birth, which happened in two different years. The result for me anyway is that they both got lost amid Lucy's staging of one scene in the show, which was episode 22, not 37.
Also, in real life, Lucille Ball was referred to as Lucille, not Lucy.
Regarding the performances, I thought Nicole Kidman had the voice and personality down flat. As far as her face being frozen, I'm not sure that much makeup was necessary. Bardem looks nothing like Arnaz, so why the pressure to have Kidman look exactly like Lucy? She had the hair, the eyes, the voice, the essence. A little less makeup would have been fine.
I know people say she was miscast because they wanted a lookalike. Debra Messing would have been fine for the "I Love Lucy" part but she is not the actress that Kidman is. Bardem was excellent. J. K. Simmons and Nina Arianda were fabulous as Fred and Ethel. Actually the whole cast was excellent and totally wasted.
¿Sabías que...?
- CuriosidadesPrior to filming, Lucie Arnaz (daughter of Lucille Ball and Desi Arnaz) had told writer/director Aaron Sorkin that it was okay to make Lucille stubborn and headstrong in the movie, as this was how she was in real life. After seeing the movie, Arnaz released a video on her YouTube Channel on 17 October 2021, in which she called the movie "freaking amazing." She complimented Sorkin for making a great movie that really captured the time period and had wonderful casting. She also said that Nicole Kidman "became my mother's soul." She also said that Javier Bardem didn't look like her dad but, "he has everything that dad had. He has his wit, his charms, his dimples, his musicality."
- PifiasThe movie portrays Lucy's contract at RKO being dropped after her performance in Su última danza (1942) and has RKO's head of production state that at 39 years old she should try radio. In reality Lucy was only 31 when "The Big Street" was released in 1942. Her contract was not dropped by RKO, but rather bought out by MGM, who was impressed by her performance. While working for MGM, Lucy became a redhead. She remained under contract to them until 1946. Additionally, Lucy did not seek out radio until 1948 while concurrently working in movies as a freelance actress.
- Citas
Lucille Ball: I am the biggest asset in the portfolio of the Columbia Broadcasting System. The biggest asset in the portfolio of Philip Morris Tobacco, Westinghouse. I get paid a fortune to do exactly what I love doing. I work side by side with my husband, who's genuinely impressed by me. And all I have to do to keep it is kill every week for 36 weeks in a row. And then do it again the next year.
- ConexionesFeatured in The Late Show with Stephen Colbert: Javier Bardem/Gang of Youths (2021)
- Banda sonoraShe Could Shake the Maracas
Written by Lorenz Hart, Richard Rodgers
Produced by Michael Andrew
Performed by Javier Bardem with The Michael Andrew Orchestra
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Todo sobre los Ricardo
- Localizaciones del rodaje
- RMS Queen Mary - 1126 Queens Highway, Long Beach, California, Estados Unidos(Ricky's club interior)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración
- 2h 11min(131 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1