Un doctor en la campiña

When you get a good movie, that is a good story, with good actors and the whole thing knits together with no real nasties, then you finish the film in some frustration because it needed to go on another hour or so, so that you can wallow in the good feeling it gives out. Real people is the theme, real situations and no horrid surprises out of the blue. I enjoy this genre of French films, I wish other countries could grasp the idea of escapism that is quite realistic - so that life could be like this. Some familiar faces from other movies, as ever the beautiful French countryside stars too. I'm off to buy the dvd.

Nothing innovative, but with a sensitivity, simplicity that enchant, a cute and delicious cake recipe to taste... More of the same, but with a touch of purity, an abrupt ending, almost imperceptible, beautiful and happy, delicate and adorable...

Other reviewers here have written about 'A Country Doctor' far better than I can. Still, I want to add a big thumbs up. This is a great, very well-acted movie that touches and warms the heart. It's about a country doctor who has devoted his life to helping his patients in the small village he lives in. When he is diagnosed with a cancerous brain tumor, he is assigned an assistant, who happens to be a female. There is some obvious tension between them at first. The script writer wisely uses their developing relationship, both professional and personal, in a totally tasteful way.

One thing I like about some French movies I've seen is that the plots are simple, but the results are profound because of the script, acting, etc.; also, there are many sub-plots that enrich the movie and give a lot of actors an opportunity to be in a movie. All the minors actors in this movie do a great job.

Because it's a French movie there's no discussion about money, what any treatment costs, etc. The French have a great health care system. They value human beings. Who wants to worry about money when one's health is involved?

To urban eyes, the rural doctor stereotype is a walking museum of what village medicine used to look like in bygone days. French filmmakers excel in portraying this endangered species and they have done so yet again in the delightful character-rich film The Country Doctor (2016) (Médecin de campagne). To enhance our sense of the fading rural life, the story is framed around a doctor whose own time is fading as the irreplaceable linchpin of his village community.

Made by medic-turned-director Thomas Lilti, the plot is best described as a series of insightful vignettes of rural medicine practised the old-fashioned way. The greatly admired Dr Jean-Pierre (François Cluzet) has been caring for the village most of his life and now learns that he has a life- threatening tumour. Ordered to slow down for treatment, medical authorities send an assistant doctor, Nathalie Delezia (Marianne Denicourt) who quickly proves unnervingly competent and willing to lighten his load. Predictably, Jean-Pierre does not take well to losing his role as sole-carer for the village and mischievously makes things difficult for her. He sends her into farms and homes with known annoyances to discourage her from staying, but when she proves her worth in medical emergencies he is forced to accept her help. As his prognosis worsens, the growing respect between them becomes noticeably warmer as they both confront an uncertain future.

In many respects, this story is a predictable cluster of clichés made attractive by a picturesque rural setting captured perfectly with camera-work sympathetic to its natural beauty. Like in many countries, a rural doctor's life is a public script of farmyard and roadside accidents, comforting home visits, and a surgery full of patiently waiting regulars with ailments both serious and small. The village community adores their doctor and the doctor in turn is a caring father to all. But this is a film where the simple plot and its constructions are less important than its characterisations. François Cluzet is France's version of Dustin Hoffman, an actor who radiates open warmth, compassion and understanding. His almost musical face can express emotion with a single note consisting of a slight raising of an eyelid, or a wry turn of a lip that hints of a smile, or a faintly furrowed brow that speaks concern. Marianne Denicourt is perfectly cast as the late blooming nurse turned doctor, whose big eyes converse at first hesitantly then warmly with the reluctant senior medic. While the plot may be clichéd, their relationship has none of the conventional hallmarks of romance. Indeed, it is only in the final minutes that we sense their comfort in one another's presence.

This is a fine example of classic French romantic drama. It is totally driven by characterisation that is earthy, understated and open-hearted with a rich rural aesthetic that evokes the mutual dependencies that are typical amongst country people. It speaks of the unstated and unseen organic wholeness of community that is rare in urban life. It is also a film where most viewers leave with an unmistakable smile.

Compelling story about a couple of countryside physicians, especially the male one played by the always convincing François Cluzet. A devoted doctor, a man deeply involved with people living in small villages, lost farms, far from the madding crowd. A man who is also aware to have cancer, and who tries anyway to fight like a dog to, against all odds, help the others. I liked the supporting characters who, I am sure, were not played by professional actors, but whose performances are however outstanding. A movie about true life, true people, those whose we too rarely talk about. The people from the deep France, far from the crowded suburbs.

Very compelling feature directed by an authentic doctor in real life.